The Grey sisters had only each other when their mother died years ago. Their stern, unyielding father gave them almost no attention. Winona, the oldest, needs her father's approval most of all. An overweight dreamer, she never felt at home on the sprawling horse ranch that had been in her family for three generations. Aurora, the middle, is the peacemaker. Vivi Ann, the youngest, is the undisputed star of the family. Everything comes easily to Vivi Ann, her father's love most of all. But when Vivi Ann makes a fateful decision to follow her heart, rather than take the route of a dutiful daughter, events are set in motion that will test the love and loyalties of the Grey sisters. They will be pitted against each other in ways none could have imagined. Secrets will be revealed, and a terrible, shocking crime will shatter both the family and their beloved town. With breathtaking pace and penetrating insight, Kristin Hannah's True Colors is a novel about sisters, vengeance, jealousy, betrayal—and ultimately, what it truly means to be a family.
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The day Vivi Ann had been waiting for—January 25— seemed to take forever to arrive. When it finally came, she woke even earlier than usual. Long before dawn had lightened the night sky, she threw back the covers and got out of bed. In the cold darkness of her room, she dressed in insulated coveralls and a woolen cap. Grabbing a pair of worn leather work gloves, she stepped into big rubber boots and went outside.
Technically she didn’t have to feed the horses. Her latest ranch hand would do it. But since she was too excited to sleep, she figured she might as well do something useful.
Without a moon to guide her, she couldn’t see anything except a ghostly silvered image of her own breath, but if therewas one thing Vivi Ann knew in this world, it was the lay of her father’s land.
More than one hundred years ago, her great- grandfather had homesteaded this property and founded the nearby town of Oyster Shores. Other men had chosen easier, more populated areas, places with easier access, but not Abelard Grey. He had crossed the dangerous plains to get here, lost one son to an Indian raid and another to influenza, but still he’d moved West, lured by a dream to this wild, secluded corner of the Evergreen State. The land he chose, one hundred and twenty- five acres tucked between the warm blue waters of the Hood Canal and a forested hillside, was spectacularly beautiful.
She walked up the small rise toward the barn they’d built ten years ago. Beneath a high, timbered ceiling, a large riding arena was outlined by four- rail fencing; twelve box stalls flanked the east and west sides of the structure. After she opened the huge sliding door, the overhead lights came on with a sound like snapping fingers, and the horses instantly became restless, whinnying to let her know they were hungry. For the next hour, she separated flakes of hay from the bales stacked in the loafing shed, piled them into the rusted wheelbarrow, and moved down the uneven cement aisles. At the last stall, a custom- made wooden sign identified her mare by her rarely used registered name: Clementine’s Blue Ribbon.
"Hey, girl," she said, unbolting the wooden door and sliding it sideways.
Clem nickered softly and moved toward her, sneaking a bite of hay from the wheelbarrow.
Vivi Ann tossed the two flakes into the iron feeding rack and closed the door behind her. While Clem ate, Vivi Ann stood beside her, stroking the big mare’s silky neck.
"Are you ready for the rodeo, girl?"
The mare nuzzled her side as if in answer, almost knocking Vivi Ann off her feet.
In the years since Mom’s death, Vivi Ann and Clementine had become inseparable. For a while there, when Dad had quit speaking and started drinking, and Winona and Aurora had been busy with high school, Vivi Ann had spent most of her time with this horse. Sometimes, when the grief and emptiness had been too much for Vivi Ann to handle, she’d slipped out of her bedroom and run to the barn, where she’d fall asleep in the cedar shavings at Clem’s hooves. Even after Vivi Ann had gotten older and become popular, she’d still considered this mare her best friend. The deepest of her secrets had been shared only here, in the sweet- smelling confines of the last box stall on the east aisle.
She patted Clem’s neck one last time and left the barn. By the time she reached the house, the sun was a smear of butterscotch-yellow light in the charcoal- gray winter sky. From this vantage point, she could see the steel-gray waters of the Canal and the jagged, snow-covered peaks of the distant mountains.
