Treading the bawds: Actresses and playwrights on the Late Stuart stage

Drawing on feminist cultural materialist theories and historiographies, ‘Treading the bawds’ analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player’s co-operative.

Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by its leading actresses, Bush-Bailey challenges the received historical and literary canons, including a radical solution to the mysterious identity of the anonymous playwright ‘Ariadne’. It is a story of female collaboration and influence with the spotlight focused on the very public world of women in the commercial business of theatre.

1112374315
Treading the bawds: Actresses and playwrights on the Late Stuart stage

Drawing on feminist cultural materialist theories and historiographies, ‘Treading the bawds’ analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player’s co-operative.

Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by its leading actresses, Bush-Bailey challenges the received historical and literary canons, including a radical solution to the mysterious identity of the anonymous playwright ‘Ariadne’. It is a story of female collaboration and influence with the spotlight focused on the very public world of women in the commercial business of theatre.

20.49 In Stock
Treading the bawds: Actresses and playwrights on the Late Stuart stage

Treading the bawds: Actresses and playwrights on the Late Stuart stage

by Gilli Bush-Bailey
Treading the bawds: Actresses and playwrights on the Late Stuart stage

Treading the bawds: Actresses and playwrights on the Late Stuart stage

by Gilli Bush-Bailey

eBook

$20.49  $26.95 Save 24% Current price is $20.49, Original price is $26.95. You Save 24%.

Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
WANT A NOOK?  Explore Now

Related collections and offers


Overview

Drawing on feminist cultural materialist theories and historiographies, ‘Treading the bawds’ analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player’s co-operative.

Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by its leading actresses, Bush-Bailey challenges the received historical and literary canons, including a radical solution to the mysterious identity of the anonymous playwright ‘Ariadne’. It is a story of female collaboration and influence with the spotlight focused on the very public world of women in the commercial business of theatre.


Product Details

ISBN-13: 9781847796400
Publisher: Manchester University Press
Publication date: 07/19/2013
Series: Women, Theatre and Performance
Sold by: Barnes & Noble
Format: eBook
Pages: 272
File size: 2 MB

About the Author

Gilli Bush-Bailey is Lecturer in the Department of Drama and Theatre at Royal Holloway, University of London
Gilli Bush-Bailey is Senior Lecturer and Head of the Drama and Theatre Department at Royal Holloway, University of London

Table of Contents

Introduction
Acknowledgements
Part One: Background
1. In the company of women
2. United we stand
3. Control and influence on the Late Stuart Stage
Part Two: The Players’ Company at Lincoln’s Inn Fields
4. New moves, new voices
5. Competition and criticism
6. Re-forming the stage
7. Old stories, new histories
8. Certainly not a conclusion
Bibliography

From the B&N Reads Blog

Customer Reviews