Violets

Violets

by Kyung-sook Shin

Narrated by Cindy Kay

Unabridged — 7 hours, 25 minutes

Violets

Violets

by Kyung-sook Shin

Narrated by Cindy Kay

Unabridged — 7 hours, 25 minutes

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Overview

By Man Asian Literary Prize winner Kyung-Sook Shin, "a moving delve into a lonely psyche" that follows a neglected young woman's search for human connection in contemporary Seoul (YZ Chin).



San is twenty-two and alone when she happens upon a job at a flower shop in Seoul's bustling city center. Haunted by childhood rejection, she stumbles through life-painfully vulnerable, stifled, and unsure. She barely registers to others, especially by the ruthless standards of 1990s South Korea.



Over the course of one hazy, volatile summer, San meets a curious cast of characters: the nonspeaking shop owner, a brash coworker, quiet farmers, and aggressive customers. Fueled by a quiet desperation to jump-start her life, she plunges headfirst into obsession with a passing magazine photographer.



In Violets, bestselling author Kyung-Sook Shin explores misogyny, erasure, and repressed desire, as San desperately searches for both autonomy and attachment in the unforgiving reality of contemporary Korean society.

Editorial Reviews

Publishers Weekly

02/14/2022

Man Asian Literary Prize winner Shin (Please Look After Mom) takes a disturbing and evocative look at an isolated young woman. Oh San was born unwanted in rural South Korea, and her father abandons the family shortly after. Ostracized and lonely, San’s only friend during her school years is neighbor Sur Namae, but their friendship ends suddenly and violently after a moment of romantic intimacy, a rejection San never recovers from. At 22, dreaming of becoming a writer, she works at a flower shop in Seoul, where she befriends the owner’s niece, Su-ae. The two young women become roommates, and the worldlier Su-ae teaches San how to deal with plants and aggressive customers. However, their relationship becomes strained after a photographer shows up to take photos of violets for a magazine. The photographer compliments San and takes photos of her as well, which initially makes her feel uneasy, but leads to an obsession with him. In one of her bids for attention, which makes her increasingly remote from Su-ae, she plants violets near his office, and the fixation ends up taking a dark turn. With sensuous prose intuitively translated by Hur, Shin vividly captures San’s tragic failure to connect with others. This is hard to put down. (Apr.)

From the Publisher

Longlisted for the National Book Critics Circle Barrios Book in Translation Prize 

“With this trigger-warning-worthy tale, Man Asian Literary Prize–winning Shin delivers another meticulous, haunting characterization of an isolated young woman in crisis.” —Booklist, starred review

“With sensuous prose intuitively translated by Hur, Shin vividly captures San’s tragic failure to connect with others. This is hard to put down.” —Publisher’s Weekly

“A shimmering text that blends stark violence with delicate, considered language, preserving, with tender attention, a woman rejected and erased by society.” —Asymptote

“A novel built on the proximity of beauty and violence. . . . Shin has an intense feeling for place, and an ability to bring it alive not as mere setting but as intensely felt imaginative terrain.” —The Guardian

“Shin is known for revealing the ways in which her culture oppresses and isolates people—especially women.” —Kirkus

“With this beautifully translated requiem to the unseen women who live in the shadow of rejection, erasure, and oppression, Kyung-sook Shin brings a powerful indictment of a society that sacrifices its citizens in the name of progress.” —Washington Independent Review of Books

“In scenes saturated with feeling, Shin depicts a milieu bristling with classism and misogyny, dramatizing the desires and dreams of a protagonist who, in her own defenseless way, strives for both independence and connection.” —Star Tribune

“Just as silence has its own music, sorrow, too, has a rhythm of its own in this translation.” —The New Indian Express

"Violets is an aching, atmospheric novel about grief and longing. Oh San, our main character, navigates a life of haunting loneliness and yet she finds tender moments of true beauty. In this slim and powerful book, Kyung-Sook Shin deftly explores the violence of life—of shedding childhood, of becoming a woman, of searching for identity in a shifting world. A beautiful translation by Anton Hur. Go read this book!”—Crystal Hana Kim, author of If You Leave Me