When she stepped into the shadowy farm house, she could hear the telltale creaking of floorboards and knew her father was up. She went into the kitchen, set three places at the table and then started breakfast. Just as she put a plate of pancakes into the oven to warm, she heard him come into the dining room. Pouring him a cup of coffee, doctoring it with sugar, she took it to him.
He took it from her without looking up from his Western Horseman magazine.
She stood there a moment, wondering what she could say that would start a conversation.
Dressed in his usual work clothes—well- worn Wrangler jeans and a plaid flannel shirt, with a saucer- sized silver belt buckle and leather gloves tucked in his waistband—he looked like he did every morning. And yet there was something different, too: a subtle collection of lines or wrinkles that aged his face.
The years since Mom’s death had been unkind to him, sharpening his features and adding shadows where none belonged, both in his eyes and in the fleshy bags beneath. His spine had curved; it was the mark of a farrier, he said, the natural result of a lifetime spent hammering nails into horses’ hooves, but loss had played a part in that curving of his spine, too. Vivi Ann was certain of it. The weight of an unexpected loneliness had reshaped him as surely as the hours he’d spent hunched at work. The only time he really stood tall anymore was when he was in public, and she knew how much it pained him to appear unbowed by his life.
He sat down at the table and read his magazine while Vivi Ann readied and served breakfast.
"Clem’s made some awesome practice runs this month," she said, taking her place across from him. "I really think we have a chance of winning the rodeo in Texas."
"Where’s the toast?"
"I made pancakes."
"Fried eggs need toast. You know that."
"Mix them in with the hash browns. We’re out of bread."
Dad sighed heavily, obviously irritated. He looked pointedly at the empty place setting on the table. "You seen Travis this morning?"
Vivi Ann glanced through the window toward the barn. There was no sign of their ranch hand anywhere. No tractor out and running, no wheelbarrow by the barn door. "I fed the horses already. He’s probably out fixing that fence."
"You picked another winner with that one. If you’d quit res-cuin’ every hurt horse between here and Yelm, we wouldn’t need no help around here at all. And the truth is we can’t afford it."
"Speaking of money, Dad . . . I need three hundred bucks for the rodeo this week and the coffee can is empty."
He didn’t respond.
"I had to use that money to pay the hay bill."
"The tax bill just came, too."
"So we’re in trouble," Vivi Ann said, frowning. She’d heard it before, of course, had always known there wasn’t much money, but for the first time, it really hit home. She understood suddenly why Winona was always harping about saving money for taxes. She cast an upward glance at her dad. He sat hunched forward, with his elbows on the table. Her sisters would have seen that as rude; Vivi Ann was sure she knew better. "Your back hurting you again?"
He didn’t answer, didn’t even acknowledge the question.
She got up, went into the kitchen, and got him some ibuprofen, setting the pills gently on the table between them.
His splayed farrier’s hand closed over them.
"I’ll find a way to get the money, Dad. And I’ll win this week. Maybe as much as two thousand bucks. Don’t you worry."
They finished the rest of the meal in silence, with him reading his magazine. When he was done, he pushed back from the table and stood up. Reaching for the sweat- stained brown felt cowboy hat that hung on a hook by the door, he said, "Make me proud."
"I will. ’Bye, Dad."
After he left, Vivi Ann sat there, feeling unsettled.
For most of her twenty- four years she’d been like a leaf on the water, just floating along, following what ever current came her way. She’d tried changing direction a few times, but every attempt (like community college) had ended quickly, with her returning to this land.
She loved it here, plain and simple. She loved being around the horses, training them, and passing her expertise on to the bright- eyed girls who idolized her riding ability. She loved that everyone in town knew who she was and respected her and her family. She even loved the weather. Lots of folks complained about the gray days that followed each other, one after another, from November to April, but she didn’t mind at all. No rain, no rainbows. That was her motto, and had been since she was twelve years old, a girl standing beside a freshly dug grave, trying to make sense of an incomprehensible loss. Then, she’d told herself that life was short and having fun was what mattered.
