Unless the Threat of Death Is Behind Them: Hard-Boiled Fiction and Film Noir
304Unless the Threat of Death Is Behind Them: Hard-Boiled Fiction and Film Noir
304Paperback
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Overview
Tracing the stylistic development of the genre, Irwin demonstrates the particular influence of the novel of manners, especially the writing of F. Scott Fitzgerald. He goes on to argue that, from the time of World War II, when hard-boiled fiction began to appear on the screen in film noir just as women entered the workforce in large numbers, many of its themes came to extend to female empowerment. Finally, he discusses how these themes persist in contemporary dramatic series on television, representing the conflicted lives of Americans into the twenty-first century.
Product Details
ISBN-13: | 9780801890802 |
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Publisher: | Johns Hopkins University Press |
Publication date: | 11/01/2008 |
Pages: | 304 |
Product dimensions: | 5.70(w) x 8.60(h) x 0.80(d) |
Age Range: | 18 Years |
About the Author
Table of Contents
PrefaceIntroduction1. "Where Their Best Interest Lies": Hammett's The Maltese Falcon2. Being Boss: Chandler's The Big Sleep3. Beating the Boss: Cain's Double Indemnity4. Who's the Boss? W. R. Burnett's High Sierra5. Deadline at Midnight: Cornell Woolrich's Night Has a Thousand Eyes6. A Puzzle of Character7. Hard-Boiled Fiction and Film Noir8. Hard-Boiled Fiction and Film Noir, ContinuedAfterwordNotesIndexWhat People are Saying About This
"Irwin's analysis of five American crime novels from the Thirties and Forties and his insightful discussion of the 'noir' films based on them cast new light on the qualities of these 'hard-boiled' classics. The surprising affinities he uncovers that link these works with other examples of American 'main-line' fiction will surely increase the reader's perception of the inherent seriousness at the heart of these genre entertainments."
John Irwin is a great original as an American poet-critic. Each new book by him—whether poetry or prose—delights and surprises me, in the mode of a Borgesian essay-fiction or a Kafkan parable, but expanded into the exegetical sublime. Hard-boiled fiction and film noir have found their most illuminating critic in Irwin.
Irwin's analysis of five American crime novels from the Thirties and Forties and his insightful discussion of the 'noir' films based on them cast new light on the qualities of these 'hard-boiled' classics. The surprising affinities he uncovers that link these works with other examples of American 'main-line' fiction will surely increase the reader's perception of the inherent seriousness at the heart of these genre entertainments.
John Irwin is a great original as an American poet-critic. Each new book by him—whether poetry or prose—delights and surprises me, in the mode of a Borgesian essay-fiction or a Kafkan parable, but expanded into the exegetical sublime. Hard-boiled fiction and film noir have found their most illuminating critic in Irwin.—Harold Bloom
Irwin's analysis of five American crime novels from the Thirties and Forties and his insightful discussion of the 'noir' films based on them cast new light on the qualities of these 'hard-boiled' classics. The surprising affinities he uncovers that link these works with other examples of American 'main-line' fiction will surely increase the reader's perception of the inherent seriousness at the heart of these genre entertainments.—Donald A. Yates, editor and translator of Latin Blood: The Best Crime Stories from Spanish America