Ulysses

by James Joyce, Murat Ukray (Illustrator)

Overview

The book consists of 18 chapters, each covering roughly one hour of the day, beginning around 8 a.m. and ending sometime after 2 a.m. the following morning. Each chapter employs its own literary style, and parodies a specific episode in Homer's Odyssey. Furthermore, each chapter is associated with a specific colour, art or science, and bodily organ. This combination of kaleidoscopic writing with an extreme formal schematic structure renders the book a major contribution to the development of 20th-century modernist literature. The use of classical mythology as an organising framework, the near-obsessive focus on external detail, and the occurrence of significant action within the minds of characters have also contributed to the development of literary modernism. Nevertheless, Joyce complained that, "I may have oversystematised Ulysses," and played down the mythic correspondences by eliminating the chapter titles that had been taken from Homer.

As he was completing work on Dubliners in 1906, Joyce considered adding another story featuring a Jewish advertising canvasser called Leopold Bloom under the title Ulysses. Although he did not pursue the idea further at the time, he eventually commenced work on a novel using both the title and basic premise in 1914. The writing was completed in October 1921. Three more months were devoted to working on the proofs of the book before Joyce halted work shortly before his self-imposed deadline, his 40th birthday (2 February 1922).

this publication encountered censorship problems in the United States; serialisation was halted in 1920 when the editors were convicted of publishing obscenity. Although the conviction was based on the “Nausicaä” episode of Ulysses, The Little Review had fuelled the fires of controversy with dada poet Elsa von Freytag-Loringhoven’s defence of Ulysses in an essay “The Modest Woman.” Joyce's novel was not published in the United States until 1933.

With the appearance of both Ulysses and T. S. Eliot's poem, The Waste Land, 1922 was a key year in the history of English-language literary modernism.

In Ulysses, Joyce employs stream of consciousness, parody, jokes, and virtually every other established literary technique to present his characters. The action of the novel, which takes place in a single day, 16 June 1904, sets the characters and incidents of the Odyssey of Homer in modern Dublin and represents Odysseus (Ulysses), Penelope and Telemachus in the characters of Leopold Bloom, his wife Molly Bloom and Stephen Dedalus, parodically contrasted with their lofty models.

The book explores various areas of Dublin life, dwelling on its squalor and monotony. Nevertheless, the book is also an affectionately detailed study of the city, and Joyce claimed that if Dublin were to be destroyed in some catastrophe it could be rebuilt, brick by brick, using his work as a model. To achieve this level of accuracy, Joyce used the 1904 edition of Thom's Directory—a work that listed the owners and/or tenants of every residential and commercial property in the city. He also bombarded friends still living there with requests for information and clarification.

Product Details

ISBN-13:	9786155565359
Publisher:	PublishDrive
Publication date:	04/13/2015
Series:	Ulysses
Sold by:	PUBLISHDRIVE KFT
Format:	eBook
Pages:	705
File size:	5 MB

About the Author

Irish novelist, poet, and short-story writer James Joyce (1882–1941) ranks among the giants of 20th-century literature. His experimental narrative techniques opened a new world of storytelling that continues to influence modern writers.

Date of Birth:

February 2, 1882

Date of Death:

January 13, 1941

Place of Birth:

Dublin, Ireland

Place of Death:

Zurich, Switzerland

Education:

B.A., University College, Dublin, 1902

Website:

http://www.jamesjoyce.ie

Read an Excerpt

Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed. A yellow dressinggown, ungirdled, was sustained gently behind him by the mild morning air. He held the bowl aloft and intoned:

—Introibo ad altare Dei.

Halted, he peered down the dark winding stairs and called up coarsely:

—Come up, Kinch. Come up, you fearful jesuit.

Solemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding country and the awaking mountains. Then, catching sight of Stephen Dedalus, he bent towards him and made rapid crosses in the air, gurgling in his throat and shaking his head. Stephen Dedalus, displeased and sleepy, leaned his arms on the top of the staircase and looked coldly at the shaking gurgling face that blessed him, equine in its length, and at the light untonsured hair, grained and hued like pale oak.

Buck Milligan peeped an instant under the mirror and then covered the bowl smartly.

—Back to barracks, he said sternly.

He added in a preacher's tone:

—For this, O dearly beloved, is the genuine Christine: body and soul and blood and ouns. Slow music, please. Shut your eyes, gents. One moment. A little trouble about those white corpuscles. Silence, all. 

He peered sideways up and gave a long low whistle of call, then paused awhile in rapt attention, his even white teeth glistening here and there with gold points. Chrysostomos. Two strong shrill whistles answered through the calm. 

—Thanks, old chap, he cried briskly. That will do nicely. Switch off the current, will you?

