MAY 2014 - AudioFile
Narrator Campbell Scott's understated performance is a perfect match for the protagonist of this introspective novel. Manhattan dentist Paul O'Rourke is a bit of a misfit; his atheism and avoidance of social media are the least of his quirks. When his online identity is taken over by a fringe religious sect, he’s forced to confront some of his deepest convictions. Scott's subtle inflections reflect O'Rourke's narrow emotional range, bringing listeners along as the dentist's initial discomfort at his stolen identity slowly morphs into curiosity about why he’s become a target. While Scott's admirable narration can’t bring unity to the book’s disjointed conclusion, listeners will appreciate Scott's skill at transitioning between conversation, thoughts, and religious texts. C.B.L. © AudioFile 2014, Portland, Maine
Publishers Weekly
02/17/2014
Paul O’Rourke, the main character of Ferris’s (Then We Came to the End) new book, is a dentist. And he’s a good one, informed and informative—even if the mouths that once seemed so erotic have devolved into caves of bacteria, pain, and lurking death. Ferris depicts Paul’s difficulties: in the workplace, he struggles to say good morning, has problems with the office manager (who’s also his ex-girlfriend), and likewise has problems with the devout Catholic hygienist, who can’t see why he doesn’t believe. A constant ruminator and obsessive Red Sox fan, Paul would like to believe and belong, but he can’t. And then the Ulms, who claim to be followers of Amalek (a figure from the Old Testament), hijack his Internet presence and claims him as their own. As an angry and incredulous Paul reads “his” tweets, learns about the unlikely history of the Ulms, and tries to figure out what it all means, readers may find themselves questioning whether the drama of the Ulms amounts to much. Paul is an appealing—albeit self-involved—everyman, but Ferris’s effort to take on big topics (existential doubt, grief, identity, the Internet, the lure and limits of religion, and the struggle to floss in the face of life’s meaninglessness) feels more like a set of thought experiments than an organic or character-driven story. Agent: Julie Barer, Barer Literary. (May)
From the Publisher
"To Rise Again at a Decent Hour is beautifully written. It's also funny, thought-provoking, and touching. One hesitates to call it the Catch-22 of dentistry, but it's sort of in that ballpark. Some books simply carry you along on the strength and energy of the author's invention and unique view of the world. This is one of those books."—Stephen King
"This is one of the funniest, saddest, sweetest novels I've read since Then We Came to the End. When historians try to understand our strange, contradictory era, they would be wise to consult To Rise Again at a Decent Hour. It captures what it is to be alive in early 21st-century America like nothing else I've read."—Anthony Marra, author of New York Times bestseller A Constellation of Vital Phenomena
"Gut-bustingly funny... its wit is so sharp, its fake-biblical texts ... so clever and its reach so big ... It's an eminently worthy nominee for the Booker Prize or any other... a major achievement."—Janet Maslin, New York Times
A "wry, intelligent novel that adroitly navigates the borderland between the demands of faith and the persistence of doubt...In seizing upon both the transitory oddities of contemporary life and our enduring search for meaning, Joshua Ferris has created a winning modern parable...He's a gifted satirist with a tender heart, and if he continues to find targets as worthy as the ones he skewers here, his work should amuse and enlighten us for many years to come."—Shelf Awareness
"Enjoy the first great novel about social-media identity theft. . . . It's an atheist's pilgrimage in search not of God but of community . . . O'Rourke's search feels genuine, funny, tragic, and never dull. It'll also leave you flossing with a vengeance."—Boris Kachka, GQ
"[Ferris] shrewdly stages a kind of theological symposium in [an] uncomfortably intimate place, conducted halfway between levity and overeager sincerity... It's a pleasure watching this young writer confidently range from the registers of broad punchline comedy to genuine spiritual depth. The complementary notes of absurdity, alienation and longing read like Kurt Vonnegut or Joseph Heller customized for the 21st Century."—Sam Sacks, The Wall Street Journal
"A novel that raises questions about meaning and belonging, even if the only answer is that we will never know...This is the novel's peculiar brilliance, to uncover its existential stakes in the most mundane tasks...[a] curiously provocative novel."—David L. Ulin, Los Angeles Times
"To Rise Again at a Decent Hour reminds us that even existential suffering can prove both charming and hilarious...Ferris has written an arresting novel, a playfully ironic riff on how a man can come to know himself...the cumulative effect of the novel tugs the heart just as surely as it sparks the mind."—Bruce Machart, Houston Chronicle
"Brilliant...Ferris has managed to blend the clever satire of his first book...with the grinding despair of his second . . . The result is a witty story. At his best, which is most of the time, Ferris spins Paul's observations and reflections into passages of flashing comedy that sound like a stand-up theologian suffering a nervous breakdown."— Ron Charles, The Washington Post
"An engrossing and hilariously bleak novel . . . This splintering of the self hasn't been performed in fiction so neatly since Philip Roth's Operation Shylock."—John Freeman, Boston Globe
"A story made exhilarating by Ferris' wickedly dark humor and keen intelligence. The brilliant prose...never preens. It simply pulls the reader along in an effortlessly smooth ride. Ferris makes the tug-of-war between Paul's searching mind and his low spirits utterly fascinating...Ferris' three novels place him in grand company among our younger novelists. . . . All the same, he's a unique American original."—Dan Cryer, The San Francisco Chronicle
