Tolstoy's Art and Thought, 1847-1880

Tolstoy's Art and Thought, 1847-1880

by Donna Tussing Orwin
Tolstoy's Art and Thought, 1847-1880

Tolstoy's Art and Thought, 1847-1880

by Donna Tussing Orwin

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Overview

"My aim is to present Tolstoy's work as he may have understood it himself," writes Donna Orwin. Reconstructing the intellectual and psychic struggles behind the masterpieces of his early and middle age, this major study covers the period during which he wrote The Cossacks, War and Peace, and Anna Karenina. Orwin uses the tools of biography, intellectual and literary history, and textual analysis to explain how Tolstoy's tormented search for moral certainty unfolded, creating fundamental differences among the great novels of the "pre-crisis" period.

Distinguished by its historical emphasis, this book demonstrates that the great novelist, who had once seen a fundamental harmony between human conscience and nature's vitality, began eventually to believe in a dangerous rift between the two: during the years discussed here, Tolstoy moved gradually from a celebration of life to instruction about its moral dimensions. Paying special attention to Tolstoy's reading of Rousseau, Goethe, Schopenhauer, and the Russian thinker N. N. Strakhov, Orwin also explores numerous other influences on his thought. In so doing, she shows how his philosophical and emotional conflicts changed form but continued unabated--until, with his religious conversion of 1880, he surrendered his long attempt to make sense of life through art alone.


Product Details

ISBN-13: 9781400820887
Publisher: Princeton University Press
Publication date: 05/16/2013
Sold by: Barnes & Noble
Format: eBook
Pages: 292
File size: 2 MB

About the Author

Donna Tussing Orwin is Research Associate at the Centre for Russian and East European Studies at the University of Toronto.

Table of Contents

Acknowledgments
Note on Documentation
Introduction 3
Pt. 1 The 1850s
1 Analysis and Synthesis 15
The Hegelian Atmosphere of the 1850s 15
Chernyshevsky 16
The Contemporary Reception of Tolstoy's Work 18
Tolstoy and Chernyshevshy 19
Subjective Reality for the Early Tolstoy 22
Tolstoy's Goethean Realism 26
2 The Young Tolstoy's Understanding of the Human Soul 31
Tolstoy, the Psychological Analyst 31
Synthesis and the Influence of Rousseau 36
3 The First Synthesis: Nature and the Young Tolstoy 50
Tolstoy's Understanding of Nature in the Early 1850s 52
A Maturing Philosophy of Nature (Tolstoy and Fet) 53
Botkin and the Exploration of the Feelings 58
Sterne 62
N. V. Stankevich 64
Nature, Reason, and the Feelings ("Lucerne") 68
Objective and Subjective Poetry 73
The Metaphysics of Opposites and Goethe Again 76
Pt. 2 The 1860s
4 Nature and Civilization in The Cossacks 85
Natural Necessity in The Cossacks 85
The Morality of Self-Sacrifice in the Stag's Lair 86
The Cossack as Savage Man 93
5 The Unity of Man and Nature in War and Peace 99
Nature and History in War and Peace 100
Circular versus Faustian Reason in War and Peace 107
The Morality of Nature in War and Peace 109
The Importance of Spirit in Wartime 117
Reason, Morality, and Nature in the Human Soul 121
The Rostovs and "Living Life" 123
The Bolkonskys 126
Pierre 129
"Lyrical Daring" in War and Peace 132
Pt. 3 The 1870s
6 From Nature to Culture in the 1870s 143
Schopenhauer 150
Schopenhauer and Arzamas 154
Nature after Schopenhauer 157
Linking Happiness and Morality in Anna Karenina 164
7 Drama in Anna Karenina 171
The Symposium in the Restaurant 171
Anna as Heroine of a Novel 179
Anna's Radical Individualism 180
To Judge or Not Judge Anna 183
8 Science, Philosophy and Synthesis in the 1870s 188
The Enduring Importance of Unity for Tolstoy 188
Atomism 189
Kantian Epistemology 192
The Attack on the Individual 195
The Denigration of the "Personality" 196
The Morally Free Individual in Anna Karenina 200
Synthesis and Lyrical Daring Once Again 204
Conclusion 208
Notes 219
Works Cited 253
Index 263

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