Understanding the Fundamentals of Classical Music

Understanding the Fundamentals of Classical Music

by Richard Freedman

Narrated by Richard Freedman

Unabridged — 7 hours, 4 minutes

Understanding the Fundamentals of Classical Music

Understanding the Fundamentals of Classical Music

by Richard Freedman

Narrated by Richard Freedman

Unabridged — 7 hours, 4 minutes

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Overview

This course is not designed as a chronological survey of musical history and its many stylistic periods or moments, nor an exploration of the lives and output of individual composers. Instead, these lectures focus on the development of listening skills. Through this course you will develop new levels of aural awareness that will allow you to better appreciate the richness, complexity and excitement at the heart of all great concert music. Music is a performative art. It stresses movement through time and engages our suggestive sense of its passing. Music has tendency, it normally invokes goals of various sorts, both near and far. Music has closure, a sensation not just of ending, but of expecting no more. Music also has accent. It is a dynamic process of stresses and nuance that often varies in dimension from one performance to the next. My approach in this course will by design be thematic and eclectic. It will juxtapose styles and passages from different works designed to highlight a particular musical concept or aural effect. Don't worry about definitions, those are provided in the glossary at the end of this guide. Instead, concentrate on the musical examples themselves.

Editorial Reviews

AUG/SEP 04 - AudioFile

College-level courses are a growing audio genre, and no subject is better suited to this format than music. In this program Professor Freedman includes many musical selections to illustrate the concepts he discusses. His lectures are well organized, and he is articulate and encouraging. The problem with this course is that it’s difficult to know its intended audience. Certainly it’s too advanced for those with no knowledge of music, but it often moves too quickly to really deepen the understanding of intermediate listeners. It’s probably best suited, then, to those who have studied music in the past and would like to review the ideas that may have faded from memory. D.B. © AudioFile 2004, Portland, Maine

Product Details

BN ID: 2940169476651
Publisher: Recorded Books, LLC
Publication date: 10/03/2008
Edition description: Unabridged
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