Now, though, it was time for her to grow up. Water’s Edge needed her for once, instead of the other way around. She wasn’t sure exactly how to make a change. Business and planning were hardly her strong suits, but she was smarter than people gave her credit for being. All she had to do was think about it.
But first she needed to borrow three hundred dollars from one of her sisters.
She’d tell them it would be a good investment.
Winona liked running the show. Any show; every show. And not from the sidelines, either. In college, all it had taken was one constitutional law class, and she’d glimpsed her future. Now, at twenty- seven, she had her life pretty much as she wanted it. Not completely, of course (she was unmarried, not dating, childless, and struggling with her weight), but pretty much. She was far and away the most successful attorney in Oyster Shores. It was common knowledge that she was fair, opinionated, and smart. Everyone said she was a good person to have on your side. Winona valued her reputation almost as much as she did her education. Dad and Vivi Ann might worship at the altar of their land, but Winona had a broader religion. For her, it was the community that mattered and the people who lived here. It was okay that Vivi Ann was the beautiful heart of town; Winona strove to be its conscience.
She reached for the intercom on her desk and pushed the button. "The council will be here in about ten minutes, Lisa. Make sure we have enough coffee."
Her receptionist answered promptly. "Already done."
"Good." Winona turned her attention to the slim pile of paperwork in front of her. There were a couple of environmental reports, a proposed short plat map, and a real estate sale contract that she’d written up.
It could save Water’s Edge.
Well, perhaps that was a bit of an exaggeration; the ranchwasn’t poised on the edge of financial ruin or anything. It was more like one of those pathetic starving horses Vivi Ann kept rescuing: limping along. Every month Dad and Vivi Ann barely made enough to keep the place running, and the taxes kept going up. This secret corner of Washington State hadn’t been "discovered" yet by the yuppies who turned rugged waterfront lots into gold, but it was only a matter of time. Someday soon a developer would realize that their sleepy town sat on a spectacular stretch of beach that overlooked the Swiss Alps–like Olympic Mountain Range, and when that happened, Dad would find himself sitting on one hundred and twenty- five desirable acres. The rise in taxes would force him to sell the land or lose it, and no one seemed to notice the inevitability of this future except her. It had already happened all across the state.
She jotted notes down on her yellow pad, words to use in talking to him. It was imperative that he understand how important this was, how she’d found a way to save and protect him. Equally imperative was that she be the one to solve the problem. Perhaps then, finally, her father would be proud of her.
The intercom buzzed. "They’re here, Winona."
"Send them into the conference room." Winona slid the documents into a manila folder and reached for her blue blazer. Slipping into it, she noticed it had gotten tighter across the bust. Sighing, she headed down for the conference room.
Her office was housed in a large Victorian mansion on a corner lot in downtown Oyster Shores. She’d bought it four years ago and renovated it room by room. The entire downstairs was completed so far. She could hardly have people judging her public rooms and finding them lacking. Next year, she’d beginon the living quarters upstairs. She had saved up almost enough money.
In the hallway, she paused at a mirror just long enough to assess her reflection: A plump, pretty face, dark brown eyes set beneath arching black brows, full lips, the shoulders of an NFL lineman, and enough bust for three women. Her one outstanding feature—her long black hair—was pulled back from her face and held in place by a white and blue scrunchie.
Forcing a smile, she kept walking and turned into what had once been a ladies’ sunroom. Floor- to- ceiling glass windows and a pair of antique French doors covered the back wall. Through the rectangular panes could be seen her winter- brown garden; and beyond that were the brick and wooden buildings along Front Street. In the center of the room was a long oak table. The members of the Oyster Shores city council sat around it, including her father, who wasn’t technically a member, but was invited to every meeting nonetheless.
Winona took her usual place at the head of the table. "What can I help you with today?"
Beside her, Ken Otter, the town’s dentist, smiled broadly. He always smiled broadly, saying it was free advertising. "We want to talk about what’s going on at the reservation."
