Twenty First Century Blues

by Richard Cecil

Overview

Death, fame, art, and religion become comic subjects in Twenty First Century Blues, the fourth collection from Richard Cecil.Whether elegizing his predecessors, predicting his own end, channeling Dickinson’s “corpse-eye-view of stony death,” or imagining Yeats living in Indiana and dealing with English department politics, Cecil tempers his morbidity with a straightforward, tender brand of humor and a refreshing honesty about the shelf life of contemporary poetry. Deadpan and dark, yet pulsing with the spirit of life, these poems speak of historic France, Italy, and Switzerland, where religious persecutions, ancient catastrophes, and other, less personal, failures overshadow the disappointments and shortcomings of the poet’s modern life in the Midwest. Grimly cheered by these revelations, Cecil shows that poets, like cicadas screaming in the summer air, “won’t shut up until we’re skeletons.”

Product Details

ISBN-13:	9780809325979
Publisher:	Southern Illinois University Press
Publication date:	08/30/2004
Series:	Crab Orchard Series in Poetry
Edition description:	1st Edition
Pages:	112
Product dimensions:	6.00(w) x 9.00(h) x 0.40(d)

About the Author

Richard Cecil teaches in the Department of English and the Honors College of Indiana University, as well as in the Spalding University Brief-Residency MFA Program. A winner of the Verna Emery Poetry Prize and the Crab Orchard Award Series in Poetry, he is the author of three previous books of poetry, Einstein’s Brain, Alcatraz, and In Search of the Great Dead.His poems have appeared in Poetry, American Poetry Review, Ploughshares, Georgia Review, New England Review, and many other journals.

Table of Contents

	Acknowledgments	ix
1	Lament for the Makers
	Lament for the Makers	3
	Catechism	6
	Albi Cathedral	7
	Limbo	9
	Let's Pretend	11
	Anti Ode to Autumn	13
	Discuss "Divine Justice in The Inferno"	16
	Fool's Gold	17
	The Funeral Director: Against Cremation	19
	The Worst Day of the Year	21
	Portrait of Five Women and a Cat	23
	The Writing Requirement	25
	To the Poet Who Skipped My Reading & Died	27
	A Letter to William Butler Yeats	28
2	There's No Place Like Home
	Package Tour	33
	There's No Place Like Home	35
	Almost an Apartment in Antibes	36
	Evolution in Indiana	38
	Heaven	39
	As You Like It	40
	Let's Go!	42
	A Rare Bird	44
	Where Am I?	46
	The Tower of Babel	47
	Internal Exile	49
	Written in Exile	51
3	A Lesson in Generosity
	Falling Off the Wagon	55
	A Christmas Poem	58
	Holy Sonnet	60
	On Being Asked to Contribute to The Idiot's Guide to Poetry	61
	Sailing to Pesaro	63
	2001: HAL, Meet Dell	65
	Summer Faculty Enrichment Grant Application	66
	Meditation on a Half-Line of Shakespeare's	69
	Letter of Recommendation	70
	A Lesson in Generosity	72
4	Twenty First Century Blues
	Contrary Elegy	77
	Summer Diet	79
	Oona	80
	Ghosts in the Kitchen	83
	Roots	85
	Happy Birthday, Richard!	88
	The Diver	90
	Final Exercise-The Rain Poem	92
	November's Advice	94
	Flying Home	95
	Twenty First Century Blues	97

Editorial Reviews

“Twenty First Century Blues speaks to all of us whose lives fall short of the triumphs we had planned. Yet the jaundice in Richard Cecil’s eye is offset by clear vision. This book tells bitter truths, redeemed by memory, by wit, by craft, by accurate and resonant details. These poems say ‘I came, I saw, I did not conquer, exactly, but I understood, I laughed, I celebrated by writing this down.’”

—Charles Harper Webb

“Richard Cecil’s most distinguished poems range persistently along, accumulating data until patterns and conclusions that have been latent become apparent. Again and again a faith in the lurking significance of things pays off, and the early particulars add up to revelation.”—William Stafford

“Cecil’s poems are powerful, moving, and original. There is clarity, honesty, and delightful quirkiness. He captures—he recaptures—the human situation. He is just as shocking, radical, and aggravating, in his way, as language poets, for instance, are in theirs. He makes it almost possible—let me say possible—for a well-educated generalist to read poetry again.”—Gerald Stern

“Cecil suggests metaphorically his pursuit of all things deemed precious and abandoned or lost. It is a serious theme, and a difficult one to carry off, but Cecil does it again and again, looking squarely into the depths of experience with a great dry wit, and without resorting to nostalgia. . . . Perhaps no poet since Larkin has treated the romance of hope to such a helping of irony and come off in the barely possible human affirmative.”—Rodney Jones

“The technical skill and humor on display . . . make it likely that Cecil’s poems will be read long after he joins that ever-longer roll call of poets who have passed on.”

—Al Maginnes,Quarterly West

From the Publisher