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Overview
Old loves threaten to jeopardize a family’s future in the final installment of the Forsyte Saga. Part social satire, part melodrama, this captivating novel brings to fascinating life author John Galsworthy’s preoccupations with class, gender, and morality.
Soames and Irene Forsyte have finally separated after years of turmoil. Irene is now wed to Soames’s cousin Jolyon and Soames to Annette. But when the children of these marriages, second cousins unaware of the prolonged and painful family saga that has slowly unfolded across generations, uncover the dark history, their parents will stop at nothing to put an end to their love affair. Soames’s daughter, Fleur, is charming and beautiful, but does she have the same tendencies toward possessiveness that drove a wedge between Soames and Irene? Or will the young aristocrat Michael Mont succeed in winning Fleur’s hand, thus restoring the family to wealth and prominence? And does Soames find a morbid reflection of himself when he combs through the effects of his departed Uncle Timmy, a lifelong recluse and hoarder?
To Let brings to a fitting conclusion John Galsworthy’s engrossing saga of family life and the conflicting demands of romance and social class. The Forsyte Saga is a masterpiece of British literature, as pertinent and as resonant today as it was in Edwardian England.
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Product Details
| ISBN-13: | 9781504039734 |
|---|---|
| Publisher: | Open Road Media |
| Publication date: | 08/09/2016 |
| Series: | The Forsyte Saga , #3 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 317 |
| File size: | 1 MB |
About the Author
Read an Excerpt
To Let
By John Galsworthy
OPEN ROAD INTEGRATED MEDIA
Copyright © 2016 Open Road Integrated Media, Inc.All rights reserved.
ISBN: 978-1-5040-3973-4
CHAPTER 1
ENCOUNTER
SOAMES FORSYTE EMERGED FROM THE Knightsbridge Hotel, where he was staying, in the afternoon of the 12th of May, 1920, with the intention of visiting a collection of pictures in a Gallery off Cork Street, and looking into the Future. He walked. Since the War he never took a cab if he could help it. Their drivers were, in his view, an uncivil lot, though now that the War was over and supply beginning to exceed demand again, getting more civil in accordance with the custom of human nature. Still, he had not forgiven them, deeply identifying them with gloomy memories, and now, dimly, like all members, of their class, with revolution. The considerable anxiety he had passed through during the War, and the more considerable anxiety he had since undergone in the Peace, had produced psychological consequences in a tenacious nature. He had, mentally, so frequently experienced ruin, that he had ceased to believe in its material probability. Paying away four thousand a year in income and super tax, one could not very well be worse off! A fortune of a quarter of a million, encumbered only by a wife and one daughter, and very diversely invested, afforded substantial guarantee even against that "wildcat notion" a levy on capital. And as to confiscation of war profits, he was entirely in favour of it, for he had none, and "serve the beggars right!" The price of pictures, moreover, had, if anything, gone up, and he had done better with his collection since the War began than ever before. Air-raids, also, had acted beneficially on a spirit congenitally cautious, and hardened a character already dogged. To be in danger of being entirely dispersed inclined one to be less apprehensive of the more partial dispersions involved in levies and taxation, while the habit of condemning the impudence of the Germans had led naturally to condemning that of Labour, if not openly at least in the sanctuary of his soul.
He walked. There was, moreover, time to spare, for Fleur was to meet him at the Gallery at four o'clock, and it was as yet but half-past two. It was good for him to walk — his liver was a little constricted, and his nerves rather on edge. His wife was always out when she was in Town, and his daughter would flibberty-gibbet all over the place like most young women since the War. Still, he must be thankful that she had been too young to do anything in that War itself. Not, of course, that he had not supported the War from its inception, with all his soul, but between that and supporting it with the bodies of his wife and daughter, there had been a gap fixed by something old-fashioned within him which abhorred emotional extravagance. He had, for instance, strongly objected to Annette, so attractive, and in 1914 only thirty-four, going to her native France, her "chère patrie" as, under the stimulus of war, she had begun to call it, to nurse her "braves poilus," forsooth! Ruining her health and her looks! As if she were really a nurse! He had put a stopper on it. Let her do needlework for them at home, or knit! She had not gone, therefore, and had never been quite the same woman since. A bad tendency of hers to mock at him, not openly, but in continual little ways, had grown. As for Fleur, the War had resolved the vexed problem whether or not she should go to school. She was better away from her mother in her war mood, from the chance of air-raids, and the impetus to do extravagant things; so he had placed her in a seminary as far West as had seemed to him compatible with excellence, and had missed her horribly. Fleur! He had never regretted the somewhat outlandish name by which at her birth he had decided so suddenly to call her — marked concession though it had been to the French. Fleur! A pretty name — a pretty child! But restless — too restless; and wilful! Knowing her power too over her father! Soames often reflected on the mistake it was to dote on his daughter. To get old and dote! Sixty-five! He was getting on; but he didn't feel it, for, fortunately perhaps, considering Annette's youth and good looks, his second marriage had turned out a cool affair. He had known but one real passion in his life — for that first wife of his — Irene. Yes, and that fellow, his cousin Jolyon, who had gone off with her, was looking very shaky, they said. No wonder, at seventy-two, after twenty years of a third marriage!
