Understanding Deleuze, Understanding Modernism

by S. E. Gontarski (Editor), Paul Ardoin (Editor), Laci Mattison (Editor)

Overview

Understanding Deleuze, Understanding Modernism explores the multi-faceted and formative impact of Gilles Deleuze on the development and our understanding of modernist thought in its philosophical, literary, and more broadly cultural manifestations.

Gilles Deleuze himself rethought philosophical history with a series of books and essays on individual philosophers such as Kant, Spinoza, Leibniz, Nietzsche, and Bergson and authors such as Proust, Kafka, Beckett and Woolf, on the one hand, and Bacon, Messiaen, and Pollock, among others, in other arts. This volume acknowledges Deleuze's profound impact on a century of art and thought and the origin of that impact in his own understanding of modernism.

Understanding Deleuze, Understanding Modernism begins by "conceptualizing" Deleuze by offering close readings of some of his most important works. The contributors offer new readings that illuminate the context of Deleuze's work, either by reading one of Deleuze's texts against or in the context of his entire body of work or by challenging Deleuze's readings of other philosophers. A central section on Deleuze and his aesthetics maps the relationships between Deleuze's thought and modernist literature. The volume's final section features an extended glossary of Deleuze's key terms, with each definition having its own expert contributor.

Product Details

ISBN-13:	9781623563493
Publisher:	Bloomsbury Academic
Publication date:	08/28/2014
Series:	Understanding Philosophy, Understanding Modernism
Pages:	304
Product dimensions:	6.00(w) x 9.00(h) x 0.69(d)

About the Author

Paul Ardoin is Assistant Professor of English at the University of Texas at San Antonio, USA.

S. E. Gontarski is the Robert O. Lawton Distinguished Professor of English at Florida State University, USA. He is the author or editor of 15 books, including Samuel Beckett: The Complete Short Prose, 1928-1989 (1996), The Theatrical Notebooks of Samuel Beckett, Volume IV: The Shorter Plays (1999), A Companion To Samuel Beckett (2010), Beckett after Beckett (ed. with Anthony Uhlmann, 2006), The Faber Companion to Samuel Beckett: A Reader's Guide to His Life, Works, and Thought (with C. J. Ackerly, 2006), The Grove Press Reader, 1951-2001 (2001), Modernism, Censorship and the Politics of Publishing (2000).

Laci Mattison is Visiting Lecturer of English Literature at Florida State University, USA.

Table of Contents

Abbreviations
Contributors
Series Preface, Understanding Philosophy, Understanding Modernism
S. E. Gontarski, Paul Ardoin, and Laci Mattison
Introduction, Gilles Deleuze and the Staging of Philosophy
S. E. Gontarski, Florida State University, USA; Paul Ardoin, Florida State University, USA, and University of Antwerp, Belgium; and Laci Mattison, Florida State University, USA
Part 1 Conceptualizing Deleuze
1 Deleuze's Proust and Signs: The Literary Partial Object
Patrick M. Bray, Ohio State University, USA
2 Life as Method: The Invention of Problems in Deleuze's Bergsonism
Wahida Khandker, Manchester Metropolitan University, UK
3 Diagrammatic Modernism: Abstraction, Immanence, and the Positions of Style
Joe Hughes, University of Melbourbane, Australia
4 Reading Anti-Oedipus: Literature, Schizophrenia, and Universal History
Aidan Tynan, Cardiff University, UK
5 On the Flyleaves of Modernism: Deleuze and Guattari's Kafka
Jason Skeet, Cardiff University, UK
6 Intensive Multiplicities in A Thousand Plateaus
Audrone Žukauskaite, Lithuanian Culture Research Institute and Vilnius University, Lithuania
7 The Movement-Image, The Time-Image, and the Paradoxes of Literary and Other
Modernisms
Garin Dowd, University of West London, UK
8 What Is Philosophy?, or Eternal Returban
S. E. Gontarski, Florida State University, USA
9 Essays Critical and Clinical: The Book as a ‘Whole'
Anthony Uhlmann, University of Western Sydney, Australia
Part 2 Deleuze and Aesthetics
10 "A strange respect for the individual": Gilles Deleuze and Hardy the Novelist
John Hughes, University of Gloucestershire, UK
11 Entangled in Nature: Deleuze's Modernism, Woolf's Philosophy, and Spinoza's
Ethology
Derek Ryan, University of Kent, UK
12 Dancing with Deleuze: Modernism and the Imperceptible Animal
Carrie Rohman, Lafayette College, USA
13 Henry Miller and Deleuze's "Strange Anglo-American Literature"
Andrew Marzoni, University of Minnesota, UK
14 Schizoanalytic Modernism: The Case of Antonin Artaud
Ian Buchanan, University of Wollongong, Australia
15 Deleuze's Perspectival Theory of Modernism and the Baroque
Christopher Langlois, University of Western Ontario, Toronto
16 Incorporeal Modernism
Claire Colebrook, Penn State University, USA
Part 3 Glossary
17 Abstract Machine
Aden L. Evens, Dartmouth College, USA
18 Affect
Mickey Vallee, University of Lethbridge, Canada
19 Assemblage
Justin Litaker, Purdue University, USA
20 Becoming
Jason Skeet, Cardiff University, UK
21 Body Without Organs
Ian Buchanan, University of Wollongong, Australia
22 Desire
Marco Altamirano, Louisiana State University, USA
23 Deterritorialization
John Mac Kilgore, Florida State University, USA
24 Memory
Nadine Boljkovac, Brown University, USA
25 Minor Literature
Christopher Langlois, University of Western Ontario, Canada
26 Plane of Immanence
Jon K. Shaw, Goldsmiths College, UK
27 Rhizome
Eugene W. Holland, Ohio State University, USA
28 Schizoanalysis
Anna Powell, Manchester Metropolitan University, UK
29 Stuttering
Mickey Vallee, University of Lethbridge, Canada
30 Time-Image
Nadine Boljkovac, Brown University, USA
Index

