One of the Best Books of 2020, according to NPR, Electric Literature, the New York Public Library, and Debutiful
“[A] winning debut collection…Readers who prefer to answer their questions about gender and sexuality with more questions will appreciate this perceptive meditation.” —Publishers Weekly (starred review)
“Delves deeply into gender identity and the many confusions and complications involved…Throughout the collection, Faliveno remains inquisitive and resistant to labels, always maintaining her empowering agency…the essays are well-rendered investigations of self-identity. An expressive voice evolving deliberately, resisting having to be one thing or the other.” —Kirkus Reviews
“Encountering Faliveno is a pleasure…a sensitive commentator on the topsy-turvy world of the gender systems she grew up in and an exquisite self-analyst of her own androgyny…writing with a quality of cinematic vividness…Recommended.” —Library Journal
“Faliveno’s dynamic essay collection…inhabits the spaces in-between—male and female, Wisconsin and New York, personal and political, fear and desire—and probes the profound paradoxes of personhood.” —OprahMag.com
“A wonder to read. Bravo.” —Alma
“Together, the essays offer a full-dress portrait of a writer whom most readers will be intrigued to know.” —Booklist
“Melissa Faliveno transports readers to the Midwest, a region of the country that, not unlike the idea of a ‘tomboy,’ resists neat categorization. The book blends personal essays with culture reporting to explore the liminal spaces Faliveno—and so many other queer folks—inhabit and navigate each and every day.” —NewNowNext
“In this essay collection about identity, class, sex, and gender, you’ll find deeply personal revelations that anyone can connect with. Each essay offers a unique perspective on topics we’ve all thought about, whether we’re a tomboy from the suburbs, a straight mountain man, or anything in between. Because there is no binary.” —Electric Literature
“Gender, class, geographic placing, and so much more are explored honestly and fully in this collection of essays.” —Vogue.com
“In her debut collection of essays, [Faliveno] examines the complicated—and often contradictory—parts of her life: the first time she shot a gun; her experiences in BDSM as a feminist; and navigating androgyny and bisexuality, womanhood and rage, religion and myth, loneliness and love.” —PureWow
“These essays are a love letter to, reckoning with, and examination of [Faliveno’s] midwestern upbringing…Faliveno doesn't always definitively answer the questions she asks—and after all, how could she, when existential issues of identity, belonging, language, and the body are rarely if ever static—but she does manage to get satisfyingly close…to have roots, Tomboyland seems to be saying, is to have the ability to grow upward, out, and sometimes away, but to always have a context to return to.” —NPR.org
“The book is a love letter to the Midwest, celebrating its strength and complexities.” —Wisconsin Public Radio
“Faliveno is an excellent essayist, expertly braiding seemingly disparate threads into engrossing and funny explorations of self and society…The theme of violence intertwined with fear, love and reverence for place and created family propels Tomboyland into captivating territory. On the surface, its beautiful prose belies the darker complexities it scrapes at, making it all the more gratifying to read.” —The Washington Post
“[A] wide-ranging, triumphant debut essay collection. With tenderness and honesty, Faliveno explores boundaries, intersections, and the overall blurriness of life.” —The Millions
“Faliveno expertly braids memories of her upbringing with interviews and research to render Wisconsin a living, breathing thing…[a] willingness to sit with difficult questions and recognize the self as variable echoes across the whole book…Tomboyland is a strong, vulnerable debut. Melisssa Faliveno hones a singular style of interlinked optimism in her essays, which paint Wisconsin as a place of immense, ancient histories and a place with hopes for great change in a shifting world. Her writing would make a native to the region proud of its complexity.” —Harvard Review
“Melissa Faliveno takes each of these binaries in her capable hands and pries them apart in her debut essay collection, Tomboyland , to gripping effect…Faliveno possesses a plainspoken readiness that holds deep nuance under its veneer of straightforward memoir writing.” —Rain Taxi
