Vinyl Leaves: Walt Disney World And America

by Stephen M Fjellman

Overview

In Vinyl Leaves Professor Fjellman analyzes each ride and theater show of Walt Disney World and discusses the history, political economy, technical infrastructure, and urban planning of the park as well as its relationship with Metropolitan Orlando and the state of Florida.

Product Details

ISBN-13:	9780367213015
Publisher:	Taylor & Francis
Publication date:	03/05/2019
Pages:	532
Product dimensions:	5.69(w) x 9.00(h) x 0.00(d)

About the Author

"Stephen M. Fjellman is professor of anthropology at Florida International University in North Miami. He received his Ph.D. from Stanford University and has taught at Harvard University and Florida International University. "

Table of Contents

Preface and Acknowledgments — Stalking Woozles — Culture and Context — America and Consumption — Distory: Disney History at the Magic Kingdom — More Distory: Mostly EPCOT Center — Go East, Young Mouse — Let’s Make a Deal — Marketing the Magic Mall — The Price Is Right: Main Street USA and Hollywood Boulevard — The Grounds: Spatial Infrastructure — Utopia and Urban Planning — Kungaloosh! The Theme Park World — Cinema, Music, Fantasy — Fantasyland and the Disney-MGM Studios — Consumption and Culture Theory — Nature’s “Gifts”: Land, Garden, Sea — Tomorrow and the Future — ComputiCore: Computers, Parades, Lunch — Conclusion: Theses on Disney

Editorial Reviews

Calling Walt Disney World ``the most ideologically important piece of land in the United States,'' anthropologist Fjellman, a respectful cynic, offers a wide-ranging, often jargon-laden analysis of ``this quintessence of the American Way.'' Intrepid readers unwilling to take Disney World at face value may find much that is rewarding here. Fjellman argues that Disney provides a utopian antidote to everyday life, which is fragmented and confused in ``late capitalist society.'' After academic excursions concerning culture and consumerism, Fjellman analyzes Disney's distorted approach to history (``time is defined spatially,'' as in Tomorrowland), the corporate ideology infusing EPCOT Center and the machinations of Disney's Orlando land grab. He tracks the daily details: the transportation system as social control, the psychology of refuse disposal and the five keys to Disney's system of managing people on line. The 10 national pavilions of World Showcase, Fjellman writes, offer the message that other countries ``are essentially theme parks.'' He concludes that Disney World is ``postmodern''--a place where the distinction between real and fake is no longer important. (May)

Publishers Weekly - Publisher's Weekly

Fellman analyzes each ride and theater show of Walt Disney world and discusses the history, political economy, technical infrastructure, and urban planning of the area as well as its relationship with metropolitan Orlando and the state of Florida. He argues that Disney, in pursuit of its own economic interests, acts as the muse for the allied transnational corporations that sponsor it as well as for the world of late capitalism, where the commodity form has colonized much of human life. Paper edition (unseen), $18.95. Annotation c. Book News, Inc., Portland, OR (booknews.com)

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