"The beauty of Kyung-Sook Shin’s prose is in its expert weave of immersion, precision and surprise. The narrative ground of San, our unlikely but necessary heroine, may be fraught with unseen tensions yet the writing is as smooth as a finished surface. Despite being consistently tyrannized and quieted by her surroundings, San carries within her an indefatigable fire, a persistence to be. San represents so many women whose stories are never told."—Weike Wang, author of Joan Is Okay

“Darkly beautiful, Violets explores the toll of abandonment and the relentless marginalization of a helpless young woman. The protagonist, San, shivers with insecurity and loneliness but still dares, briefly, to dream of friendship and a normal life. Shin writes of the cruelty and dangers of disempowerment, and an ensuing spiral of despair.”—Frances Cha, author of If I Had Your Face

"Violets is a moving delve into a lonely psyche, with writing raw and sophisticated, tenderhearted and clear-eyed. Vividly translated by Anton Hur, Shin Kyung-Sook's novel is also an intimate, sideways portrait of Seoul through the eyes of a rural outsider who roams the bright lights and big city not in pursuit of ambitious dreams, but seeking care and human touch."—YZ Chin, author of Edge Case

“Kyung-Sook Shin has a way of seeing past the smooth surface of societal appearance and into the fragile, obscure psychological space that lies just beneath, where her characters ache in ways that feel both recognizable and possessed of deep insight. I don’t know if I’ve ever read a book that so masterfully captures the subtle desperation of seeking a desire that can be your own in a fast-changing world.” —Alexandra Kleeman, author of Something New Under the Sun

"Violets lavishes attention on the kind of person who often slips through the cracks, unseen or ignored. There is a beauty and a bravery in speaking for small lives." —Rowan Hisayo Buchanan, author of Starling Days

"Mesmerizing, dreamlike, and prescient in its sharpness and attentiveness to the dynamics between women and the male and female gaze. Violets feels utterly contemporary, and recalls the work of Mariana Enriquez and Dorthe Nors." —Sharlene Teo, author of Ponti

"A subtle, deep, unique work of true literature." —Defne Suman, author of The Silence of Scheherazade

Violets depicts the brutal struggle to construct one’s own narrative amid a vicious cycle where the workings of money and authority are opaque, and one must mold herself to whatever opportunity is allotted.” —Bonnie Huie, translator of Notes of a Crocodile

"Following a rural upbringing filled with rejection and abandonment, San moves to Seoul to pursue work as a typist. She instead falls into work at a flower shop, where tending to the flowers and plants brings her unexpected comfort. But when painful memories begin to rear their ugly heads, San struggles to process the loneliness she feels, and the past and present blur into one. Clean and bursting with symbolism, Violets is a portrait of a longing young woman drowning in a bustling city. Shin Kyung-sook is a master of quiet tragedy." —Mary Wahlmeier Bracciano, Raven Book Store

Kirkus Reviews

2022-01-12
The English translation of an early work by the author of The Girl Who Wrote Loneliness (2015) and Please Look After Mom (2011).

One of South Korea’s most celebrated writers, Shin captured the attention of Anglophone readers when she won the Man Asian Literary Prize. This slender novel begins in the early 1970s with the birth of a baby girl—unwanted because of her sex—in a small village. Oh San’s family has little social status, and she and her mother move deeper into the margins after San’s father disappears. As a young woman, San moves to Seoul. Her real dream is to become a writer or just work at a publishing house, but she is willing to settle for work as a word processor operator. When even this modest goal proves unattainable, San starts working in a flower shop. She meets a woman named Su-ae—who is as bold and impetuous as San is cautious and reserved—and falls for an unnamed photographer. Shin is known for revealing the ways in which her culture oppresses and isolates people—especially women. With San, she has created a protagonist who is professionally thwarted and incapable of forming attachments. San accepts Su-ae’s friendship, but she also pushes the other woman away. San becomes obsessed with a man she barely knows because he offers her a couple of compliments. At the same time, her desire for him is tangled up with the still-raw feelings she has from being rejected by her only childhood friend after a brief intimate moment. Throughout these travails, though, San remains something of a cypher—inaccessible not just to the people around her, but also to the reader. The violent phantasmagoria of the story’s climax reinforces the sense that San is more a symbol of modern alienation than a fully developed character.

Overly reliant on sentimentality and shock.

Product Details

BN ID: 2940175612838
Publisher: Tantor Audio
Publication date: 08/02/2022
Edition description: Unabridged
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