Soames paused a moment in his march to lean over the railings of the Row. A suitable spot for reminiscence, half-way between that house in Park Lane which had seen his birth and his parents' deaths, and the little house in Montpellier Square where thirty-five years ago he had enjoyed his first edition of matrimony. Now, after twenty years of his second edition, that old tragedy seemed to him like a previous existence — which had ended when Fleur was born in place of the son he had hoped for. For many years he had ceased regretting, even vaguely, the son who had not been born; Fleur filled the bill in his heart. After all, she bore his name; and he was not looking forward at all to the time when she would change it. Indeed, if he ever thought of such a calamity, it was seasoned by the vague feeling that he could make her rich enough to purchase perhaps and extinguish the name of the fellow who married her — why not, since, as it seemed, women were equal to men nowadays? And Soames, secretly convinced that they were not, passed his curved hand over his face vigorously, till it reached the comfort of his chin. Thanks to abstemious habits, he had not grown fat and gabby; his nose was pale and thin, his grey moustache close-clipped, his eyesight unimpaired. A slight stoop closened and corrected the expansion given to his face by the heightening of his forehead in the recession of his grey hair. Little change had Time wrought in the "warmest" of the young Forsytes, as the last of the old Forsytes — Timothy — now in his hundred and first year, would have phrased it.
The shade from the plane-trees fell on his neat Homburg hat; he had given up top hats — it was no use attracting attention to wealth in days like these. Plane-trees! His thoughts travelled sharply to Madrid — the Easter before the War, when, having to make up his mind about that Goya picture, he had taken a voyage of discovery to study the painter on his spot. The fellow had impressed him — great range, real genius! Highly as the chap ranked, he would rank even higher before they had finished with him. The second Goya craze would be greater even than the first; oh, yes! And he had bought. On that visit he had — as never before — commissioned a copy of a fresco painting called "La Vendimia," wherein was the figure of a girl with an arm akimbo, who had reminded him of his daughter. He had it now in the Gallery at Mapledurham, and rather poor it was — you couldn't copy Goya. He would still look at it, however, if his daughter were not there, for the sake of something irresistibly reminiscent in the light, erect balance of the figure, the width between the arching eyebrows, the eager dreaming of the dark eyes. Curious that Fleur should have dark eyes, when his own were grey — no pure Forsyte had brown eyes — and her mother's blue! But of course her grandmother Lamotte's eyes were dark as treacle!
He began to walk on again toward Hyde Park Corner. No greater change in all England than in the Row! Born almost within hail of it, he could remember it from 1860 on. Brought there as a child between the crinolines to stare at tight-trousered dandies in whiskers, riding with a cavalry seat; to watch the doffing of curly-brimmed and white top hats; the leisurely air of it all, and the little bow-legged man in a long red waistcoat who used to come among the fashion with dogs on several strings, and try to sell one to his mother: King Charles spaniels, Italian greyhounds, affectionate to her crinoline — you never saw them now. You saw no quality of any sort, indeed, just working people sitting in dull rows with nothing to stare at but a few young bouncing females in pot hats, riding astride, or desultory Colonials charging up and down on dismal-looking hacks; with, here and there, little girls on ponies, or old gentlemen jogging their livers, or an orderly trying a great galumphing cavalry horse; no thoroughbreds, no grooms, no bowing, no scraping, no gossip — nothing; only the trees the same — the trees indifferent to the generations and declensions of mankind. A democratic England — dishevelled, hurried, noisy, and seemingly without an apex. And that something fastidious in the soul of Soames turned over within him. Gone forever, the close borough of rank and polish! Wealth there was — oh, yes! wealth — he himself was a richer man than his father had ever been; but manners, flavour, quality, all gone, engulfed in one vast, ugly, shoulder-rubbing, petrol-smelling Cheerio. Little half-beaten pockets of gentility and caste lurking here and there, dispersed and chétif, as Annette would say; but nothing ever again firm and coherent to look up to. And into this new hurly-burly of bad manners and loose morals his daughter — flower of his life — was flung! And when those Labour chaps got power — if they ever did — the worst was yet to come.
He passed out under the archway, at last no longer — thank goodness! — disfigured by the gun-grey of its search-light. "They'd better put a search-light on to where they're all going," he thought, "and light up their precious democracy!" And he directed his steps along the Club fronts of Piccadilly. George Forsyte, of course, would be sitting in the bay window of the Iseeum. The chap was so big now that he was there nearly all his time, like some immovable, sardonic, humorous eye noting the decline of men and things. And Soames hurried, ever constitutionally uneasy beneath his cousin's glance. George, who, as he had heard, had written a letter signed "Patriot" in the middle of the War, complaining of the Government's hysteria in docking the oats of race-horses. Yes, there he was, tall, ponderous, neat, clean-shaven, with his smooth hair, hardly thinned, smelling, no doubt, of the best hair-wash, and a pink paper in his hand. Well, he didn't change! And for perhaps the first time in his life Soames felt a kind of sympathy tapping in his waistcoat for that sardonic kinsman. With his weight, his perfectly parted hair, and bull-like gaze, he was a guarantee that the old order would take some shifting yet. He saw George move the pink paper as if inviting him to ascend — the chap must want to ask something about his property. It was still under Soames's control; for in the adoption of a sleeping partnership at that painful period twenty years back when he had divorced Irene, Soames had found himself almost insensibly retaining control of all purely Forsyte affairs.
