Tooth and Claw and Other Stories: and Other Stories

Tooth and Claw and Other Stories: and Other Stories

by T. C. Boyle

Narrated by T. C. Boyle

Unabridged — 9 hours, 51 minutes

Tooth and Claw and Other Stories: and Other Stories

Tooth and Claw and Other Stories: and Other Stories

by T. C. Boyle

Narrated by T. C. Boyle

Unabridged — 9 hours, 51 minutes

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Overview

The fourteen stories gathered here, which have appeared in The New Yorker, GQ, Harper's, McSweeney's, and Playboy, as well as in The O. Henry Prize Stories and Best American Stories volumes, display T. C. Boyle's imaginative muscle, emotional sensitivity and astonishing range. There are the whimsical tales for which Boyle is justly famous, including "Swept Away," which tells of a female ornithologist who falls in love on the blustery island of Unst, and "The Kind Assassin," about a bored and loveless radio shock jock who sets the world record for most continuous hours without sleep-and who may never sleep again.

Listeners will love the comedic drama and lyrical beauty of the title story, about a young man who must contend with a vicious feral cat from Africa that he has won in a bar bet. And who could resist the gripping power of "Dogology," about a young woman in suburban New England who becomes so obsessed with man's best friend that she begins to lose her own identity to a pack of strays, or "Chicxulub," a nerve-shattering tale of collision, whether it be that of a young woman with a car or of huge objects from outer space slamming into the planet. With these compelling and always entertaining stories, Boyle proves once again that he is "a writer who can take any topic and spin a yarn too good to put down" (Men's Journal).

Editorial Reviews

Laura Miller

… Boyle provides ample delights -- a robust sense of place, crackerjack dialogue, real stories -- on the way to his expected endings. He often works in a comic mode with roots in Mark Twain's tall tales; a number of these stories have the endearing air of being related from a bar stool (and many of them have scenes in bars). A handful are written in a more respectable, less plotted style, and these deal, of course, with grief, an emotion that has become something of a fetish in today's literary fiction. Yet even these tonier outings have solid narrative backbones.
— The New York Times

Annie Proulx

Inside Tooth and Claw are Boyle's trademark taut writing, immediate intimacy, vivid language, and meaty words and phrases including "liver muggies," "foude" and "testudineous." Cherish the writer who stretches your mind a little. These characters speak and tell their stories in the slouchy dialogue we all use, their girlfriends throw them out, they confront one another, break up and throw up, they shriek, their flesh prickles, they slip, sink, fall, they brush lips with death, but somehow most escape the deep kiss.
— The Washington Post

Publishers Weekly

The threat of imminent demise-whether self-inflicted or from an ungentle Mother Nature-hovers in Boyle's seventh collection (after the novel The Inner Circle). Ravenous alligators make a memorable cameo in "Jubilation," in which a divorced man seeking community and stability moves into a "model" town erected in a Florida theme park (think Disney's Celebration), only to find that benign surfaces conceal dangerous depths. This theme of civilization versus wilderness also underpins the weird and wonderful "Dogology," in which a young woman's frustration with the accoutrements of the human world compels her to run-on all fours-with a pack of neighborhood dogs. "Here Comes"-one of the collection's more realistic pieces-describes the anxious circumstances of a suddenly homeless alcoholic poised to slip through the cracks for good in a Southern California town. Substance abuse figures again in "Up Against the Wall," about a young man seduced by a dissolute new crowd, while his parents' marital discord and the Vietnam War tug at the edges of his drugged-out awareness. The wired rhythm of Boyle's prose and the enormity of his imagination make this collection irresistible; with it he continues to shore up his place as one of the most distinctive, funniest-and finest-writers around. (On sale Sept. 12) Copyright 2005 Reed Business Information.

Library Journal

Published on the heels of his novel The Inner Circle, Boyle's seventh collection continues the move away from the high-concept narrative hooks and surprise endings that characterized his earlier stories. The title comes from Tennyson's In Memoriam and refers to nature's cruelty and indifference to suffering. In some of these tales, the predators are animals; in others, human. In the title story, a man adopts a vicious African cat in order to impress a sexy cocktail waitress. Substance abuse is an underlying theme throughout. In the frightening "Here Comes," for instance, a man tries to adjust to his new life as a homeless drunk, while in "Up Against the Wall"-clearly an autobiographical tale, catching Boyle in an unusual confessional mode-a young teacher stranded in rural New York is recruited into the heroin lifestyle. This strong collection will delight Boyle's longtime fans and win him converts. For public and academic libraries. [See Prepub Alert, LJ 5/15/05.]-Edward B. St. John, Loyola Law Sch. Lib., Los Angeles Copyright 2005 Reed Business Information.