He skipped off the gunrest and looked gravely at his watcher, gathering about his legs the loose folds of his gown. The plump shadowed face and sullen oval jowl recalled a prelate, patron of arts in the middle ages. A pleasant smile broke quietly over his lips.

—The mockery of it, he said gaily. Your absurd name, an ancient Greek.

Table of Contents

Map: Dublin c. 1904
Abbreviations
Introduction
Composition and Publication History
Select Bibliography
A Chronology of James Joyce
ULYSSES
Appendix A: The Gilbert and Linati Schemata
Appendix B: Ulysses: Serialization and Editions
Appendix C: Errata
Explanatory Notes

What People are Saying About This

Edmund Wilson

One of the most remarkable features of Ulysses is its interest as an investigation into the nature of human consciousness and behavior...Joyce has studied what we are accustomed to consider the dirty, the trivial and the base elements in our lives with the restlessness of a modern psychologist; and he has also...done justice to all those elements in our lives which we have been in the habit of describing by such names as love, nobility, truth and beauty.

From the Publisher

"Ulysses will immortalize its author with the same certainty that Gargantua immortalized Rabelais, and The Brothers Karamazov immortalized Dostoyevsky.... It comes nearer to being the perfect revelation of a personality than any book in existence."
-The New York Times

"To my mind one of the most significant and beautiful books of our time."
-Gilbert Seldes, in The Nation

"Talk about understanding "feminine psychology"— I have never read anything to surpass it, and I doubt if I have ever read anything to equal it."
-Arnold Bennett

"In the last pages of the book, Joyce soars to such rhapsodies of beauty as have probably never been equaled in English prose fiction."
-Edmund Wilson, in The New Republic

Introduction

The 100 Best English Language Novels of the Century

"We tried to pick books that were of great merit and proven over time." -- Christopher Cerf, chairman of the Modern Library Editorial Board

On Monday, July 20th, the editorial board of the Modern Library released a list of the 100 best English-language novels of the century. Topping the list was Ulysses, the unique, original novel that recounts a day in the lives of a group of Dubliners. The same book that was banned in the United States from 1920 to 1933 for obscenity now tops the list of novels written in English in this century, followed in descending order by The Great Gatsby, A Portrait of the Artist As a Young Man, Lolita, and Brave New World.

The editorial board that created this list comprised Christopher Cerf, Gore Vidal, Daniel J. Boorstin, Shelby Foote, Vartan Gregorian, A. S. Byatt, Edmund Morris, John Richardson, Arthur M. Schlesinger Jr., and William Styron. The top five novels originally tied for first place, all selected by nine out of ten editorial board members. Then, in another vote, the board members listed the books in order, resulting in the conclusive top five.

All the judges agreed that Ulysses was deserving of the rank of top book of the century. James Joyce was a brilliant author who, many think, ignited modern literature much as Picasso ignited 20th-century art. Joyce spent seven years working on this novel, as evidenced in his masterful prose. But is it the best English-language novel of the 20th century? Why are there only eight women on the list of 100? Is Catcher In the Rye really the 64th best novel of our century?

Editorial Reviews

Ulysses is the most important contribution that has been made to fictional literature in the twentieth century. . . It is likely that there is no one writing English today that could parallel Mr. Joyce's feat, and it is also likely that few would care to do it were it capable. -- Books of the Century; New York Times review, May 1922

New York Times Book Review

"Ulysses will immortalize its author with the same certainty that Gargantua immortalized Rabelais, and The Brothers Karamazov immortalized Dostoyevsky.... It comes nearer to being the perfect revelation of a personality than any book in existence."
-The New York Times

"To my mind one of the most significant and beautiful books of our time."
-Gilbert Seldes, in The Nation

"Talk about understanding "feminine psychology"— I have never read anything to surpass it, and I doubt if I have ever read anything to equal it."
-Arnold Bennett

"In the last pages of the book, Joyce soars to such rhapsodies of beauty as have probably never been equaled in English prose fiction."
-Edmund Wilson, in The New Republic

From the Publisher

ULYSSES, considered by many to be the preeminent novel of the modern era, has been recorded for audio before. But this new version, featuring narrator John Lee, has much to recommend it. Even though he’s English, Lee can summon up a convincing Irish accent, and his petulant reading gives the book a great deal of vigor. His pace is ideal, neither too fast to follow the complex novel nor too slow to be wearying. However, one problem plagues this reading: The monologue of Molly Bloom, which is the final chapter of the book, is read by Lee himself, rather than by a woman (as is the case in one other version). While Lee is certainly convincing, the lack of a female voice at the conclusion of this audiobook leaves this listener disappointed. K.M. © AudioFile 2010, Portland, Maine

SEPTEMBER 2010 - AudioFile