Valuing

by Christopher Kondrich

Overview

In his second collection, Christopher Kondrich navigates the link between what we see as our inner value and the external world that supplies it. Valuing’s deeply personal poems explore faith, love, ethics, and mortality from a variety of angles and through a variety of poetic forms as a means of questioning the origination of one’s own value system. Does it come from the belief in a god, from the love one gives or receives, or from the diminution of the self and its desires? If “you cannot sneak through your life,” as the speaker of one of Valuing’s poems proclaims, then how might one ensure that the noise a life inevitably makes is an echo of the values one holds dear?

Product Details

ISBN-13:	9780820355702
Publisher:	University of Georgia Press
Publication date:	09/15/2019
Series:	The National Poetry Series
Edition description:	New Edition
Pages:	80
Product dimensions:	5.40(w) x 8.20(h) x 0.30(d)

About the Author

CHRISTOPHER KONDRICH is the author of Contrapuntal and a winner of the Iowa Review Award for Poetry and the Paris-American Reading Series Prize. His poetry appears or is forthcoming in the Believer, Boston Review, Conjunctions, Crazyhorse, Harvard Review, Iowa Review, Kenyon Review, Witness, and other publications. An associate editor for 32 Poems, he lives and works in Maryland.

CHRISTOPHER KONDRICH is the author of Contrapuntal and a winner of the Iowa Review Award for Poetry and the Paris-American Reading Series Prize. His poetry appears or is forthcoming in the Believer, Boston Review, Conjunctions, Crazyhorse, Harvard Review, Iowa Review, Kenyon Review, Witness, and other publications. An associate editor for 32 Poems, he lives and works in Maryland.

Editorial Reviews

Valuing asks that its readers—as ethical, spiritual beings—attend to this world and to our choices, and offers us a gleaming array of scenarios, descriptions, meditations, and fables from which to begin. Let the choice be love, Kondrich’s poems entreat.

AGNI - Hannah VanderHart

Kondrich’s poems have the curious gift of being gently abstract—not vague, but broad, perhaps even kenotic ... This outward sense makes many of Kondrich’s poems feel like hymns released into the sky. Valuing is a refreshingly sincere and skilled book about the ineffable: 'Friend, if you are there, / come to meet me. I am drifting devoured. / I am ready to say goodnight. / Come meet me so I can release it.'

The Millions - Nick Ripatrazone

It is one thing to know there are limits to human knowledge, boundaries to how much we can accurately say about our labyrinthine selves, the objects we touch, and, more vastly, the mystery in which we spin. It is another thing entirely for a poet to articulate this so keenly that suddenly our limits become our bounty. What is of value in us? ‘To live amongst walls and proclaim those walls a home,’ Kondrich writes. Valuing instructs us through disappointment and joy in a rare and trustworthy measure. The poems are entire philosophies, but they must try again and again with each turn of the page, as such is our lot. And although we move within the limits of knowledge and language, ‘Do not worry. The other side / will lift you and change you / if how you were standing / doesn’t make it across.’ I, for one, need this book.

author of If You Have to Go - Katie Ford

Christopher Kondrich’s second collection of poetry invites the reader to explore what it means to be human…

The Arkansas International - Ali Hintz

In Valuing Christopher Kondrich fashions startling, arresting images and fabulous metaphors that are all the more startling, arresting, and fabulous because they’re so functional to the overflowing reality and profundity of his poems. He has an excellent mind accompanied by an exuberant imagination.

author of 3 Sections - Vijay Seshadri

'I choose to love / as asylum from that which presses me / to hate,' says the opening poem of Valuing, a rich and vital book by Christopher Kondrich. Lines like these are quite apropos in such a philosophical work of art in which Kondrich questions and embraces both God and pessimism, all the while trying to establish a self—a being worth more than what late capitalism can allow—by chanting what seems like spells born before anyone was born: 'Also, I must capture you in song. I must find music to set to this / aging and follow the river to my death.' There is not space enough for me to write all I love about this book and its potential for influence on poetry and on any mind made vulnerable to poetry.

author of The New Testament - Jericho Brown

08/23/2019

"I am the conflagration/ of the never-at-home and the never-not-at home that makes you/ part of the history of people" says Kondrich near the beginning of this quietly penetrating, intellectually rewarding new work, a "National Poetry" series selection. Kondrich sees us not as isolate beings but as defined (and ever changed) by our interaction with the world and especially others: as he says in the title poem, "I dreamt I could tell you/ and you would know." Kondrich is particularly interested in how we arrive at our values and negotiate them—"I choose to love our auspices/ because they brought us here"—and he relentlessly explores our effort to connect, inevitably impeded by walls that can nevertheless be breached. His daring leads to some original observations. Obligation is defined in terms of lapping waves, "the back is the definite article of the body" as we always face outward, and our struggle not for weighty truth but simply to see something of the larger picture here rests on the image of a bell's founding, the bronze obscuring what we know as it's poured—but in the end the bell can be lifted. VERDICT A stunning work with a one-of-a-kind feel, this reflection on the major issues of self and others demands time and thought, but it delivers. Highly recommended.—Barbara Hoffert, Library Journal

Library Journal