Editorial Reviews

"Understanding Deleuze, Understanding Modernism is a significant moment in the ongoing exploration of the relationship between Deleuze and modernism, presenting the concept of modernism through his thought. Although each essay focuses on a different aspect of Deleuze's philosophy and of modernist tendencies, there are overlappings and recurring themes in them, and together they offer a a coherent, yet diverse image for the reader, a thorough and compelling critical engagement with Deleuze's modernism." – Hungary Hungarian Jourbanal of English and American Studies

"If you want to learn from some of the deepest and most original work on Deleuze, Guattari and literature available today, this is the book for you. If you are currently doing advanced research on Deleuze, Guattari and literature, this collection will be a valuable resource for studies and positions in relation to which your thesis should be critically situated... This collection is a long and rewarding set of essays on the different ways in which modernist works and the philosophy of Deleuze and Guattari can add to the resources for thinking through a condition that has now become post-human. It is not possible to do justice to each essay or to the excellent and very helpful glossary entries at the end of the book." – Notre Dame Philosophical Reviews

"I love using Deleuze, even when I do not follow him systematically. I admire the infinite productivity of his concepts, the generosity of his culture and the intelligence of his readings, all of which are magnified by this compendium with its sharp definitions, astute contextualizations and a comprehensive glossary. It has already become invaluable for me. I can recommend it to readers interested in the interfaces between literature, philosophy, art and politics. The full power of Deleuze's mind shines here splendidly."– Jean-Michel Rabate, Professor of English and Comparative Literature, The University of Pennsylvania, USA

"[This] is a wonderfully accessible guide to the texts and the issues involved. The introductions to Deleuze's major works, essays on his relation to key modernist writers, and dictionary style entries on key concepts make this an exceptionally useful resource. This book enlarges our understanding of modernism as well as our understanding of Deleuze."– Paul Patton, University of New South Wales, Australia

"The immediate usefulness of this series is in the editors' tripartite structure of close reading, contextualization, and key concepts from the philosophies of modernism. The second volume on the philosophy of Deleuze collates an exceptional range of scholars on Deleuze and/or Modernism, maintaining a nice balance between well heeled names and brilliant new voices."– Gregg Lambert, Dean's Professor of the Humanities and Founding Director of the SU Humanities Center, Syracuse University, USA

"Combining contributions from important established and emerging scholars, this carefully structured volume will no doubt prove a valuable interdisciplinary resource for Deleuzian initiates and newcomers alike. As well as demonstrating the import of Deleuze's philosophy for understanding the concept of modernism and modernist works, the strength of this book lies in its emphasis on the extent to which Deleuze's thought was formed by his encounters with key modernist figures from Proust and Bergson to Beckett and Woolf."– Laura Cull, Senior Lecturer in Theatre and Director of Postgraduate Research for the School of Arts, University of Surrey, UK

From the Publisher