Kirkus Reviews

Darker tones and an impressive range of subjects dominate this impressive collection of 14 vivid stories, the seventh from one of our most versatile and prolific writers. Boyle displays his manic surrealist's wares in wry tales concerning a roughhewn Shetland Islander whose unlikely romance with a lissome American ornithologist is imperiled by violent winds continuously plaguing the isle of Unst ("Swept Away"); a retiree's passive adjustment to a Florida theme park and housing complex transformed by its draconian "Covenants and Restrictions" into an Orwellian nightmare ("Jubilation"); and in the superb "Dogology," which juxtaposes a revenge tale involving feral children in India with the regression of a woman field biologist who undertakes "reordering her senses" through intimate orientation in the canine world. Several considerably grimmer stories focus on hapless substance abusers: a recently divorced narrator who encounters the grieving father of a college fraternity drinking binge's victim ("When I Woke Up This Morning, Everything I Had Was Gone"); a destitute loser sunk in homelessness and hopelessness ("Here Comes"); and an unstable drunk whose repeated risk-taking undermines his continuing dumb luck ("All the Wrecks I've Crawled Out Of"). A sense of looming global catastrophe takes the varied forms of a Mexican rancher's disbelieving encounter with a "doomsaying" scientist ("Blinded by the Light"); the father of a reported fatal auto crash's victim, obsessed with past and future Armageddons ("Chicxlub"); and-metaphorically-in the title story's account of its underachieving protagonist's enslavement to a ferociously untameable African predator. Even better are the tale of a radioco-host's assault on the world record for "continuous hours without sleep" ("The Kind Assassin"); a rich fictionalization of the famous journal detailing Sarah Kemble Knight's arduous travels through the rural colonial northeastern U.S. ("The Doubtfulness of Water"); and a perfectly calibrated portrayal of a callow "ghetto school" teacher's scary walk on the wild side ("Up Against the Wall"). Vintage Boyle, and not to be missed.

Product Details

BN ID: 2940172222955
Publisher: Penguin Random House
Publication date: 09/06/2005
Edition description: Unabridged

Read an Excerpt

Tooth and Claw

Stories
By T. C. Boyle

Viking Books

ISBN: 0-670-03435-5


Chapter One

When I Woke Up This Morning, Everything I Had Was Gone

The man I want to tell you about, the one I met at the bar at Jimmy's Steak House, was on a tear. Hardly surprising, since this was a bar, after all, and what do people do at bars except drink, and one drink leads to another-and if you're in a certain frame of mind, I suppose, you don't stop for a day or two or maybe more. But this man-he was in his forties, tall, no fat on him, dressed in a pair of stained Dockers and a navy blue sweatshirt cut off raggedly at the elbows-seemed to have been going at it steadily for weeks, months even.

It was a Saturday night, rain sizzling in the streets and steaming down the windows, the dinner crowd beginning to rouse themselves over decaf, cheesecake and V.S.O.P. and the regulars drifting in to look the women over and wait for the band to set up in the corner. I was new in town. I had no date, no wife, no friends. I was on something of a tear myself-a mini-tear, I guess you'd call it. The night before I'd gone out with one of my co-workers from the office, who, like me, was recently divorced, and we had dinner, went to a couple places afterward. But nothing came out if-she didn't like me, and I could see that before we halfway through dinner. I wasn't her type, whatever that might have been-and I started feeling sorry for myself, I guess, and drank too much. When I got up in the morning, I made myself a Bloody Mary with a can of Snap-E- Tom, a teaspoon of horseradish and two jiggers of vodka, just to clear my head, then went out to breakfast at a place by the water and drank a glass or two of Chardonnay with my frittata and homemade duck sausage with fennel, and then I wandered over to a sports bar and then another place after that, and I never got any of the errands done I'd been putting off all week-and I didn't have any lunch either. Or dinner. And so I drifted into Jimmy's and there he was, the man in the sweatshirt, on his tear.

There was a space around him at the bar. He was standing there, the stool shoved back and away from as if he had no use for comfort, and his lips were moving, though nobody I could see was talking to him. A flashlight, a notebook and a cigarette lighter were laid out in front of him on the mahogany bar, and though Jimmy's specialized in margaritas-there were eighteen different types of margaritas on the drinks menu-this man was apparently going the direct route. Half a glass of beer sat on the counter just south of the flashlight and he was guarding three empty shot glasses as if he was afraid someone was going to run off with them. The bar was filling up. There were only two seats available in the place, one on either side of him. I was feeling a little washed out, my legs gone heavy on me all of a sudden, and I was thinking I might get a burger or a steak and fries at the bar. I studied him a moment, considered, then took the seat to his right and ordered a drink.

Our first communication came half a second later. He tapped my arm, gave me a long, tunneled look, and made the universal two-fingered gesture for a smoke. Normally this would have irritated me-the law says you can no longer smoke in a public place in this state, and in any case I don't smoke and never have-but I was on a tear myself, I guess, and just gave him a smile and shrugged my shoulders. He turned away from me then to flag down the bartender and order another shot-he was drinking Herradura Gold-and a beer chaser. There was ritualistic moment during which he took a bite from the wedge of lime the bartender provided, sprinkled salt onto the webbing between the thumb and index finger of his left hand, licked it off and threw back the shot, after which the beer came into play. He exhaled deeply, and then his eyes migrated back to me. "Nice to see you," he said, as if we'd known each other for years.

I said it was nice to see him too. The gabble of voices around us seemed to go up a notch. A woman at the end of the bar began to laugh with a thick, dredging sound, as if she were bringing something up with great reluctance.

He leaned in confidentially. "You know," he said, "people drink for a lot of reasons. You know why I drink? Because I like the taste of it. Sweet and simple. I like the taste."

I told him I liked the taste of it too, and then he made a fist and cuffed me lightly on the meat of the arm. "You're all right, you know that?" He held out his hand as if we'd just closed a deal, and I took it. I've been in business for years-for all the years but one since I left college-and it was just a reflex to give him my name. He didn't say anything in response, just stared into my eyes, grinning, until I said, "And what do I call you?"

The man looked past me, his eyes groping toward the red and green neon sign with its neatly bunched neon palm trees that glowed behind the bar and apprised everybody of the name of the establishment. It took him a minute, but then he dropped my hand and said, "Just call me Jimmy."

(Continues...)



Excerpted from Tooth and Claw by T. C. Boyle
Excerpted by permission.
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