When Josh's mother dies in a phobia-induced car crash, she leaves two questions for her grieving family: how did a snake get into her car and how do you mourn with no faith to guide you?
Twelve-year-old Josh is left alone to find the answers. His father is building a time machine. His four-year-old brother's closest friend is a plastic Power Ranger. His psychiatrist offers nothing more than a blank journal and platitudes. Isolated by grief in a home where every day is pajama day, Josh makes death his research project. He tests the mourning practices of religions he doesn't believe in. He tries to mend his little brother's shattered heart. He observes, records and waits—for his life to feel normal, for his mother's death to make sense, for his father to come out of the basement.
His observations, recorded in a series of journal entries, are funny, smart, insightful—and heartbreaking. His conclusions about the nature of love, loss, grief and the space-time continuum are nothing less than life-changing.
Catherine Austen worked in the conservation movement before becoming a freelance writer. She lives in Quebec with her husband, Geoff, and their children.Her novels with Orca include Walking Backward and All Good Children.
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Dr. Tierney sent a scribbled note with the journal. It's very important to write every time you have a strong feeling, Josh, and review the journal each week. So when someone makes me laugh or cry, I'm supposed to say, "Hey, man, I've got a strong feeling coming on," and rush off to write it down. It's supposed to be private, but Dad will probably sneak into my room to read it. Then he'll think I'm sad all the time, and that will turn him into a sad person too. Seriously, this thing is dangerous.