The reservation again. "I’ve told you before, it’s not possible to stop them. I think—"
"But it’s a casino," Myrtle Michaelian said, her round face turning red at the very thought. "Prostitution is sure to follow. The Indians are—"
"Stop," Winona said firmly. She glanced around the table, eyeing each person for a long moment before she turned to the next. "First of all, they’re Native Americans, and you don’t have thelegal right to stop them from building the casino. You can spend a lot of money fighting them, but you’ll lose."
They argued on for a few moments, but the mention of spending money had pulled the wind from their sails. In the end, their dissent conked out like a dying engine and they rose to leave, thanking her for saving them money and helping them out.
"Dad?" she said. "Could you stay for a minute?"
"I got to be in Shelton in forty- five minutes."
"It won’t take long."
He gave her a short nod, just a flick of the chin, really, and stood there, arms crossed, while the council members left. When everyone was gone, Winona went back to her place at the head of the table and sat down, opening her manila folder. As she glanced over the paperwork, she couldn’t help feeling a swell of pride. This was a good plan.
"It’s about Water’s Edge," she said, finally looking up. She didn’t bother asking him to sit down. She’d learned that lesson well: Henry Grey moved when and where he wanted. Period. Trying to influence that only made the speaker look foolish.
He grunted something. She didn’t think it was a word.
Excerpted from True Colors by Kristin Hannah.
Copyright © 2009 by Kristin Hannah.
Published in January 2010 by St. Martin’s Griffin.
All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.
Table of Contents
Praise for Kristin Hannah,
Part One: Before,
Part Two: After,
Reading Group Guide,
Also by Kristin Hannah,
Reading Group Guide
An Original Essay by the Author, Kristin Hannah
In many ways, True Colors is a valentine to the women and girls who love horses. When I was a young girl, I lived to ride. My first pony, Silver Birch, and I were inseparable. Weekends, after school, and all summer, I spent long hours on horseback, riding through the trails near my house. And then there were the horse shows. At first it was 4-H, and later, the breed shows. Like so many other thirteen-year-old girls, I worked all summer to buy a new bridle or a blue Stetson hat or a piece of sterling silver to decorate my saddle.
Many of my favorite childhood memories are tangled up with horses. My mom and I spent countless weekends together, driving from one arena to another. She was always there, standing at the rail, wishing me luck. She clapped when the ribbons were handed out (of course, I was mortified then by her exuberance), and at the end of each class, she walked back to the barn with me. I handed her too many things—lead ropes, bridles, saddle pads, empty Coke cans—but she never said a word, just quietly stood there beside me and helped. . . . I lost my mom too early in life, so early that I didn't understand for many years how truly special those years we spent together in dusty barns were, how much her encouragement would ultimately mean to me. She would say quietly that I was improving, that I was doing well, and then she'd give me a tip on how to change leads better or how to soften my touch on the reins.
Now I look back on those days and I smile. I'm a mother myself, so I know how willingly she went along with what I wanted to do. And a phrase from those years comes back to me often: Lead changes. I know now how quickly we can change direction and find ourselves in unexpected places, and I know how life can circle back on itself and lead you back to where you began. Decades later, when I signed my son up for riding lessons, I found myself standing at one of those arena rails, watching him move past me, and I could feel her beside me, whispering, "Yeah, this is what it was like; this is why I did it . . ." For a while, like so many girls, I gave up on riding. I moved on, went to college, started my career, and there was no time—and no acreage—for horses. Then I married a cowboy—not his career, but his passion just the same—and suddenly I found myself back where I'd begun, in a world filled with barns and arenas and weekend rodeos.
True Colors is set in that world, and it's a place I know well. The novel is about other things, too—a crime that shocks a small town, a terrible flaw in our legal system, sisters who have lost their way, a boy who doesn't know how to become a man until he meets his father—but behind all of that, I hope you'll enjoy your visit to a world you might not have seen before, a special corner of Washington State where girls still join 4-H and look forward to the County Fair and sleep in a dusty old stall every now and then.
