Tomorrow is Another Day: The Woman Writer in the South, 1859-1936

From the mid-nineteenth century through at least the first half of the twentieth, the southern code of appropriate feminine behavior required that women depend on sources outside themselves for sustenance, direction, and expression. The chivalric ideal that placed the southern lady on a pedestal often created within her gracious and gentle exterior a turmoil of frustration, confusion, and resentment.

This concept of upper middle-class, white southern womanhood forms an important part of the imaginative expression of the southern women writers whose works and lives form the subject matter of this book. All seven—Augusta Jane Evans, Grace King, Kate Chopin, Mary Johnston, Ellen Glasgow, Frances Newman, and Margaret Mitchell—were themselves products of this genteel tradition.

Anne Goodwyn Jones explains that her aim is not to link biography and art but to seek, in the lives and works of these seven southern women writers, common patterns that can lead to ways to discern the mind of the southern lady. Tomorrow Is Another Day shows that, by writing themselves and their characters into being, by expressing their voices—however variant in tone—“these seven writers wrote themselves into another day.”

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Tomorrow is Another Day: The Woman Writer in the South, 1859-1936

From the mid-nineteenth century through at least the first half of the twentieth, the southern code of appropriate feminine behavior required that women depend on sources outside themselves for sustenance, direction, and expression. The chivalric ideal that placed the southern lady on a pedestal often created within her gracious and gentle exterior a turmoil of frustration, confusion, and resentment.

This concept of upper middle-class, white southern womanhood forms an important part of the imaginative expression of the southern women writers whose works and lives form the subject matter of this book. All seven—Augusta Jane Evans, Grace King, Kate Chopin, Mary Johnston, Ellen Glasgow, Frances Newman, and Margaret Mitchell—were themselves products of this genteel tradition.

Anne Goodwyn Jones explains that her aim is not to link biography and art but to seek, in the lives and works of these seven southern women writers, common patterns that can lead to ways to discern the mind of the southern lady. Tomorrow Is Another Day shows that, by writing themselves and their characters into being, by expressing their voices—however variant in tone—“these seven writers wrote themselves into another day.”

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Tomorrow is Another Day: The Woman Writer in the South, 1859-1936

Tomorrow is Another Day: The Woman Writer in the South, 1859-1936

by Anne Goodwyn Jones
Tomorrow is Another Day: The Woman Writer in the South, 1859-1936

Tomorrow is Another Day: The Woman Writer in the South, 1859-1936

by Anne Goodwyn Jones

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Overview

From the mid-nineteenth century through at least the first half of the twentieth, the southern code of appropriate feminine behavior required that women depend on sources outside themselves for sustenance, direction, and expression. The chivalric ideal that placed the southern lady on a pedestal often created within her gracious and gentle exterior a turmoil of frustration, confusion, and resentment.

This concept of upper middle-class, white southern womanhood forms an important part of the imaginative expression of the southern women writers whose works and lives form the subject matter of this book. All seven—Augusta Jane Evans, Grace King, Kate Chopin, Mary Johnston, Ellen Glasgow, Frances Newman, and Margaret Mitchell—were themselves products of this genteel tradition.

Anne Goodwyn Jones explains that her aim is not to link biography and art but to seek, in the lives and works of these seven southern women writers, common patterns that can lead to ways to discern the mind of the southern lady. Tomorrow Is Another Day shows that, by writing themselves and their characters into being, by expressing their voices—however variant in tone—“these seven writers wrote themselves into another day.”


Product Details

ISBN-13: 9780807153277
Publisher: Louisiana State University Press
Publication date: 05/01/1982
Series: Jules and Frances Landry Award
Sold by: Barnes & Noble
Format: eBook
Pages: 388
File size: 3 MB

About the Author

Anne Goodwyn Jones is associate professor of English at the University of Florida at Gainesville.
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