Sonically,
Rubber's sophomore record,
Ultra Feel, sounds like a successful sequel to the first album. Nothing differs much from the self-titled debut, and while the songwriting is potentially a bit stronger this time, it's an album very much in the same vein as the first. However it will probably always be remembered as the album that destroyed
Rubber. After
Rubber's self-titled debut of radio-ready
guitar pop came out, all the band bios and press indicated that they were a new band. However,
Rubber was none other than
Harem Scarem, a Canadian melodic
rock band who had renamed themselves and refashioned their image as a bid for mainstream success. While it worked for the first album, generating a Canadian Top 20 single in
"Sunshine," nothing off this album rocketed up the charts immediately after its March 2001 release. Because of that, the band quickly changed their name back to
Harem Scarem, effectively abandoning the
Rubber project. That strange history does overshadow (or potentially enhance) the music, as listeners may feel that
Harry Hess and
Pete Lesperance were merely running them through a genre exercise. It's disappointing, actually, as the music on here is really quite good: anthemic songs like
"Happiness" and
"Forgive" are primed for radio play, while the
Brian Wilson-like vocal arrangements on
"Running Away" are surprisingly sophisticated. Even when they don't write their own material, they pick the right stuff to record, as evidenced from the cover of the
Squeeze classic,
"Another Nail for My Heart," that opens this album. It's true that
Harem Scarem fans may (understandably) denounce this period as a farce, but for fans of hooky
power pop with a fair amount of production sheen, the
Rubber project -- especially
Ultra Feel -- was the real thing. [
Ultra Feel was also released with a bonus track.] ~ Jason Damas