Vanishing Act

Vanishing Act

by Giles Blunt
Vanishing Act

Vanishing Act

by Giles Blunt

eBook

$6.99  $7.99 Save 13% Current price is $6.99, Original price is $7.99. You Save 13%.

Available on Compatible NOOK Devices and the free NOOK Apps.
WANT A NOOK?  Explore Now

Related collections and offers

LEND ME® See Details

Overview

When Giles Blunt's first crime novel appeared, the Toronto Star said it "immediately raises the bar of Canadian crime fiction." The Globe and Mail calls him "a master storyteller," and fans of Blunt's fiction are familiar with his ability to shape a tense narrative for maximum impact. With Vanishing Act, his debut collection of verse, Blunt delivers equally potent strength and quality, opening up for the reader a new, "wicked pack of cards" – in that deck, a cast of characters that speak to the different stages of personal journey: coming of age, heartbreak, terrible loss, the fear of death, philosophical musing, and the personal apocalypse that may one day come…

Product Details

ISBN-13: 9781550965841
Publisher: Exile Editions
Publication date: 04/01/2016
Sold by: Barnes & Noble
Format: eBook
Pages: 80
File size: 816 KB

About the Author

Giles Blunt grew up in North Bay, Ontario. After studying English literature at the University of Toronto, he moved to New York City, where he lived for the next twenty years, before moving back to Toronto in 2002. His John Cardinal crime novels have been published in more than a dozen languages, and have won the British Crime Writers' Silver Dagger Award, and the Crime Writers of Canada Arthur Ellis award for best novel (twice).

Read an Excerpt

Vanishing Act


By Giles Blunt

Exile Editions Ltd

Copyright © 2016 Giles Blunt
All rights reserved.
ISBN: 978-1-55096-584-1


CHAPTER 1

WHO I WASN'T


      Lazarus


      I

    One lifetime was enough; I bore my days
    As well as any fool, chewed my portion
    Of decay, nourishing a quiet scream.
    Look at Lazarus, they sighed, what a man,
    In bald old Bethany not one sinner
    So equable, serene, so meek of eye.

    It's true I was mindful of my blessings:
    There was a bright day in Jerusalem,
    The gold light falling, a fine gust lifting,
    I perched like a buzzard on the wall
    Gazing at the marketplace, the beggars,
    The blind, their harmonious diseases
    — O Israel, perhaps I did not love
    But I felt emptied that day of hatred
    Such gold the sun scattered at their black feet!

    Remember your epiphanies, oh yes:
    In half-light of a summer dusk as leaves
    Hung down fatigued, hour and sky were folding
    On the hill just west of town, a quiet fire.
    I sat on the swing I made as a child
    So crooked and uncomfortable it creaked

    Beneath my weight. And lobbing to and fro,
    Suspended, kicking gently back and forth,
    A normal man with rope and bits of wood
    In pointless motion inches from the earth,
    I realized the miracle of flight.
    I watched the sad-eyed children walking home
    I heard their little skeletons click by
    Pointing at me in the failing light
    A skinny human hanging from his tree.

    In truth, they make me sick, the villagers
    So sick I nearly packed it in again
    But there's no rush — one deathbed was enough.
    I've lost my old concern about perfection
    Perfection is death, perfect men are dead
    And in this climate gods do not last long.
    I think I knew one, we killed him quickly
    Earth must be the Bethany of heaven.
    Three dying men were slung up on the hill,
    A belt of stars around the afternoon.
    Their broken bodies twinkled, slick with rain.
    Earth must be the Golgotha of heaven.


    II

    A need for closing everybody's eyes
    I always had a need to disappear
    Not surprising Lazarus died so young
    And coming back all those damned emotions
    Coming back to him to her to me we
    Huddled naked in the room the dim light
    All the lovers cursing one another
    I was one I tried to cry and could not
    Among such quantities of flesh and hair
    The dim light just sufficient to perceive
    The eyes the teeth and nothing to describe
    The blank walls and the bodies of the three
    I was one wanting to cry and not being able
    And she wanting to touch and not being able
    And he not caring to be touched at all
    The atmosphere so chill it made him shy
    So loud the curses and the cracking sound
    When all the pretty bridges split apart
    The delicate constructions of our youth
    All splintered up nothing left but curses
    Wanting to speak and not being able
    Gazing at the bits of bridge the ruin
    None of us could resurrect none able
    Not a syllable yet all mouths open
    Coming back a lot of noise coming back
    The summing up and then the coming back
    The sleeping yes the quiet and the death
    I could have used before the summing up
    What could I say I tried to love mankind
    But could not do it tried to love the wife
    But lacked the strength or will pretended
    Far too long to continue to pretend
    Mistook relief for something else again
    I have slept with thirty women I said
    I had three friends and never liked children
    I often drank beyond obliteration
    Paralysis helped me love my neighbour
    Moses did I ever love my neighbour
    All the strangers kissing in the gloom
    The dim light just sufficient one could kiss
    Whatever was at hand to plug the holes
    I swear I kissed a thousand strangers
    To keep the inside in the outside out
    It's a common story not all that bad
    Nothing you could drop a man in hell for.


