Publishers Weekly - Publisher's Weekly
ISBN 0-590-47365-4 In a starred review, PW said, ``With exceptional grace and honesty, Hamilton sketches a vibrant portrait of a gifted 12-year-old of mixed race in search of her identity.'' Ages 12-up. (Mar.)q
Library Journal
One would think that Walker's The Red Scream (Doubleday, 1994), which won an Edgar Award, would be a tough act to follow. The intrepid author, however, exhibits no signs of sophomore jinx in this spectacular sequel featuring Texas journalist Molly Cates. Samuel Mordecai, a fanatical, self-proclaimed prophet, kidnaps a busload of schoolchildren and their driver, a detached Vietnam veteran, and holds them beneath a heavily armed compound. While Cates delves into Mordecai's bizarre past and federal authorities attempt to negotiate with him, it becomes clear that the hostages are doomed. The final 30 minutes of Under the Beetle's Cellar are almost painfully suspenseful, and listeners will surely draw parallels with the horrifying incidents in Waco, TX, involving David Koresh and the Branch Davidians. Judith Ivey reads well, and the hokey music is used sparingly. The abridgment is adequate, but listeners may find the nonstop action a bit disconcerting. All in all, this is a good addition to the suspense collections of libraries that can't wait for an unabridged edition.-Mark Annichiarico, "Library Journal"
School Library Journal
Gr 6-8-Discovering that her mother and relatives lied about her father dying in Vietnam, angry Buhlaire-Marie Sims, 12, is determined to find and communicate with her dad. When he rescues her during a January blizzard, he leads his daughter to a highway underpass, his space among the homeless of Plain City. Buhlaire learns that her father is a troubled man, estranged from his family because of his mental instability and racially mixed parentage. Although he treats her kindly, she begins to perceive the confusion and unpredictability of his life. Buhlaire has experienced her own ostracization because of her mother's nightclub career, her home among the stilted river bottom ``water houses,'' and her light skin. Although she is loved and cared for, her adolescent sensibilities are aroused when she realizes that her family has shielded her from her own identity. Through candid thoughts, realistic dialogue, and a symbolic blend of setting and self-discovery, Hamilton has created a testimonial on the powerful bonds of blood and ``back time,'' or heritage. Buhlaire emerges from her emotional turmoil and quest with an appreciation for the attentions and personal struggles of a classmate; with renewed affection for her family; and, with a compassionate understanding of hard choices that are part of life.-Gerry Larson, Chewning Junior High School, Durham, NC