Verona Comics

by Jennifer Dugan Narrated by Michael Crouch, Taylor Meskimen, Rebecca Soler

Overview

From the author of Hot Dog Girl comes a fresh and funny queer YA contemporary novel about two teens who fall in love in an indie comic book shop.

Jubilee has it all together. She's an elite cellist, and when she's not working in her stepmom's indie comic shop, she's prepping for the biggest audition of her life.

Ridley is barely holding it together. His parents own the biggest comic-store chain in the country, and Ridley can't stop disappointing them--that is, when they're even paying attention.

They meet one fateful night at a comic convention prom, and the two can't help falling for each other. Too bad their parents are at each other's throats every chance they get, making a relationship between them nearly impossible . . . unless they manage to keep it a secret.

Then again, the feud between their families may be the least of their problems. As Ridley's anxiety spirals, Jubilee tries to help but finds her focus torn between her fast-approaching audition and their intensifying relationship. What if love can't conquer all? What if each of them needs more than the other can give?

"A deep dive into first love while learning to manage significant mental health challenges . . . Dugan's strength is in creating a diverse cast of characters. Ridley is bisexual, Jubilee struggles with how to identify and label her sexuality, and most of the supporting characters are queer-identified." --School Library Journal

Editorial Reviews

JUNE 2020 - AudioFile

Strong emotional performances take center stage in this tragic YA romance with fresh takes on fluid sexuality and mental health. The age-old tale of star-crossed lovers finds a quirky new home when commercial mega-chain The Geekery, owned by Ridley's father, sets its sights on the indie shop Verona Comics, owned by Jubilee's stepmom. Narrator Taylor Meskimen voices Jubilee, a competitive teen cellist who is trying to loosen up with a light fling. Narrator Michael Crouch gives Ridley an urgency and vulnerability that captures his anxiety and depression. Jubilee rapidly finds herself in a romance steeped in Ridley's struggles. The narrators and sound effects successfully bring life to text conversations, including Rebecca Soler's kindly, frazzled turn as Ridley's supportive older sister. S.T.C. © AudioFile 2020, Portland, Maine

Publishers Weekly

02/17/2020

It’s indie vs. mainstream when star-crossed comics enthusiasts Jubilee and Ridley, both bisexual, meet at FabCon prom. Accomplished cellist Jubilee is hoping to de-stress before an important upcoming audition, while anxious, depressed Ridley just wants to stop failing his volatile father. After the two teens fall for each other via text message, Ridley realizes that Jubilee’s stepmom is an up-and-coming indie comics creator and public nemesis of his father, who owns the nation’s largest comics chain and is known for running indie shops and comic lines out of business. Dating Jubilee—and spying on the enemy—could finally garner Ridley some attention from his dad, but gaining his father’s love likely means losing Jubilee, the only person who sees beyond his pervasive anxiety and insecurity. Part fresh romance, part honest exploration of the impact of depression and suicidal ideation on individuals and relationships, Dugan’s (Hot Dog Girl) story—told in alternating first-person narratives—encapsulates an inspiring level of compassion from its flawed, endearing protagonists and an inclusive secondary cast. Ages 12–up. Agent: Brooks Sherman, Janklow & Nesbit Assoc. (Apr.)

From the Publisher

An ALA Rainbow Book List Pick

"You've Got Mail gets a queer YA twist." —Teen Vogue

"A deep dive into first love while learning to manage significant mental health challenges . . . Dugan's strength is in creating a diverse cast of characters. Ridley is bisexual, Jubilee struggles with how to identify and label her sexuality, and most of the supporting characters are queer-identified." —School Library Journal

"Dugan takes her cues from Romeo and Juliet, empathetically exploring mental illness, suicide ideation, and the stigmas of each . . . A smart, compassionate love story to and for teens." —Booklist

"Dugan infuses her characters with a warm sense of depth and compassion, particularly the socially self-conscious Ridley, a boy plagued with immense anxiety and frequent suicidal thoughts . . . This one's a winning choice. Breathlessly sweet." —Kirkus Reviews

"Part fresh romance, part honest exploration of the impact of depression and suicidal ideation on individuals and relationships, Dugan's story—told in alternating first-person narratives—encapsulates an inspiring level of compassion from its flawed, endearing protagonists and an inclusive secondary cast." —Publishers Weekly

