Helen Pierce demonstrates that graphic satire formed an integral part of a wider culture of political propaganda and critique during this period, and she presents many witty and satirical prints in the context of such related media as manuscript verses, ballads, pamphlets, and plays. She also challenges the commonly held notion that a visual iconography of politics and satire in England originated during the 1640s, tracing the roots of this iconography back into native and European graphic cultures and traditions.
Published for the Paul Mellon Centre for Studies in British Art
Helen Pierce demonstrates that graphic satire formed an integral part of a wider culture of political propaganda and critique during this period, and she presents many witty and satirical prints in the context of such related media as manuscript verses, ballads, pamphlets, and plays. She also challenges the commonly held notion that a visual iconography of politics and satire in England originated during the 1640s, tracing the roots of this iconography back into native and European graphic cultures and traditions.
Published for the Paul Mellon Centre for Studies in British Art
Unseemly Pictures: Graphic Satire and Politics in Early Modern England
248Unseemly Pictures: Graphic Satire and Politics in Early Modern England
248Hardcover
Product Details
ISBN-13: | 9780300142549 |
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Publisher: | Yale University Press |
Publication date: | 02/03/2009 |
Pages: | 248 |
Product dimensions: | 7.80(w) x 10.30(h) x 0.90(d) |