    After the Photograph

    What you have chosen I have chosen
    To abandon. Your steps in the distance
    Mine in the present, will be soundless
    Unceasing, in London and forever
    Dying and alive. That final day.

    Beyond the veil of rain
    A seagull circled upward out of sight
    Climbing into sound approaching voice
    The rain, the lake
    The outline of a hill
    Encountered
    And arranged themselves
    According to that voice.

    Such magic was the magic
    You were born for
    But you demanded darkness
    You said I'm hungry for the night
    Still
    That seagull rides forever out of sight
    That blotch of soaking pine remains the hill.

    On what domain, what range
    For and according to what?
    It never mattered, never will
    Your eyes are red and fixed upon
    The jagged end of life, which lends us
    Every good and perfect gift.

    This clinging sorrow cloaks a disowned beauty
    Yet the cloak becomes in this way beautiful
    I remember how you looked that night
    Foreign and more foreign, yes
    And close my eyes to listen for
    Your soundless, your unceasing steps.


    December, Queen Street

    The lovers in their hoods
    Had kiss upon kiss

    So many kisses
    Yet no two the same

    A drunk man drooled
    Until the streetcar came

    And snowflakes twirled
    No two the same

    Bits of a universe
    Whiter than this


Night in the Gatineaux

    Lights on a long bridge undulate and flicker
    Dipping just so, yellow pinpricks beckoning
    One who swims out, looks to the bridge and stretches
      Aching to rest there

    Black and dead winds hover at the riverbank
    Silence the water and the weaving branches.
    Yet that swimmer crawls in his windmill motion
      Caught in a nightmare

    Patiently one waits, elbows on the bridge rail,
    Idly sings an ancient song of widowhood.
    Night is her black shawl, wreathes of night the only
      Flowers you give her

    Clusters of stars are pinned to the Gatineaux
    (One will ignore them; one marks how they gather)
    Thus dividing, ever, one on the bridge from
      One in the river

    Question: what girl, night, or song in a female
    Throat shall hang you up in that collection?
    See the shoreline vanish, even as water
      Drips from your finger


    The Obscure Lover

    Very well, she stamps her foot.
    How am I to guess
    Attacked with such dumb rage
    What fears pour down from either fist
    I know
    By the scars on each thin wrist
    That love is glass between our lips
    And therefore I remain
    A storm distilled upon a windowpane.

    Tears again.
    Old flames flutter on her brow
    And rising up like smoke
    A crowd of men
    Obscure the lover calling from the bed
    Rage, wrist, fist and flame are blurred
    Across the image of her choice
    Who hangs a silence over every word
    And knots a ribbon round her voice.

    She turns a touch into a fight
    She turns away
    But I have seen those shoulders when
    The yellow light
    Clung like sweat to her fine skin
    She stretched by the window
    Loose-limbed and warm
    Her reflection wrapped around the August night.
    Very well, turn away,
    And I will be silent now as then.


    Three-by-Five

    Boys call
    Along the shore
    For you. They do not hear
    Your silk voice rising from the lake,
    My name.

    She said:
    I am a verb
    Love is a syllable
    Say but the word and my spirit
    Is healed.

    Cars crawled
    Six floors below
    Through slush. Nearly an hour
    She stood with her brush in her hand
    Watching.


    The Renunciation

    "As if there were any difference between perishing
    and being another thing!"
— ERASMUS


    I

    Light from a streetlamp quivers in your tears
    You are afraid, you say, to recognize
    The facts. The snowflakes fall, the night creeps by
    And still you lean lamenting all the love
    You must forsake. Take a look around.

    You thought some wary angel treads a path
    Before your feet, distinguishing the right,
    The wrong, the best, the worst, from all the sweet
    Temptations luring you. No doubt
    Dilemmas break like glass before his wings,
    His hair a golden tent in bitter fields,
    Celestial philosophies his gift,
    Angelic fingers, ministering hands
    Caress you when your heart leaps into flame.

    You thought this was religion beckoning
    With oh such knowing eyes, such ancient robes,
    A breathless flock falls on its knees before
    The wizard turning wisdom into wine.
    They'd hear a sin or two without reproach

    Forgiving all you dare to let them know
    Confessions turn to sermons at your touch —
    In autumn, consolations from the leaves,
    A crocus and a crucifix in spring
    In summer, allegories of the lake
    And swaddling flesh in winter anecdotes
    Would be your blinding gift.

    Anoint yourself.