“Tomboyland is everything I want an essay collection to be: beautiful, smart, difficult, honest, hopeful, and haunting, just like the experiences it depicts. It is a book that charts the history of a body against the land that defines it. It is a song for anyone who felt at once estranged and inextricably bound to a place. Melissa Faliveno has written a gorgeously complex ode to the Midwest that is destined to be passed urgently from hand to hand, an anthem sung by all the misfits in those vast places who have not yet seen themselves written.” —Melissa Febos, author of Whip Smart and Abandon Me
“Tomboyland , Melissa Faliveno’s excellent collection of essays on growing up in Wisconsin and then beyond it, will give many people permission to be who they are and to write into and about where they’re from. It will also show you how and when to leave that place, and how you can’t ever leave it completely. Each essay carries Faliveno’s Wisconsin inside it and made me want to lift weights in a dingy gym, welcome a moth infestation, kick ass at softball, rewatch Twister, and even visit Mount Horeb, the ‘Troll Capital of the World.’ If it can work on me this fast, I can only imagine what this book will do to you.” —Ander Monson, author of I Will Take the Answer and Neck Deep and Other Predicaments
“These essays showcase, via hard-won displays, a twenty-first-century mind working to understand itself. Among the many treats of Tomboyland is how Melissa Faliveno’s self-investigation doesn’t just look inward to memory, experience, or feelings. Over the course of this book, she also looks externally in her quest for personal knowledge—turning to archives, interviews, and journalistic immersion. Such an extensive and dogged scope shows both how unique and how interconnected a single life can be. In Faliveno’s deft hands, we experience all that builds a consciousness—food and sex and softball, dark bars and sprawling landscapes, roller derbies and deep conversations, and the F5 tornado that is human love.” —Elena Passarello, author of Animals Strike Curious Poses
“In these smartly constructed, urgently delivered essays on class, gender, violence, rage, love, and sexuality—issues as entwined in these pages as they are in life—Melissa Faliveno brilliantly scrutinizes our most contemporary, most vital questions of self and culture. I didn’t just read Tomboyland , I scribbled in its pages, photographed its passages, pressed it on friends, and felt an urgent need to talk about it. It will spark conversations that will become conflagrations. Tomboyland is a blaze of a book, as fiery and expansive as the Midwestern sky.” —Alex Marzano-Lesnevich, author of The Fact of a Body
“I felt Melissa Faliveno’s Midwest on a gut level—its F5 tornadoes, its rolling prairies, its bighearted people working their asses off. I grew up here, but it’s okay if you didn’t; Tomboyland will show you, tangling your body in place and the overwhelming need to both go back home and get the hell out. Faliveno’s deeply felt and deeply researched essays—part personal narrative, part cultural criticism—feature softballs and guns, dresses and babies and bondage. They interrogate gender and expectations, what it means to be a family, to build a home in this beautiful mess of a world. My brain is still buzzing. So is my heart.” —Megan Stielstra, author of The Wrong Way to Save Your Life
“In Tomboyland , Melissa Faliveno examines the spaces, selves, histories, and futures that live in the distance between binaries: between the bodies we have and the ones we claim, between the homes that have made us and those we have made for ourselves. This is a remarkable debut. I am grateful for the arrival of this bold new voice.” —Lacy M. Johnson, author of The Reckonings
“Tomboyland works through unlikely juxtaposition—tornadoes alongside God, vegetarianism alongside kink, guns alongside love. It is a coming-of-age story where everything is examined, everything is questioned, where the word driftless is both a region and a state of mind. At one point Faliveno’s mother, while cooking meat, states, ‘If I think about it, then I have to look at my whole life.’ Faliveno takes this as a challenge, as she builds a life for us before our eyes. It is, in the end, about the nature of relationships, of love, of being alive.” —Nick Flynn, author of Another Bullshit Night in Suck City and The Ticking Is the Bomb
07/01/2020
