Tragedie of Cymbeline

by William Shakespeare

Overview

King Cymbeline of Britain banishes his daughter Innogen's husband, who then makes a bet on Innogen's fidelity. Innogen is accused of being unfaithful, runs away, and becomes a page for the Roman army as it invades Britain. In the end, Innogen clears her name, discovers her long-lost brothers and reunites with her husband while Cymbeline makes peace with Rome. 1.Gent. You do not meet a man but Frownes. Our bloods no more obey the Heauens Then our Courtiers: Still seeme, as do's the Kings 2 Gent. But what's the matter? 1. His daughter, and the heire of's kingdome (whom He purpos'd to his wiues sole Sonne, a Widdow That late he married) hath referr'd her selfe Vnto a poore, but worthy Gentleman. She's wedded, Her Husband banish'd; she imprison'd, all Is outward sorrow, though I thinke the King Be touch'd at very heart 2 None but the King? 1 He that hath lost her too: so is the Queene, That most desir'd the Match. But not a Courtier, Although they weare their faces to the bent Of the Kings lookes, hath a heart that is not Glad at the thing they scowle at2 And why so? 1 He that hath miss'd the Princesse, is a thing Too bad, for bad report: and he that hath her, (I meane, that married her, alacke good man, And therefore banish'd) is a Creature, such, As to seeke through the Regions of the Earth For one, his like; there would be something failing In him, that should compare. I do not thinke, So faire an Outward, and such stuffe Within Endowes a man, but hee 2 You speake him farre1 I do extend him (Sir) within himselfe, Crush him together, rather then vnfold His measure duly2 What's his name, and Birth? 1 I cannot delue him to the roote: His Father Was call'd Sicillius, who did ioyne his Honor Against the Romanes, with Cassibulan, But had his Titles by Tenantius, whom He seru'd with Glory, and admir'd Successe: So gain'd the Sur-addition, Leonatus. And had (besides this Gentleman in question) Two other Sonnes, who in the Warres o'th' time Dy'de with their Swords in hand. For which, their Father Then old, and fond of yssue, tooke such sorrow That he quit Being; and his gentle Lady Bigge of this Gentleman (our Theame) deceast As he was borne. The King he takes the Babe To his protection, cals him Posthumus Leonatus, Breedes him, and makes him of his Bed-chamber, Puts to him all the Learnings that his time Could make him the receiuer of, which he tooke As we do ayre, fast as 'twas ministred, And in's Spring, became a Haruest: Liu'd in Court (Which rare it is to do) most prais'd, most lou'd, A sample to the yongest: to th' more Mature, A glasse that feated them: and to the grauer, A Childe that guided Dotards. To his Mistris, (For whom he now is banish'd) her owne price Proclaimes how she esteem'd him; and his Vertue By her electio[n] may be truly read, what kind of man he is 2 I honor him, euen out of your report. But pray you tell me, is she sole childe to'th' King?

Product Details

ISBN-13:	9781582012995
Publisher:	Classic Books
Publication date:	10/28/1999
Series:	New Varioum Edition of Shakespeare Ser. , #299
Pages:	500
Product dimensions:	7.20(w) x 10.20(h) x 1.50(d)

About the Author

Dramatic work.

The whole of Shakespeare's dramatic work was probably begun and ended within two decades (1591-1611), between his twenty-seventh and forty-seventh year. If the works traditionally assigned to him include some contributions from other pens, he was perhaps responsible, on the other hand, for portions of a few plays that are traditionally claimed for others. When the account is balanced, Shakespeare must be credited with the production, during these twenty years, of a yearly average of two plays, nearly all of which belong to the supreme rank of literature. Three volumes of poems must be added to the total. Ben Jonson was often told by the players that 'whatsoever he penned he never blotted out (i.e. erased) a line.' The editors of the First Folio attested that 'what he thought he uttered with that easinesse that we have scarce received from him a blot in his papers.' Signs of hasty workmanship are not lacking, but they are few when it is considered how rapidly his numerous compositions came from his pen, and they are in the aggregate unimportant.

His borrowed plots.

By borrowing his plots he to some extent economised his energy, but he transformed most of them, and it was not probably with the object of conserving his strength that he systematically levied loans on popular current literature like Holinshed's 'Chronicles,' North's translation of 'Plutarch,' widely read romances, and successful plays. In this regard he betrayed something of the practical temperament which is traceable in the conduct of the affairs of his later life. It was doubtless with the calculated aim of ministering to the public taste that he unceasingly adapted, as his genius dictated, themes which had already, in the hands of inferior writers or dramatists, proved capable of arresting public attention.

The revision of plays.

The professional playwrights sold their plays outright to one or other of the acting companies, and they retained no legal interest in them after the manuscript had passed into the hands of the theatrical manager. It was not unusual for the manager to invite extensive revision of a play at the hands of others than its author before it was produced on the stage, and again whenever it was revived. Shakespeare gained his earliest experience as a dramatist by revising or rewriting behind the scenes plays that had become the property of his manager.

Date of Death:

2018

Place of Birth:

Stratford-upon-Avon, United Kingdom

Place of Death:

Stratford-upon-Avon, United Kingdom