Reading Group Guide Questions
1. In the novel's opening scene, Henry pits one daughter against the other by simply handing one a lead rope. Winona realizes the impact of his action and knows that from then on, something in their family is changed. Does her realization change the outcome or solidify it? How does this scene reflect the central conflict in the novel? How do Henry's choices set in motion the difficulties that lie ahead?
2. Winona, Aurora, and Vivi Ann have similar and idealized perceptions of their mother. How has her absence affected them, separately and collectively? Conversely, each sister has a radically different perception of Henry. Who is the real Henry? Which sister has the most accurate understanding of who he is? Is Henry's antipathy toward his daughters subject to interpretation or is he as cold and uncaring as he appears?
3. There is obviously a symbiotic relationship between person and place in this novel. What part does the small-town setting play in the novel? Could this story have taken place in a big city? What would have played out differently, in your opinion? What would have remained the same? How does the setting reflect the differences between Vivi Ann and Winona? Certainly it appears at first glance that Vivi Ann is more rooted at Water's Edge and in Oyster Shores than Winona. Is this really true?
4. The Grey sisters would have said that they were happy before Dallas came to town. Is that true? Or was Winona right at fifteen when she observed that "from then on, jealousy had become an undercurrent, swirling beneath their lives"? Was Dallas actually the cause of their troubles? Was Luke? Or was the disintegration of the family inevitable? Who is most to blame for the bad things that happen to the Grey family?
5. For a long time, Vivi has been "the beautiful one," Aurora "the peacemaker," and Winona "the smart one." How do perceived roles contribute to the hostilities that lie beneath the surface of the family? Is this dynamic at work in most families?
6. How do Winona's weaknesses and vulnerabilities play into the story? How do her strengths? Do you see her as a likable character? A good sister?
7. How about Vivi Ann? In what way is she really the architect of her own life? How do her strengths and weaknesses allow for all of the good and bad things in the novel to happen? How would this story have been changed by honesty between the sisters from the beginning?
8. There are several moments in the story when Winona makes difficult choices. Was she right to tell Luke about Vivi Ann's affair? Should she have represented Dallas at his first trial? Did she deny the case for personal or professional reasons?
9. Noah becomes the first true catalyst for change in the Grey family. Like Vivi Ann, Aurora, and Winona, he has grown up in the shadow of loss. He is a fatherless boy; they are motherless girls. How has Vivi Ann's parenting hurt Noah and set him on his self-destructive path? Is Vivi Ann's downfall understandable? Regrettable? Unacceptable? If she had been your sister, what would you have done to help her deal with Dallas's imprisonment?
10. Do you understand Dallas? Or did he remain enigmatic throughout the story? Did your belief in his guilt or innocence change throughout the course of the novel? How much did he contribute to his own legal problems? How did Vivi Ann contribute to them? When did he fall in love with Vivi Ann, and why?
11. Prejudice is an important component of the story. In small, close-knit communities like Oyster Shores, it can often be difficult to be perceived as an outsider. How much of Dallas's arrest depends upon prejudice? Would he have been arrested as quickly if he'd been "one of them"? What if he had been white? How much did his own bad reputation in town work against him?
12. Eyewitness testimony is often unreliable. This is especially true for minorities and people of color. Why do you think this is? What should we, as a society, do about it? Was Myrtle mistaken in her testimony? Did she simply see what she expected to see?
13. Was Vivi Ann wrong to give up on Dallas? Was Dallas right to ask it of her?
14. Discuss Henry. Does he change over the course of the story? Does he love his daughters? How did the loss of his wife contribute to the father he has become? Would he change if he could?
15. Think about the future. How is the Grey family changed by all that they have endured? Where do they go from here? Do Vivi, Noah, and Dallas stay at Water's Edge? What about Winona? How has she been changed by the journey she has undertaken? Is she still jealous of her sister? Desperate for her father's love? Will she stay in Oyster Shores? Should she? Will she and Luke make a future together? And what about Noah? For most of his life he's been able to blame his bad behavior on someone else. What will his life be like now that his father is home?