"This heartfelt story of young love turned codependency offers an honest, sympathetic portrait of depression and anxiety . . . Give this to fans of Green’s Turtles All the Way Down and readers who want their adorable-couple stories with a healthy dose of introspection and emotional heft." —BCCB

"Rom-com lovers will readily embrace [Verona Comics] . . . However, not all of the story is light; the plot also centers on Ridley’s anxiety, depression, and suicidal thoughts . . . Sexuality is another topic that is discussed frankly throughout the book, depicting several queer characters of various sexualities, including the main characters themselves. All of these issues are presented realistically." —School Library Connection

School Library Journal

02/01/2020

Gr 9 Up—A deep dive into first love while learning to manage significant mental health challenges. Jubilee is a talented musician preparing to audition for a life-changing summer internship. Ridley is from an affluent family, and his parents lack empathy for their struggling, sometimes suicidal son. After a meet-cute at a comics convention, Jubilee and Ridley, through a series of elaborate plot devices, fall in love. Jubilee, who finds Ridley's social awkwardness endearing, pursues the relationship despite a number of red flags. Ridley makes several bad choices and struggles to take responsibility, which makes it hard to root for him or his relationship with Jubilee. As Ridley's increasingly fragile mental health deteriorates, he is forced to accept professional help. Most chapters switch between Jubilee's and Ridley's alternating perspectives—a literary device that at times is confusing. Dugan's strength is in creating a diverse cast of characters. Ridley is bisexual, Jubilee struggles with how to identify and label her sexuality, and most of the supporting characters are queer-identified. The ending is rushed, and major plot points, such as Jubilee's pursuit of her internship, tie up nicely but lack payoff. VERDICT There's a lot to want to love about this book, but, ultimately, it's impossible to cheer on the romance between the leads, and it fails to deliver on all of its plot points.—Amanda Foust, Douglas County Libraries, CO

JUNE 2020 - AudioFile

Strong emotional performances take center stage in this tragic YA romance with fresh takes on fluid sexuality and mental health. The age-old tale of star-crossed lovers finds a quirky new home when commercial mega-chain The Geekery, owned by Ridley's father, sets its sights on the indie shop Verona Comics, owned by Jubilee's stepmom. Narrator Taylor Meskimen voices Jubilee, a competitive teen cellist who is trying to loosen up with a light fling. Narrator Michael Crouch gives Ridley an urgency and vulnerability that captures his anxiety and depression. Jubilee rapidly finds herself in a romance steeped in Ridley's struggles. The narrators and sound effects successfully bring life to text conversations, including Rebecca Soler's kindly, frazzled turn as Ridley's supportive older sister. S.T.C. © AudioFile 2020, Portland, Maine

Kirkus Reviews

2020-01-23
It’s the night of FabCon prom.

With her fabulous best friend, Jayla, by her side, 16-year-old Jubilee tries her best to let go and give in to new experiences, per some encouragement from basically every adult in her life. Of course, that proves difficult thanks to her upcoming big audition for a summer program at the Carnegie Conservatory, where her young career as a cellist might blossom further. For 17-year-old anxiety-ridden Ridley, the annual comic convention means more torturous time as a brand ambassador for The Geekery, his emotionally abusive father’s infamous comic store chain known for putting indie shops out of business. Fate intervenes when the two teens meet, and an awkwardly endearing first night together leads to something more complicated. Soon Ridley’s forced into spying on Jubilee’s comic artist stepmom by his father, who wants to buy out his enemy’s shop. Ridley is faced with a moral dilemma: Should he tell Jubilee the truth, and will their love for each other withstand their parents’ mutual hatred? The story alternates between each teen’s endearing narration. Dugan (Hot Dog Girl, 2019, etc.) infuses her characters with a warm sense of depth and compassion, particularly the socially self-conscious Ridley, a boy plagued with immense anxiety and frequent suicidal thoughts. Featuring a racially diverse cast of mainly queer characters, including the two white protagonists, this one’s a winning choice.

