"This Stone Shall Become the Great, and the Last, and the Only Sure Foundation": A Nephite Poetics in Jacob 5
Abstract: In this study, three intersecting images are traced through the small plates until Jacob 5, where they directly (or by implication) culminate in the final section of Zenos's allegory. The three images appear fused together in Nephi's and Jacob's writings. Specifically, this literary study tracks the images of the olive vineyard, the sheepfold and pasture, and the cornerstone or rock foundation. These oddly fused (or adjacent) images, though complexly employed, can be understood best as representing not only Christ but a gospel-centered record to be revealed by him. Fundamental to this reading is the idea that the Good Shepherd gathers his sheep by means of a stone or rock comparable to the gospel of Christ. In making this case, it is helpful to compare related texts such as 2 Nephi 25 and 3 Nephi 27. The value of this analysis is to demonstrate a unity amidst complexity in the aesthetic of the Book of Mormon and to offer alternative readings of certain scriptures, especially Jacob 5. Zenos's allegory is read here as tragicomedy and as one locus for the aforementioned images.
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"This Stone Shall Become the Great, and the Last, and the Only Sure Foundation": A Nephite Poetics in Jacob 5
Abstract: In this study, three intersecting images are traced through the small plates until Jacob 5, where they directly (or by implication) culminate in the final section of Zenos's allegory. The three images appear fused together in Nephi's and Jacob's writings. Specifically, this literary study tracks the images of the olive vineyard, the sheepfold and pasture, and the cornerstone or rock foundation. These oddly fused (or adjacent) images, though complexly employed, can be understood best as representing not only Christ but a gospel-centered record to be revealed by him. Fundamental to this reading is the idea that the Good Shepherd gathers his sheep by means of a stone or rock comparable to the gospel of Christ. In making this case, it is helpful to compare related texts such as 2 Nephi 25 and 3 Nephi 27. The value of this analysis is to demonstrate a unity amidst complexity in the aesthetic of the Book of Mormon and to offer alternative readings of certain scriptures, especially Jacob 5. Zenos's allegory is read here as tragicomedy and as one locus for the aforementioned images.
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"This Stone Shall Become the Great, and the Last, and the Only Sure Foundation": A Nephite Poetics in Jacob 5

by Matthew Scott Stenson

"This Stone Shall Become the Great, and the Last, and the Only Sure Foundation": A Nephite Poetics in Jacob 5

by Matthew Scott Stenson

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Overview

Abstract: In this study, three intersecting images are traced through the small plates until Jacob 5, where they directly (or by implication) culminate in the final section of Zenos's allegory. The three images appear fused together in Nephi's and Jacob's writings. Specifically, this literary study tracks the images of the olive vineyard, the sheepfold and pasture, and the cornerstone or rock foundation. These oddly fused (or adjacent) images, though complexly employed, can be understood best as representing not only Christ but a gospel-centered record to be revealed by him. Fundamental to this reading is the idea that the Good Shepherd gathers his sheep by means of a stone or rock comparable to the gospel of Christ. In making this case, it is helpful to compare related texts such as 2 Nephi 25 and 3 Nephi 27. The value of this analysis is to demonstrate a unity amidst complexity in the aesthetic of the Book of Mormon and to offer alternative readings of certain scriptures, especially Jacob 5. Zenos's allegory is read here as tragicomedy and as one locus for the aforementioned images.

Product Details

BN ID: 2940185617311
Publisher: Interpreter Foundation
Publication date: 06/20/2024
Series: Interpreter: A Journal of Latter-day Saint Faith and Scholarship , #61
Sold by: Barnes & Noble
Format: eBook
Sales rank: 526,219
File size: 307 KB

About the Author

Matthew Scott Stenson holds a PhD in English from the University of Nebraska-Lincoln. His dissertation work centered on John Milton’s intertextuality in Paradise Lost. Scott teaches Composition and Literature at Tennessee Tech University and serves on his stake’s high council. In addition to his articles published in Interpreter, he has published articles in such journals as BYU Studies Quarterly, Christianity and Literature, and The Religious Educator.
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