Understanding Comedy through College Comedies
Understanding Comedy through College Comedies explains the nature of comedy through the study of college comedy films, including classics (College, The Freshman); romantic/screwball comedies (Where the Boys Are, Ball of Fire, Sterile Cuckoo); famous comedian comedies (Horse Feathers, The Nutty Professor, The Klumps); intergenerational college comedies (That’s My Boy, Back to School, Old School); social comedies (The Graduate, Breaking Away, Risky Business); political comedies (Getting Straight, Strawberry Statement, Last Supper); ethnic comedies (School Daze, Soul Man, How High); and college farces (Charlie’s Aunt, Animal House, Revenge of the Nerds, Slackers). In this book, Norman Kagan explains comic terminology, concepts, and theories, including Freud’s “displaced sexual content” in Decline of the American Empires, Langer’s “vitalism” in Slacker, Bergson’s “anesthesia of the heart” in The Squid and the Whale, and Frye’s “reversal of literary modes” in Storytelling. The reader will discover the reasons why they are laughing, new reasons to laugh, and new films that will provide new sources of laughter.
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Understanding Comedy through College Comedies
Understanding Comedy through College Comedies explains the nature of comedy through the study of college comedy films, including classics (College, The Freshman); romantic/screwball comedies (Where the Boys Are, Ball of Fire, Sterile Cuckoo); famous comedian comedies (Horse Feathers, The Nutty Professor, The Klumps); intergenerational college comedies (That’s My Boy, Back to School, Old School); social comedies (The Graduate, Breaking Away, Risky Business); political comedies (Getting Straight, Strawberry Statement, Last Supper); ethnic comedies (School Daze, Soul Man, How High); and college farces (Charlie’s Aunt, Animal House, Revenge of the Nerds, Slackers). In this book, Norman Kagan explains comic terminology, concepts, and theories, including Freud’s “displaced sexual content” in Decline of the American Empires, Langer’s “vitalism” in Slacker, Bergson’s “anesthesia of the heart” in The Squid and the Whale, and Frye’s “reversal of literary modes” in Storytelling. The reader will discover the reasons why they are laughing, new reasons to laugh, and new films that will provide new sources of laughter.
46.99 In Stock
Understanding Comedy through College Comedies

Understanding Comedy through College Comedies

by Norman Kagan
Understanding Comedy through College Comedies

Understanding Comedy through College Comedies

by Norman Kagan

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Overview

Understanding Comedy through College Comedies explains the nature of comedy through the study of college comedy films, including classics (College, The Freshman); romantic/screwball comedies (Where the Boys Are, Ball of Fire, Sterile Cuckoo); famous comedian comedies (Horse Feathers, The Nutty Professor, The Klumps); intergenerational college comedies (That’s My Boy, Back to School, Old School); social comedies (The Graduate, Breaking Away, Risky Business); political comedies (Getting Straight, Strawberry Statement, Last Supper); ethnic comedies (School Daze, Soul Man, How High); and college farces (Charlie’s Aunt, Animal House, Revenge of the Nerds, Slackers). In this book, Norman Kagan explains comic terminology, concepts, and theories, including Freud’s “displaced sexual content” in Decline of the American Empires, Langer’s “vitalism” in Slacker, Bergson’s “anesthesia of the heart” in The Squid and the Whale, and Frye’s “reversal of literary modes” in Storytelling. The reader will discover the reasons why they are laughing, new reasons to laugh, and new films that will provide new sources of laughter.

Product Details

ISBN-13: 9780761870623
Publisher: Hamilton Books
Publication date: 08/15/2018
Pages: 198
Product dimensions: 6.00(w) x 9.03(h) x 0.60(d)

About the Author

Norman Kagan has taught communications, cinema, mass media, and essay writing at the City University of New York and elsewhere. As Writer/Producer of the USIA’s Science Report, his programs were policy instruments broadcast on 600 television stations in 110 countries. He has written and produced news and documentary films; and, published eight books on film.

Table of Contents

Chapter 1: Comedy and College Comedies: Why study college comedies? Comedy analysis, organization, availability.

Chapter 2: College Athlete Comedies: The Freshman,College, and others

Chapter 3: Romantic/Screwball College Comedies: The Wild Party, Ball of Fire, Where the Boys Are, and more

Chapter 4: The Marx Brothers at College: Horse Feathers and its offspring

Chapter 5: College Musicals: College Humor, College Holiday, Good News, and many others

Chapter 6: Jerry Lewis and Eddie Murphy at College: The Nutty Professor, The Klumps, and sequels

Chapter 7: Intergenerational College Comedies: That’s My Boy, Take Her, She’s Mine, Back to School,Old School, and others

Chapter 8t: College Social Comedies: The Graduate, Risky Business, Breaking Away, Mona Lisa Smile, and more

Chapter 9: College Political Comedies: Getting Straight, The Way We Were, PCU, The Last Supper, and others

Chapter 10: College Racial or Ethnic Comedies: School Daze, Soul Man, Foreign Student, American Desi, and others

Chapter 11: College Farces: A Chump at Oxford, Charley’s Aunt, Animal House, Revenge of the Nerds, Police Academy, and many more

Chapter 12: Comic Theory and College Comedies: Sigmund Freud and The Decline of the American Empire, Susan Langer and Slacker, Wylie Sypher and With Honors, Robert Heilman and Threesome, George Meredith and Wonder Boys, Henri Bergson and The Squid and the Whale, and Northrop Frye and Storytelling

Bibliography

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