    II

    The streets fan out like spokes from where I stand
    Remembering the window where your face
    Your face expressionless, not quite serene
    Without the chance of words, without a voice
    Hovered for a moment then receded
    To leave the empty glass, my empty face.
    –Surrender every future to your past
    Betray your sleeping heart and let it sleep.

    They tell me I am young, the future's mine
    Come peace or war but no, I disagree.
    For some, there is no war but only winter.
    I do renounce that hopeful face that grins
    From nineteen fifty-five; I do renounce
    That string of ghosts and hang them out to die
    Not me — no, no, not me — they never were.
    These days I keep the planet to myself
    When words like dreams and feathers fall away.

    Now if it die, the earth or what remains
    Shall spin its ruined wisdom round to some
    Disinterested king. Some idle Zeus,
    Remembering a vaguely bluer world sweeps up
    The dust of his disintegrated angels
    The sullen children gathered there await
    His soft command, his benedictive smile
    Incorporating rock among the jewels
    This widowed world in benedictive grace.


    THREE BY LAUREN

    Darling

    Darling, when you come
    Inside me, then you go away
    It's okay, it's okay

    I've no idea what you're after
    Take whatever you need
    I won't bleed, I won't bleed

    You are smoke and lightning
    I am ashes, skin, and hair
    I don't care, I don't care

    Forget my name, it's written where
    So many dead girls signed
    I don't mind, I don't mind

    Sink your teeth into my throat
    Come in my face, come in my hand
    I understand, I understand

    But darling, when you come
    Inside me, I can see my breath
    Love is colder than death
    Love is colder than death
    — LW


    Thin Ice

    You loved me on skates
    My taste for sharp objects
    Pirouettes, figure eights
    I knew you liked watching
    You knew my feet bled

    Only once I fell
    My smile never slipped
    The crowd never guessed
    I have a hot red wound
    A hot glass heart
    For girls
    Well and truly doomed
    Love is the transparent art
    For certain girls
    Thin ice is best
    I was your daughter
    You taught me how to bleed
    If summer comes
    I'll skate on water
    But for now you can read
    My crimson
    Hieroglyphics
    I'll skate away
    Let me break
    Let me make
    Something ragged, something raw
    Something difficult to take

    I swear by the blades
    Beneath my feet
    Part of me
    Wants to kill me
    That's the part
    I want to meet.
    — LW


    Leg-hold Trap


    Hold is a kind word for it
    As if he said caress
    When what he meant was
    I'm going to break your leg
    Into a red unholy mess

    No need to shriek
    No need to beg
    He's only holding your leg
    This isn't hell you're in
    He doesn't hate you, after all

    He only wants your skin
    You have a choice
    You have teeth
    You know exactly what to do
    Just chew your way
    Through bone and sinew
    Tendons, veins, and nerves

    No one's forcing you to stay
    Run away
    Run away
    — LW


VANISHING ACT


The Car

IT WAS DAWN when a long beach hove into view. I nosed the car into an access road curving down toward the sea.

The car had been travelling at high speed when I came to behind the wheel. That would have been near midnight; I had been unconscious for some time. Lit by a red moon rocks hills and forest had bounded out from obscurity toward the car tumbling into sure oblivion behind.

An army of young mothers lay stretched along the beach their bellies empty of infants. The babies it seemed had departed and fathers sat in groups muttering to each other.

A wooden dock and on the dock a child — the only child in this particular bay of creation. He wielded a hammer and was using it to nail a sunfish to the dock.


    Fool

    The fool was waiting for the light to change
    He staggered at the curb half crippled
    by the fortune on his back a frail sack
    of needs and souvenirs. Blond hair
    flicked across his face memories beyond
    recall propelled him here and there:

    A chase through rain and thunder
    cunt borne down on the wet savannah
    eyes in the cave the cave itself
    the blood the birth the god the flood
    had brought him to this pass

    The far sun rose
    on mountain peaks where mathematicians lift
    and swing their symbols glittering with snow
    In pairs they calculate the beauty
    of a fool about to die
    the lowest common hunger
    meekest common cry

    And there he stood
    a young man three parts wishes one part dreams
    and yearned for women women linked
    their arms around him in a chain
    The Virgin Mother and the Whore
    came down on summer nights
    and lured him to a ruin
    where he wept.

    But those hooded mathematicians!
    That book with its crust of snow!


Pick a Card

I STOPPED AT THE HIGHWAY trying to decide whether to turn back or move on. Either way the car exuded confidence, which was no help at all.

A glance in the rear-view mirror. The sea like glass. Sail of a departing ship. I turned to look. Nothing but flat grey sea. A creative vehicle, this car.

I shoved it in gear and headed for home


(Continues...)

Excerpted from Vanishing Act by Giles Blunt. Copyright © 2016 Giles Blunt. Excerpted by permission of Exile Editions Ltd.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

From the B&N Reads Blog

Customer Reviews