Reading a memoir is like meeting someone for the first time, the opportunity to make a new friend. Encountering Faliveno (creative writing, Sarah Lawrence Coll.) is a pleasure. Here, we learn the author is from Wisconsin but seemingly not of it, has been a jock, into BDSM, maybe a rageaholic. She is also a sensitive commentator on the topsy-turvy world of the gender systems she grew up in and an exquisite self-analyst of her own androgyny. In eight longish personal essays, she reflects on relationships with lovers, coaches, and family members. A piece on softball offers a classic examination of how sports interact with gender, class, and sexuality. Faliveno further contemplates her ten years living in New York but focuses more on her coming of age in the Midwest, in writing with a quality of cinematic vividness. VERDICT Readers of all kinds will wish to sit down with this tomboy, not just those interested in issues of androgyny. Recommended.—David Azzolina, Univ. of Pennsylvania Libs., Philadelphia
★ 05/11/2020
Faliveno, a Sarah Lawrence creative writing instructor, explores identity in her winning debut collection. Throughout, she touches on themes of sexuality, gender, and femininity, all the while recalling her Wisconsin upbringing, with its softball, casseroles, and tornadoes. The last motif is the subject of the first essay, “The Finger of God,” which revisits her youthful obsession with the meteorological phenomenon. In subsequent selections, Faliveno takes an unvarnished look at her upbringing and personal life. In “Tomboy,” she gives both an etymological and personal history of the word, recalling that “growing up, I was a tomboy,” while now “I don’t look like a woman, and I don’t always feel like one.” In the same essay, Faliveno tackles “the internalized homophobia” she’s “been carrying around for so long,” while in “Meat and Potatoes,” she recounts her experiences with openly nonmonogamous relationships and BDSM. In “Gun Country,” she considers mass shootings both generally, in terms of how “anger and rage intersect with gender and violence,” and personally, in terms of widespread gun ownership among her family and friends growing up. Readers who prefer to answer their questions about gender and sexuality with more questions will appreciate this perceptive meditation. Agent: Adriann Ranta Zurhellen, Foundry. (Aug.)
Author Melissa Faliveno narrates incisive, relatable essays centered on her identities as a queer-identified, androgynous-appearing woman raised in the Midwest. Faliveno’s tone as she delves into her past reveals the kind of complicated relationship many of us have with our hometowns and former lives. Her youthful fascination with tornadoes, recounted in her discussions of the film TWISTER and the real-life destruction of the town of Barneveld in 1984, contains the themes of safety and shared culture that permeate the entire collection. Faliveno imbues her complex subject matter with sensitivity, humor, and self-awareness. The author’s conversational tone and pacing engage listeners throughout as she examines how regional menus, family traditions, sports, and gender expectations influenced her development—and continue to do so. J.R.T. © AudioFile 2020, Portland, Maine
SEPTEMBER 2020 - AudioFile
2020-05-04
Faliveno, the former Poets & Writers senior editor who now teaches writing at Sarah Lawrence, was born just a year before the devastating 1984 tornado that wiped out Barneveld, Wisconsin, eight miles from her hometown, Mount Horeb, “a small, God-fearing town…a blue-collar place dealing in livestock feed and John Deere tractors.” In her debut book, Faliveno explores this “meat-and-potatoes” background and her experiences attending church, potluck dinners, and other community events, generally toeing the small-town line until she left home. But this is not just a wholesome exploration of flyover country, as the author also delves deeply into gender identity and the many confusions and complications involved. In the opening piece, “Finger of God,” Faliveno chronicles the disastrous F5 tornado. She recounts how her mother confronted the sight of the brewing storm and hustled the family to the basement, reminisces about her love for the film Twister , and tells of her 2019 return to talk to residents who witnessed the original event. In “Tomboy,” the author discusses her education and adult life in New York, where she experimented with kink as well as various expressions of her gender identity and struggled with being misgendered and misunderstood. “Sometimes, I call myself a woman,” she writes. “But sometimes I avoid the word….Uncertainty is hardly unique among those of us born into female bodies, but as my own body moves through the world, it is marked by one common question: What are you? And the honest answer is—I don’t really know.” Throughout the collection, Faliveno remains inquisitive and resistant to labels, always maintaining her empowering agency. While some of the passages are repetitive, the majority of the essays are well-rendered investigations of self-identity.
An expressive voice evolving deliberately, resisting having to be one thing or the other.
