Utopian Ruins: A Memorial Museum of the Mao Era

by Jie Li

Overview

In Utopian Ruins Jie Li traces the creation, preservation, and elision of memories about China's Mao era by envisioning a virtual museum that reckons with both its utopian yearnings and its cataclysmic reverberations. Li proposes a critical framework for understanding the documentation and transmission of the socialist past that mediates between nostalgia and trauma, anticipation and retrospection, propaganda and testimony. Assembling each chapter like a memorial exhibit, Li explores how corporeal traces, archival documents, camera images, and material relics serve as commemorative media. Prison writings and police files reveal the infrastructure of state surveillance and testify to revolutionary ideals and violence, victimhood and complicity. Photojournalism from the Great Leap Forward and documentaries from the Cultural Revolution promoted faith in communist miracles while excluding darker realities, whereas Mao memorabilia collections, factory ruins, and memorials at trauma sites remind audiences of the Chinese Revolution's unrealized dreams and staggering losses.

Product Details

ISBN-13:	9781478010180
Publisher:	Duke University Press
Publication date:	12/04/2020
Series:	Sinotheory
Pages:	384
Product dimensions:	6.00(w) x 9.00(h) x 0.88(d)

About the Author

Jie Li is Loeb Associate Professor of the Humanities in the Department of East Asian Languages and Civilizations at Harvard University and the author of Shanghai Homes: Palimpsests of Private Life.

Table of Contents

Series Editor's Preface  ix
Acknowledgments  xiii
Introduction. Mediating Memories of the Mao Era  1
1. Blood Testament  25
2. Surveillance Files  68
3. Utopian Photographs  100
4. Foreign Lenses  150
5. Factory Rubble  192
6. Museums and Memorials  227
Epilogue. Notes for Future Curators  261
Notes  277
Bibliography  321
Index

Editorial Reviews

This is a wonderful and important book. Important not only because of its nuanced readings of Mao era artifacts and their post-Mao remediation, but because it points in practical ways to possibilities for remembering the Maoist past.

Modern Chinese Literature and Culture - Kirk A. Denton

Jie Li shows that a lively engagement with critical theory need not be either obfuscating or abstract. She hones in on the productive questions of knowledge production, meaning making, and power, drawing from notable theorists and previous studies to illuminate and make comparable her conclusions.

American Historical Review - Timothy Cheek

The memory palaces of contemporary China are akin to a necropolis, one built atop a storied tenement. Within those virtual walls lost souls, dead dreams, frustrated ambitions, and reanimated specters continuously jostle; variously they haunt the living. Jie Li is a learned docent with an assured demeanor who guides us through the hidden passages and dark corridors of that labyrinthine structure with the judicious balance of a historian and the craft of a curator. Her navigation also confronts us with an imagined future in which the contentious possibilities and conflicted potentials of the past will inevitably be visited, and revisited, as China continues its titanic, two-century-long quest on the path to modernity.

China Heritage - Geremie R. Barmé

Utopian Ruins is an exceptional addition to the ever-growing scholarship on memory of and in the People’s Republic of China.... Jie Li creates space for a multivocality of voices in a thought-provoking study that is as impressive in scope as it is deep in meaning.

PRC History Review - Damian Mandzunowski

Utopian Ruins exemplifies a model of scholarship that seamlessly interconnects solid archival digging, informed theoretical guidance, and holistic yet nuanced in-depth analysis. . . . As a courageous pioneering act of resisting the massive amnesia of insurmountable loss throughout the Mao era, Utopian Ruins paves a new direction for curators to design their future exhibitions of what Mao’s China was like.

Prism - Enhua Zhang

The memory palaces of contemporary China are akin to a necropolis, one built atop a storied tenement. Within those virtual walls lost souls, dead dreams, frustrated ambitions, and reanimated specters continuously jostle; variously they haunt the living. Jie Li is a learned docent with an assured demeanor who guides us through the hidden passages and dark corridors of that labyrinthine structure with the judicious balance of a historian and the craft of a curator. Her navigation also confronts us with an imagined future in which the contentious possibilities and conflicted potentials of the past will inevitably be visited, and revisited, as China continues its titanic, two-century-long quest on the path to modernity.

China Heritage - Geremie R. Barmé

Utopian Ruins presents multilayered, pluralistic interpretations and representations of the Mao era.... This book is beautifully written and rich with sophisticated analysis.

Twentieth-Century China - Di Luo

Utopian Ruins presents a creative and nuanced approach to memories of the Maoist era and their various mediations, bringing together a remarkably diverse set of archives, including police dossiers, photography, films, and physical spaces. The questions that Jie Li raises are as vital for global history as they are for China, since socialism's demise leaves many around the world puzzled about the legacies of that period, how to remember them, and what to build in their place.

Fabricating Transnational Capitalism: A Collaborative Ethnography of Italian-Chinese Global Fashion - Lisa Rofel

Both for its poignant insights and blended methodologies and for its get-down-on-one’s-knees search-and-rescue operations, Utopian Ruins will be treasured by scholars and lay readers alike.

Journal of Asian Studies - Haiyan Lee

Jie Li specializes in the media and literature of Mao-era China, and in this book each of the first five chapters easily stand alone as academic studies of prison writings, dossiers, films, and photographs. Bound together they form an insightful . . . commentary on the history and legacy of the Mao era.

The Public Historian - James Flath