Hesitating for just a moment, he nodded and went in. Since the death of his brother-in-law Montague Dartie, in Paris, which no one had quite known what to make of, except that it was certainly not suicide — the Iseeum Club had seemed more respectable to Soames. George, too, he knew, had sown the last of his wild oats, and was committed definitely to the joys of the table, eating only of the very best so as to keep his weight down, and owning, as he said, "just one or two old screws to give me an interest in life." He joined his cousin, therefore, in the bay window without the embarrassing sense of indiscretion he had been used to feel up there. George put out a well-kept hand.
"Haven't seen you since the War," he said. "How's your wife?"
"Thanks," said Soames coldly, "well enough."
Some hidden jest curved, for a moment, George's fleshy face, and gloated from his eye.
"That Belgian chap, Profond," he said, "is a member here now. He's a rum customer."
"Quite!" muttered Soames. "What did you want to see me about?"
"Old Timothy; he might go off the hooks at any moment. I suppose he's made his Will."
"Yes."
"Well, you or somebody ought to give him a look up — last of the old lot; he's a hundred, you know. They say he's like a mummy. Where are you goin' to put him? He ought to have a pyramid by rights."
Soames shook his head. "Highgate, the family vault."
"Well, I suppose the old girls would miss him, if he was anywhere else. They say he still takes an interest in food. He might last on, you know. Don't we get anything for the old Forsytes? Ten of them — average age eighty-eight — I worked it out. That ought to be equal to triplets."
"Is that all?" said Soames, "I must be getting on."
"You unsociable devil," George's eyes seemed to answer. "Yes, that's all: Look him up in his mausoleum — the old chap might want to prophesy." The grin died on the rich curves of his face, and he added: "Haven't you attorneys invented a way yet of dodging this damned income tax? It hits the fixed inherited income like the very deuce. I used to have two thousand five hundred a year; now I've got a beggarly fifteen hundred, and the price of living doubled."
"Ah!" murmured Soames, "the turf's in danger."
Over George's face moved a gleam of sardonic self-defence.
"Well," he said, "they brought me up to do nothing, and here I am in the sear and yellow, getting poorer every day. These Labour chaps mean to have the lot before they've done. What are you going to do for a living when it comes? I shall work a six-hour day teaching politicians how to see a joke. Take my tip, Soames; go into Parliament, make sure of your four hundred — and employ me."
And, as Soames retired, he resumed his seat in the bay window.
Soames moved along Piccadilly deep in reflections excited by his cousin's words. He himself had always been a worker and a saver, George always a drone and a spender; and yet, if confiscation once began, it was he — the worker and the saver — who would be looted! That was the negation of all virtue, the overturning of all Forsyte principles. Could civilization be built on any other? He did not think so. Well, they wouldn't confiscate his pictures, for they wouldn't know their worth. But what would they be worth, if these maniacs once began to milk capital? A drug on the market. "I don't care about myself," he thought; "I could live on five hundred a year, and never know the difference, at my age." But Fleur! This fortune, so widely invested, these treasures so carefully chosen and amassed, were all for — her. And if it should turn out that he couldn't give or leave them to her — well, life had no meaning, and what was the use of going in to look at this crazy, futuristic stuff with the view of seeing whether it had any future?
Arriving at the Gallery off Cork Street, however, he paid his shilling, picked up a catalogue, and entered. Some ten persons were prowling round. Soames took steps and came on what looked to him like a lamppost bent by collision with a motor omnibus. It was advanced some three paces from the wall, and was described in his catalogue as "Jupiter." He examined it with curiosity, having recently turned some of his attention to sculpture. "If that's Jupiter," he thought, "I wonder what Juno's like." And suddenly he saw her, opposite. She appeared to him like nothing so much as a pump with two handles, lightly clad in snow. He was still gazing at her, when two of the prowlers halted on his left. "Épatant!" he heard one say.
"Jargon!" growled Soames to himself.
The other's boyish voice replied:
"Missed it, old bean; he's pulling your leg. When Jove and Juno created he them, he was saying: 'I'll see how much these fools will swallow.' And they've lapped up the lot."
"You young duffer! Vospovitch is an innovator. Don't you see that he's brought satire into sculpture? The future of plastic art, of music, painting, and even architecture, has set in satiric. It was bound to. People are tired — the bottom's tumbled out of sentiment."
"Well, I'm quite equal to taking a little interest in beauty. I was through the War. You've dropped your handkerchief, sir."
(Continues...)
Excerpted from To Let by John Galsworthy. Copyright © 2016 Open Road Integrated Media, Inc.. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
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