"Ferris's trademark blend of dark satire and ominous absurdity suits his subject, and his focus on one character allows him to perform a psychological excavation of his subject in conjunction with his examination of modern life...The result is a stimulating, bittersweet read."—Claire Fallon, The Huffington Post
"The author has proved his astonishing ability to spin gold from ordinary air . . . Ferris's third novel falls somewhere between the voice-driven power of the first [novel] and the idea-driven metaphor of the second . . . [He] remains as brave and adept as any writer out there."— Lauren Goff, The New York Times Book Review
"[An] alternately sad and hilarious new book...To Rise Again at a Decent Hour showcases the wit, intelligence and keen eye for workplace absurdity the author displayed to such great effect in his first novel . . . a welcome outlet for Ferris' enormous virtuosity as a philosopher and storyteller. Ferris raises profound questions about the role of faith, not just in belonging, but in living."— Daniel Akst, Newsday
"[Ferris has] the keen ability to traverse the high wire of satire and lyricism, to at once write a sentence that can drop a reader's jaw, then make them giggle in the next . . . a writer perfectly at ease with both the bleakly absurd and the deeply humane, using them equally in hopeful pursuit of a redemptive truth."—Gregg LaGambina, The A.V. Club
"Suffice it to say that To Rise Again at a Decent Hour isn't just one of the best novels of the year, it's one of the funniest, and most unexpectedly profound, works of fiction in a very long time."—Michael Schaub, NPR.org
"With almost Pynchon-esque complexity, Ferris melds conspiracy and questions of faith in an entertaining way...Full of life's rough edges, the book resists a neat conclusion, favoring instead a simple scene that is comic perfection... Smart, sad, hilarious and eloquent, this shows a writer at the top of his game and surpassing the promise of his celebrated debut."—Kirkus (Starred Review)
PRAISE FOR THE UNNAMED:
"A stunner, an unnerving portrait of a man stripped of civilization's defenses. Ferris's prose is brash, extravagant, and, near the end, chillingly beautiful."—The New Yorker
"Spellbinding....The Unnamed unfolds in a hushed, shadowed dimension located somewhere between myth and a David Mamet play."—Laura Miller, Salon.com
"Arresting, ground-shifting, beautiful and tragic. This is the book a new generation of writers will answer to. No one in America writes like this."—Gary Shteyngart, author of Super Sad True Love Story and Little Failure
VeryShortList.com
"An astonishing and compelling novel."
Booklist (starred review)
"Utterly compelling. . . . Ferris brilliantly channels the suburban angst of Yates and Cheever for the new millenium."
The Oprah Magazine O
"A portrait of a couple locked in an extreme version of a familiar conflict--the desire to stay together versus an inexplicable yearning to walk away."
Gary Shteyngart
"Arresting, ground-shifting, beautiful and tragic. This is the book a new generation of writers will answer to. No one in America writes like this."
Laura Miller
"Spellbinding....The Unnamed unfolds in a hushed, shadowed dimension located somewhere between myth and a David Mamet play."
Tod Goldberg
"Accomplished and daring."
New Yorker
PRAISE FOR THE UNNAMED:
"A stunner, an unnerving portrait of a man stripped of civilization's defenses. Ferris's prose is brash, extravagant, and, near the end, chillingly beautiful."
MAY 2014 - AudioFile
Narrator Campbell Scott's understated performance is a perfect match for the protagonist of this introspective novel. Manhattan dentist Paul O'Rourke is a bit of a misfit; his atheism and avoidance of social media are the least of his quirks. When his online identity is taken over by a fringe religious sect, he’s forced to confront some of his deepest convictions. Scott's subtle inflections reflect O'Rourke's narrow emotional range, bringing listeners along as the dentist's initial discomfort at his stolen identity slowly morphs into curiosity about why he’s become a target. While Scott's admirable narration can’t bring unity to the book’s disjointed conclusion, listeners will appreciate Scott's skill at transitioning between conversation, thoughts, and religious texts. C.B.L. © AudioFile 2014, Portland, Maine
Kirkus Reviews
★ 2014-03-06
A bizarre case of identity theft forces a dentist to question his beliefs in this funny, thought-provoking return to form by Ferris (The Unnamed, 2010, etc.). In 2011, Paul O'Rourke has a thriving practice on Manhattan's Park Avenue and a throbbing sense that things could be a lot better. His nights are troubled by insomnia and a bed cooled by a recent breakup. His days feature patients who don't floss and three staffers—including his ex—who unsettle him in their own curious ways. As the novel opens, Paul's world quickly goes from bad to weird, and it's clear that Ferris is back in the riff-rich, seriocomic territory of his first novel, Then We Came to the End (2007). A confirmed atheist who sustains a ritualistic devotion to the Boston Red Sox, Paul's romances have exposed him to the tempting fervor and trappings of Catholicism and Judaism. Still, he resists fiercely when a website, a Facebook page and blogging comments mysteriously emerge in his name and he discovers that the man behind them fronts a quasi-Jewish sect founded on the value of doubt: "Behold, make thine heart hallowed by doubt; for God, if God, only God may know." With almost Pynchon-esque complexity, Ferris melds conspiracy and questions of faith in an entertaining way, although his irreverence and crudity in places may offend some readers. Full of life's rough edges, the book resists a neat conclusion, favoring instead a simple scene that is comic perfection—an ending far sweeter than the Red Sox had that year. Strangely astray in The Unnamed, Ferris is back on track here. Smart, sad, hilarious and eloquent, this shows a writer at the top of his game and surpassing the promise of his celebrated debut.
