APRIL 2020 - AudioFile
Narrator Saskia Maarleveld delivers an enthusiastic performance of this audiobook about the early years of NASA’s race to send an American to space. Seven decorated male pilots underwent torturous training and constant media attention for the chance to become America’s first astronaut. Thirteen similarly skilled women undergoing the same tests and occasionally outperforming the men were discounted. With little support, these women proved themselves time and again as exceptional pilots, but even a discrimination case brought before a court would ultimately prove disappointing. Maarleveld immerses listeners in the fight against the social norms, including sexism, of the 1960s. Her high energy engages listeners in the drama. This audiobook is perfect for fans of HIDDEN FIGURES. A.K.R. © AudioFile 2020, Portland, Maine
From the Publisher
* "Individually moving, the collective accounts of the Mercury 13 women offer an eye-opening view of pervasive gender prejudice and its costs. [T]his riveting chronicle of the early years of manned space flight also presents captivating stories of women left behind." —Booklist, starred review"A sharp, revealing look at deeply entrenched institutional sexism." —Kirkus"The highly detailed research, from the descriptions of an early airplane flight to the feeling of simulated weightlessness during astronaut training, forms a powerful collection of knowledge about the space program and the first astronauts. . . . A quality work." — School Libary Journal
School Library Journal
01/01/2020
Gr 8 Up—Male and female aviators of the 20th century were setting records and banking flight hours, but career opportunities were often reserved for white men. The origins of the U.S. space program were no different; despite highly qualified women who successfully completed training, NASA chose seven white men to undertake the first journeys to space. Siegel parallels the experiences of the contenders, comparing abilities, training results, and actual missions to clearly show the program's gender bias. Siegel notes, "It wasn't enough for a woman pilot to simply be talented in the 1950s and 1960s. If she wanted to get work, good work, she had to be savvy, too." Women aviators hoping to become test pilots were subjected to judgments of their physical appearance, their likability, and their overall adherence to feminine norms. The highly detailed research, from the descriptions of an early airplane flight to the feeling of simulated weightlessness during astronaut training, forms a powerful collection of knowledge about the space program and the first astronauts, but is not as strong a resource about the women specifically. Readers would be better served by Tanya Lee Stone's Almost Astronauts: 13 Women Who Dared To Dream. Siegel's writing style is more conversational than formal, which occasionally distracts from the seriousness of the information. VERDICT A quality work that tells the stories of the first men and women of the U.S. space program, but neglects to put the women in the spotlight.—Casey O'Leary, Meredith Nicholson School 96, IN
Kirkus Reviews
2019-12-08
During the Cold War, 13 highly experienced women aviators proved they had as much of the "right stuff" as male astronauts but were nonetheless excluded from America's space program.
Within the context of the United States' space race with the Soviet Union, Siegel tells the infuriating story of how these women were denied opportunities even after excelling at grueling physical and psychological tests. As Tanya Lee Stone did in her Sibert Medal-winning Almost Astronauts (2009), Siegel chronicles how the "Mercury 13" proved to be as courageous, intelligent, and fit as any man. Despite this, they were nonetheless ridiculed and thwarted by everyone from Vice President Lyndon Johnson to the Mercury 7 astronauts, and they were shockingly betrayed by the highly respected woman aviator Jackie Cochran, apparently out of jealousy and spite. Whereas Stone's narrative focuses on Jerrie Cobb, Siegel includes the experiences of all the women and alternates chapters about the women with those about the Mercury 7. Her focus on their arrogant, boozing, loutish, womanizing behavior and sloppiness on missions puts these men—all white, like the women—in a considerably unheroic light. Disappointingly, this emphasis serves as a distraction from the women's narrative rather than throwing it into relief. And oddly, given this overall icon-busting approach, Siegel does not reveal Wernher von Braun's Nazi past when introducing this minor character.
A sharp, revealing look at deeply entrenched institutional sexism. (photos, glossary, notes, index) (Nonfiction. 9-12)
