Time: A Vocabulary of the Present
The critical condition and historical motivation behind Time Studies The concept of time in the post-millennial age is undergoing a radical rethinking within the humanities. Time: A Vocabulary of the Present newly theorizes our experiences of time in relation to developments in post-1945 cultural theory and arts practices. Wide ranging and theoretically provocative, the volume introduces readers to cutting-edge temporal conceptualizations and investigates what exactly constitutes the scope of time studies.

Featuring twenty essays that reveal what we talk about when we talk about time today, especially in the areas of history, measurement, and culture, each essay pairs two keywords to explore the tension and nuances between them, from “past/future” and “anticipation/unexpected” to “extinction/adaptation” and “serial/simultaneous.” Moving beyond the truisms of postmodernism, the collection newly theorizes the meanings of temporality in relationship to aesthetic, cultural, technological, and economic developments in the postwar period. This book thus assumes that time—not space, as the postmoderns had it—is central to the contemporary period, and that through it we can come to terms with what contemporaneity can be for human beings caught up in the historical present. In the end, Time reveals that the present is a cultural matrix in which overlapping temporalities condition and compete for our attention. Thus each pair of terms presents two temporalities, yielding a generative account of the time, or times, in which we live.

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Time: A Vocabulary of the Present
The critical condition and historical motivation behind Time Studies The concept of time in the post-millennial age is undergoing a radical rethinking within the humanities. Time: A Vocabulary of the Present newly theorizes our experiences of time in relation to developments in post-1945 cultural theory and arts practices. Wide ranging and theoretically provocative, the volume introduces readers to cutting-edge temporal conceptualizations and investigates what exactly constitutes the scope of time studies.

Featuring twenty essays that reveal what we talk about when we talk about time today, especially in the areas of history, measurement, and culture, each essay pairs two keywords to explore the tension and nuances between them, from “past/future” and “anticipation/unexpected” to “extinction/adaptation” and “serial/simultaneous.” Moving beyond the truisms of postmodernism, the collection newly theorizes the meanings of temporality in relationship to aesthetic, cultural, technological, and economic developments in the postwar period. This book thus assumes that time—not space, as the postmoderns had it—is central to the contemporary period, and that through it we can come to terms with what contemporaneity can be for human beings caught up in the historical present. In the end, Time reveals that the present is a cultural matrix in which overlapping temporalities condition and compete for our attention. Thus each pair of terms presents two temporalities, yielding a generative account of the time, or times, in which we live.

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Time: A Vocabulary of the Present

Time: A Vocabulary of the Present

Time: A Vocabulary of the Present

Time: A Vocabulary of the Present

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Overview

The critical condition and historical motivation behind Time Studies The concept of time in the post-millennial age is undergoing a radical rethinking within the humanities. Time: A Vocabulary of the Present newly theorizes our experiences of time in relation to developments in post-1945 cultural theory and arts practices. Wide ranging and theoretically provocative, the volume introduces readers to cutting-edge temporal conceptualizations and investigates what exactly constitutes the scope of time studies.

Featuring twenty essays that reveal what we talk about when we talk about time today, especially in the areas of history, measurement, and culture, each essay pairs two keywords to explore the tension and nuances between them, from “past/future” and “anticipation/unexpected” to “extinction/adaptation” and “serial/simultaneous.” Moving beyond the truisms of postmodernism, the collection newly theorizes the meanings of temporality in relationship to aesthetic, cultural, technological, and economic developments in the postwar period. This book thus assumes that time—not space, as the postmoderns had it—is central to the contemporary period, and that through it we can come to terms with what contemporaneity can be for human beings caught up in the historical present. In the end, Time reveals that the present is a cultural matrix in which overlapping temporalities condition and compete for our attention. Thus each pair of terms presents two temporalities, yielding a generative account of the time, or times, in which we live.


Product Details

ISBN-13: 9781479821709
Publisher: New York University Press
Publication date: 08/02/2016
Pages: 384
Product dimensions: 5.90(w) x 9.10(h) x 1.20(d)

About the Author

Joel Burges is Assistant Professor of English at the University of Rochester, where he is also affiliated with Film and Media Studies, Digital Media Studies, and the Graduate Program in Visual and Cultural Studies.

Amy J. Elias is Professor of English at the University of Tennessee, Knoxville and author of Sublime Desire: History and Post-1960s Fiction (2001) and co-editor of The Planetary Turn: Relationality and Geoaesthetics in the 21st Century (2015). She is the founding president of A.S.A.P.: The Association for the Study of the Arts of the Present.

Table of Contents

Acknowledgments vii

Introduction: Time Studies Today Joel Burges Amy J. Elias 1

Part I Time as History: Periodizing Time

1 Past/Future Amy J. Elias 35

2 Extinction/Adaptation Ursula K. Heise 51

3 Modern / Altermodern David James 66

4 Obsolescence / Innovation Joel Burges 82

5 Anticipation / Unexpected Mark Currie 97

Part II Time as Calculation: Measuring Time

6 Clock / Lived Jimena Canales 113

7 Synchronic / Anachronic Elizabeth Freeman 129

8 Human / Planetary Heather Houser 144

9 Serial / Simultaneous Jared Gardner 161

10 Emergency / Everyday Ben Anderson 177

11 Labor / Leisure Aubrey Anable 192

12 Real / Quality Mark McGurl 209

Part III Time as Culture: Mediating Time

13 Aesthetic/Prosthetic Jesse Matz 225

14 Analepsis / Prolepsis James Phelan 240

15 Embodied/Disembodied Michelle Stephens Sandra Stephens 255

16 Theological/Worldly Stanley Hauerwas 281

17 Authentic/Artificial Anthony Reed 294

18 Batch / Interactive Nick Montfort 309

19 Transmission / Influence Rachel Haidu 323

20 Silence/Beat Paul D. Miller, aka DJ Spooky, That Subliminal Kid 337

Time Studies: A Bibliographical Reading List 345

About the Contributors 355

Index 361

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