Timon of Athens

by William Shakespeare

Overview

Karl Klein introduces Shakespeare's play as a complex exploration of a corrupt, moneyed society, and Timon himself as a rich and philanthropic nobleman who is forced to recognize the inherent destructiveness of the Athenian society from which he retreats in disgust and rage. Klein establishes Timon as one of Shakespeare's late works, arguing that evidence for other authors is inconclusive. He shows the play to be neither tragedy, satire nor comedy, but a subtle and complete drama whose main characters contain elements of all three genres.

Product Details

ISBN-13:	9798890966896
Publisher:	Lushena Books
Publication date:	01/02/2024
Pages:	156
Product dimensions:	5.50(w) x 8.50(h) x 0.42(d)

About the Author

William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.

Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare’s Romances and of essays on Shakespeare’s plays and their editing.

Paul Werstine is Professor of English at the Graduate School and at King’s University College at Western University. He is a general editor of the New Variorum Shakespeare and author of Early Modern Playhouse Manuscripts and the Editing of Shakespeare and of many papers and articles on the printing and editing of Shakespeare’s plays.

Date of Death:

2018

Place of Birth:

Stratford-upon-Avon, United Kingdom

Place of Death:

Stratford-upon-Avon, United Kingdom

Table of Contents

List of illustrations; List of abbreviations and conventions; Introduction: date, the play and its themes, critical approaches, the play on the stage, the 1999 RSC production (A. R. Braunmuller); Narrative and dramatic treatments of the Timon legend from Lucian to The Comedy of Timon' authorship; The Timon legend; List of characters; The play; Supplementary notes; Textual analysis; Reading list.

Editorial Reviews

"Timon of Athens is one of the most enigmatic and underappreciated of Shakespeare's plays, yet its urgency for our times is not to be understated. Guided by Douglas Lanier's astute and accessible commentary throughout, this edition positions Timon in a range of historical, theoretical, and performance contexts. The superb Introduction and supplementary resources help the reader navigate key issues—ranging from money, friendship, and cynicism to art, ethics, and collaborative authorship—as well as consider contemporary adaptations on stage and screen. This edition will be a welcome resource for teachers and students at both undergraduate and graduate levels."
—Jay Zysk, Department of English, University of Massachusetts Dartmouth 

"Douglas Lanier's Introduction immerses us in the play's daring experiments with genre, its ethical and economic dilemmas, and its emotional and tonal range. He shows how Timon of Athens not only resonates with our troubled cultural moment but also speaks eloquently of its own times. His essay on appreciating the play as a performance script advises us expertly on how to read it as directors do and how to be alert to its radical openness to interpretation."
—Stephen M. Buhler, Department of English, University of Nebraska–Lincoln

"An ideal addition to my syllabus; I regularly teach this play owing to my current students' interest in business and management. Also, in my own work, I follow 19th century readers of Timon, most especially Karl Marx who quotes from it at length in his notes in Capital, Volume 1. I applaud the volume editor, Douglas Lanier, for his care in glossing and also for making connections (below the line) to other works by Shakespeare—which makes a good case for considering Timon as being more central to the overall Shakespeare canon than previously assumed (and notwithstanding Middleton's role in this play as well as in, of course, Macbeth). This is a handy and inexpensive edition that my students will enjoy using."
—William Engel, Sewanee: The University of the South

From the Publisher