Breathlessly sweet. (resources) (Fiction. 12-18)

Product Details

BN ID:	2940177641904
Publisher:	Penguin Random House
Publication date:	04/21/2020
Edition description:	Unabridged
Age Range:	10 - 13 Years

Read an Excerpt

Chapter One
Jubilee
“You look like you’re being tortured,” Jayla says. “This is supposed to be fun.”
Easy to say when you’re the one on the other side of the tweezers. I squeeze my eyes shut as she picks them up again, a tinge of fear washing over me when I smell the glue. I can’t move my head while Jayla’s working on my eyelashes, something she’s stressed to me about a dozen times already in increasingly frustrated tones, so I try to distract myself by practicing the prelude from Bach’s Fifth Cello Suite in my head. I tap my fingers against the cold bathroom counter, pressing imaginary strings and feeling homesick for my instrument.
Feather eyelashes and fancy dresses are worlds apart from the chunky sweaters and ballet flats that I prefer. But this is for the greater good, a part of my weekend of “pushing the boundaries and embracing life for the sake of my music,” which has somehow turned into letting my best friend dress me up for FabCon prom after an already long day at the convention, selling comics with my parents.
“Can I open my eyes yet?”
“No,” she says. “You have to relax. Remember what Mrs. G said.”
Right. I’ve been instructed (read: forced) by my private instructor, Mrs. Garavuso; the school orchestra teacher, Mrs. Carmine; and both my parents to “let go” and take a weekend off from my instrument. On a technical level, Mrs. Garavuso says I’m the best cellist she’s ever had. But apparently I’ve been, and this is a direct quote, “playing with the passion of a robot lately.” Mrs. Carmine, traitor that she is, agreed wholeheartedly. Not exactly what I want to hear as I prepare for the biggest audition of my life—the summer program at the Carnegie Conservatory, where I’ll get to study with Aleksander Ilyashev. He’s been my dream teacher ever since I heard him play Beethoven’s Triple Concerto with the Boston Symphony. And if I want a shot at getting into Carnegie for real after high school, a summer of his advice and guidance is the biggest boost I could possibly get.
“You think too loud.” Jayla sighs, so close I can feel her breath on my cheek. “Seriously, get out of your head.”
“I’m not in my head.”
“Lies,” she says, but I can hear the smile in her voice. “Respect the rules. I bet you’re breaking at least two right now.”
The rules, right. Jayla and I made a list of them on our way to the con. I’ve been mostly focusing on the first three, with varying degrees of success. Rule One: I can’t practice cello, nor can I do any homework this entire weekend. (Half credit; I’ve been practicing this whole time, but only in my head.) Rule Two: When not helping my parents in their booths, I can’t sit in my room obsessing over the audition. (Okay, she’s got me there; I’m totally failing at this one.) Rule Three: I have to try a new food at each restaurant we eat at. (Switching from Sprite to Cherry Coke counts. Fight me.)
“You’re going to flip when you see yourself,” Jayla squeals, pressing another feather to my eyelid.
“In a good way, or . . .?” I fake cringe, and she smacks my arm.
“Yes, in a good way. Now sit still.”
Not that I really doubted it. Jayla is to makeup and fashion what I am to music—top tier, the best of the best, no apologies—except nobody would ever say her work lacks passion. She’s been planning on going to FIT her entire life, and her new obsession with cosplay has given her an extra excuse to flex her fashion muscles.
“Annnnnd done,” Jayla says, and I open my eyes.
I blink twice. I look . . . amazing. My dark brown hair is piled high on my head in an elaborate updo with long feathers streaming out in different directions. She’s blended shimmery teal and green eye shadows together around my eyes and added little dots of eyeliner to accentuate the corners, and then there are the feathers. The feathers! Tiny little teal things, curled to perfection, adorn each eyelid, transforming me into something more akin to a magical forest creature than a cellist. I’ve disappeared completely into Mora, the badass peacock-inspired leader from my stepmom’s famous Fighting Flock comic series.
Jayla turns back to putting the finishing touches on her own makeup in the mirror, gently dabbing bright white spots onto her dark brown skin. “Go get your dress on. I’m almost done.”
“Yes, ma’am,” I say, hopping off the counter. I grab my emerald-green dress off the hook and disappear into the bedroom to get changed. I bought this dress for a school dance a few months ago—Jayla said the color “really popped” against my fair skin—but she’s modified it pretty heavily since then, changing the cut, adorning it with feathers, and just generally turning it into a gown fit for peacock royalty.
I glance at the time and groan. “Prom started fifteen minutes ago.”
“We’re supposed to be fashionably late,” Jayla calls back through the bathroom door.
