Waging War on War: Peacefighting in American Literature
The notion that war plays a fundamental role in the United States' idea of itself obscures the rich—and by no means naïve—seam of anti-war thinking that winds through American culture. Non-violent resistance, far from being a philosophy of passive dreamers, instead embodies Ralph Waldo Emerson's belief that peace "can never be defended, never be executed, by cowards."

Giorgio Mariani rigorously engages with the essential question of what makes a text explicitly anti-war. Ranging from Emerson and Joel Barlow to Maxine Hong Kingston and Tim O'Brien, Waging War on War explores why sustained attempts at identifying the anti-war text's formal and philosophical features seem to always end at an impasse. Mariani moves a step beyond to construct a theoretical model that invites new inquiries into America's nonviolent, nonconformist tradition even as it challenges the ways we study U.S. warmaking and the cultural reactions to it. In the process, he shows how the ideal of nonviolence and a dislike of war have been significant, if nonhegemonic, features of American culture since the nation's early days.

Ambitious and nuanced, Waging War on War at last defines anti-war literature while exploring the genre's role in an assertive peacefighting project that offered—and still offers—alternatives to violence.

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Waging War on War: Peacefighting in American Literature
The notion that war plays a fundamental role in the United States' idea of itself obscures the rich—and by no means naïve—seam of anti-war thinking that winds through American culture. Non-violent resistance, far from being a philosophy of passive dreamers, instead embodies Ralph Waldo Emerson's belief that peace "can never be defended, never be executed, by cowards."

Giorgio Mariani rigorously engages with the essential question of what makes a text explicitly anti-war. Ranging from Emerson and Joel Barlow to Maxine Hong Kingston and Tim O'Brien, Waging War on War explores why sustained attempts at identifying the anti-war text's formal and philosophical features seem to always end at an impasse. Mariani moves a step beyond to construct a theoretical model that invites new inquiries into America's nonviolent, nonconformist tradition even as it challenges the ways we study U.S. warmaking and the cultural reactions to it. In the process, he shows how the ideal of nonviolence and a dislike of war have been significant, if nonhegemonic, features of American culture since the nation's early days.

Ambitious and nuanced, Waging War on War at last defines anti-war literature while exploring the genre's role in an assertive peacefighting project that offered—and still offers—alternatives to violence.

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Waging War on War: Peacefighting in American Literature

Waging War on War: Peacefighting in American Literature

by Giorgio Mariani
Waging War on War: Peacefighting in American Literature

Waging War on War: Peacefighting in American Literature

by Giorgio Mariani

Hardcover(1st Edition)

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Overview

The notion that war plays a fundamental role in the United States' idea of itself obscures the rich—and by no means naïve—seam of anti-war thinking that winds through American culture. Non-violent resistance, far from being a philosophy of passive dreamers, instead embodies Ralph Waldo Emerson's belief that peace "can never be defended, never be executed, by cowards."

Giorgio Mariani rigorously engages with the essential question of what makes a text explicitly anti-war. Ranging from Emerson and Joel Barlow to Maxine Hong Kingston and Tim O'Brien, Waging War on War explores why sustained attempts at identifying the anti-war text's formal and philosophical features seem to always end at an impasse. Mariani moves a step beyond to construct a theoretical model that invites new inquiries into America's nonviolent, nonconformist tradition even as it challenges the ways we study U.S. warmaking and the cultural reactions to it. In the process, he shows how the ideal of nonviolence and a dislike of war have been significant, if nonhegemonic, features of American culture since the nation's early days.

Ambitious and nuanced, Waging War on War at last defines anti-war literature while exploring the genre's role in an assertive peacefighting project that offered—and still offers—alternatives to violence.


Product Details

ISBN-13: 9780252039751
Publisher: University of Illinois Press
Publication date: 12/07/2015
Series: Global Studies of the United States
Edition description: 1st Edition
Pages: 296
Product dimensions: 6.12(w) x 9.25(h) x 1.00(d)

About the Author

Giorgio Mariani is a professor of American literature at the Sapienza University of Rome. He is the author of Spectacular Narratives: Representations of Class and War in Stephen Crane and American Popular Literature of the 1890s.

Table of Contents

Preface ix

Acknowledgments xix

Part I Theory

1 Anti-War? Notes on a Ghostly Concept 3

2 Ad Bellum Purificandum: Giving Peace a Fighting Chance 31

3 The Rhetorical Equivalent of War: William James, Kenneth Burke, Stephen Crane 57

Part II Readings

4 An American Counter-Epic? War and Peace in Joel Barlow's Columbiad 87

5 "Cain's Ring": Moby-Dick and the Narrative of Sacrifice 106

6 "Curious Anesthetics": Ellen La Motte and the Wounds of the Great War 126

7 Waging War on the Sacred: William Faulkner's A Fable 146

8 War, Fiction, and Truth: Tim O'Brien's "How to Tell a True War Story" 170

9 Beyond the Semantic Netherworld: Literature and the Iraq War 190

Notes 225

Works Cited 243

Index 261

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