Apart from
David Sanborn, probably no living saxophonist has a more instantly recognizable voice than
Jan Garbarek; actually, given the fact that
Sanborn's sound is so widely copied,
Garbarek's may be easier to identify in a blindfold test. This album in particular puts that sound front and center.
Garbarek's the show; he composed all of the music, and is essentially the only soloist. The music (much of which was composed as
soundtrack material for film or video) is quintessential
Garbarek, full of the
world music influences that have characterized his work since the 1970s.
Garbarek's resonant, carefully articulated tenor and soprano tone suits the spacious, minor/modal themes. He's as much a singer as instrumentalist.
Garbarek also plays digital synthesizers, mostly as string or flute pads underneath the
folkish melodies. The record's most notable secondary player is
Garbarek's
ECM labelmate, the bassist
Eberhard Weber, whose lyric sensibility is a virtual mirror of
Garbarek's. This is quiet, contemplative music for the most part -- attractive, but not superficially pretty. Its grooves are less celebratory than melancholic. There's an intensity here borne of deep concentration and commitment to beauty.
Garbarek has come a long way since his early days as a quasi-
free jazz experimentalist. This music is not
jazz, nor is it
experimental. But it is compelling in its way, representative of a first-rate creative musician, beyond category. ~ Chris Kelsey
![Waltz for Debby [1962]](http://prodimage.images-bn.com/pimages/0888072323261_p0_v2_s90x140.jpg "Waltz for Debby [1962]")