“If you don’t hurry, we’re going to be the unfashionable kind,” I mutter, zipping up my dress. I’m still struggling to tie the crisscrossing green and purple ribbons up my arms when Jayla finally steps out of the bathroom.
“Here, let me,” she says, coming over, and I do a double take. Gone is Jayla, and in her place stands the best Shuri cosplay I have ever seen in my life. She’s wrapped her braids into a massive bun on her head, and while it’s not quite Wakandan-princess level, it’s close. Add in the makeup and the warrior outfit she’s been crafting for months and—
“Holy crap,” I say, and she laughs.
“Yeah,” she says, holding her arms out and twirling.
“You’re definitely going to win tonight. You know that, right?”
She shrugs. “I better, after what happened earlier.” Meaning when her Harley Quinn cosplay came in second place, which she rates as a major underperformance, even though there were nearly 150 people competing and there was no way she was beating someone in a life-size replica of Hulkbuster armor.
“Stop, you did awesome,” I say, but she shakes her head.
Jayla’s always intense with this stuff, partially because she’s super competitive (see also: only being a junior and already the co-captain of her club’s soccer team), and partially because people will find any excuse to tear down a black girl that dares to also cosplay white characters. Jayla can’t just be good; she has to be great, and even when she’s great, she still gets crap for it. It’s gross and annoying and one of the things I hate most about the comics community.
“Ready?” she asks, cinching the last ribbon.
“Yeah, I just have to strap myself into these death traps,” I say, sliding my foot into a shiny green stiletto. I thought Jayla was kidding when she showed up to my house with them. Spoiler alert: she was not.
Jayla offers me her arm as we head out when it becomes clear that an ultra-plush carpet adds an additional degree of difficulty to super-high heels. “Everybody’s gonna love those death traps.” She laughs. “There is absolutely no way you’re leaving that dance without checking off Rule Four.”
Ah yes, Rule Four, aka the Final Rule, aka the only thing I have yet to even attempt, despite the fact it would probably be the most inspiring for my music: I must experience a con crush.
Con crushes are kind of Jayla’s thing—find somebody nice, spend the weekend flirting, and then go back home, no muss, no fuss—or they were, before she started casually seeing the other co-captain of the soccer team, Emily Hayes, a few weeks ago. I was supposed to pick up her slack on that front, but no luck so far. It’s not that I’m not open to it . . . it’s just that nobody has caught my eye.
The elevator doors are open as we round the corner, but thanks to these ridiculous shoes, we don’t have a prayer of making it in time.
“Hold that door!” Jayla shouts, dropping my arm and sprinting the rest of the way. Thank god for battle-ready outfits. She slides in her arm just as it closes, and the door bounces back open. She grins as I stumble in after her, laughing hard. I lean against the rail to catch my breath and realize with a start that we’re not alone.
Batman stands in the corner, head tilted, taking in the sight of us. Well, a smaller, teenage-looking version of Batman, anyway—in a white dress shirt, a skinny tie, and dark fitted jeans. Okay, fine, so it’s basically just a dude in a mask. But it counts.
I can tell Jayla is probably about two seconds away from monologuing about the undue appreciation the comics industry shows for mediocre white boys and how this boy in a mask is case in point because he’ll probably take prom king just for showing up. It’s her favorite topic, and she’s definitely not wrong—but it would make for an awkward elevator ride. I’m a little bit relieved when she just rolls her eyes at him and bustles to the opposite side of the elevator car, mumbling, “What’s up, Office Batman?”
He bends down and picks up a feather I must have lost while sprinting into the elevator, spinning it around in his long fingers. Piano fingers, I muse. I have a habit of reducing everyone down to the instrument they should play. Jayla would be a saxophone; my other best friend, Nikki, is a flute; my ex, Dakota, is an out-of-tune harpsichord. Vera is a—
“Lost one,” Batman says, all quiet. And yeah, that mask and the scrape of his voice and the way he’s sliding up his sleeves right now are kind of working for him. The idea of “pushing the boundaries” just got a lot more interesting.
“I guess I did.” I smile and reach for it, but he just keeps twirling it, like he’s in no hurry to give it back.
“She must be molting,” Jayla deadpans. She pushes the button for the first floor, even though it’s already glowing.
“Are you going to prom?” he asks.
Jayla widens her eyes, like obviously, dude, and nods.
“We are.” I elbow Jayla. “Are you?”
“Nah.” He reaches across and hits the button for the second floor, which is odd considering he had to have been the one who hit the button for the first floor to begin with. “I like your dress, though,” he says, a little bit quiet, as the elevator doors ping open. He holds his hand out, offering me the feather.
“Keep it,” I say, and a blush rises to my cheeks as he turns to leave.

Videos