This Raging Light

This Raging Light

by Estelle Laure

Narrated by Sandy Rustin

Unabridged — 5 hours, 36 minutes

This Raging Light

This Raging Light

by Estelle Laure

Narrated by Sandy Rustin

Unabridged — 5 hours, 36 minutes

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Overview

THIS RAGING LIGHT is the story of Lucille, a seventeen-year-old girl left by her mother to care for her nine-year-old sister, Wren. Lucille seems to have nothing going for her. With the bills piling in, the house falling apart around her, and her sister's growing distress, it is precisely the worst possible moment for Lucille to fall recklessly in love with her best friend's twin brother, Digby, who is practically engaged. While events in Lucille's life suck her into a spiraling vortex that challenges every relationship she has, the delicious heat between Digby and Lucille builds to a fever pitch with blazing longing so visceral that it will keep the reader hooked and hoping until the very last page.

Editorial Reviews

Publishers Weekly

09/28/2015
Seventeen-year-old Lucille is hypercompetent but, then again, she doesn’t have much choice. Her father has had a breakdown, her mother took off, and someone has to take care of her younger sister, Wren. In an assured debut, Laure gives Lucille a fierce stubbornness that keeps her going, even as it stops her from asking for help. The only person Lucille trusts is her best friend Eden and—because they’re a package deal—Eden’s twin brother, Digby. But Digby is complicated: even though Lucille has known him since they were seven, she has started to feel like she’ll die if he doesn’t touch her, and she’ll die if he does. The characters are well drawn, and Laure effectively depicts the adrenaline rush of love and sex. But with everything Lucille is wrestling to manage—finding money for food, paying taxes, keeping her car running, lying about her mother’s absence, and parsing her feelings for Digby—a potentially fatal accident brought into the mix feels like overkill. Ages 14–up Agent: Emily van Beek, Folio Literary Management. (Dec.)

From the Publisher

Winter 2015-2016 Kids’ Indie Next Pick! Her first-person narration is lyrical, akin to that of a Francesca Lia Block character, but there's an undercurrent of roughness in her voice… heartbreakingly hopeful, lyrically told..." —Kirkus  "Estelle Laure’s prose is utterly gorgeous, even as it lays out the story of a girl dealing with the failings of her parents, death, and her own insecurities." —BookRiot “Estelle Laure’s This Raging Light might be YA, but it’s got plenty of grown-up appeal.” —entertainmentweekly.com "Laure’s debut stands out for her keen understanding of the spectrum of human emotions, and her ability to put tough feelings into beautiful prose." Horn Book “In an assured debut, Laure gives Lucille a fierce stubbornness that keeps her going. . . The characters are well drawn, and Laure effectively depicts the adrenaline rush of love.” —Publishers WeeklyThis Raging Light is a funny, heartwrenching, and soulful read as Lucille develops her own personal family, bloodline or not. It's not one you'll soon forget.” —Bustle “Lucille's fresh, first-person voice spills over with metaphor, poetically capturing her emotional landscape with force and fury, frantic love and absolute exhaustion.” —Shelf Awareness “Laure’s debut is brilliant and not to be missed.” —RT Book Reviews “Lucille may not take down a beast or assassinate any super bads, but she’s what heroines look like and love like in real life.” —Justine magazine “[a] poetic, heartbreaking read that will resonate with teens.” —BookPage online “The narrative rings authentic, especially as Lucille wrestles with romantic pangs. Thankfully, there’s enough wry humor to balance the worry and poignancy. Above all, you’ll love steadfast Lucille and keep caring about what comes next.” —Atlanta Journal Constitution  “Lucille is a steel-strong, deeply human heroine fighting against impossible odds.” —BNTEENblog “Readers will be seduced by the love affair budding between Digby and Lucille as much as she is. The characters are believably flawed, but eminently likeable, leaving the reader with hope for humanity.” —Montana Public Radio "Laure’s debut stands out for her keen understanding of the spectrum of human emotions, and her ability to put tough feelings into beautiful prose." —Horn Book "Bursting with feeling, like a seventies pop song, Estelle Laure’s This Raging Light should be read at a feverish clip and then passed on to your favorite friend." —Campus Circle “I loved this book. I was torn between wanting to devour it in one breathless read and needing to stop and savor each gorgeous turn of phrase.  This is a remarkable debut." —Morgan Matson, author of Amy & Roger’s Epic Detour and Since You’ve Been Gone "This Raging Light is a funny, poetic, big-hearted reminder that life can—and will—take us all by surprise sometimes." —Jennifer E. Smith, author of The Statistical Probability of Love at First Sight and The Geography of You and Me “Estelle Laure writes with power and lyricism—but more than that, sh

School Library Journal

11/01/2015
Gr 8 Up—Lucille is a 17-year-old with substantial responsibilities; her mother disappeared two weeks earlier, leaving the teen in charge of her nine-year-old sister, Wren. Two months ago, Lucille witnessed her father's mental breakdown and subsequent violence, and he now resides in a halfway home. The sisters are on their own with little money. The protagonist is terrified of the authorities swooping in before she turns 18 (and can legally take custody of Wren). Waiting tables by night while attending high school by day, Lucille trudges along. Best friend Eden steps in to help. Pining after Eden's twin brother, Digby, complicates matters for Lucille. Laure offers a unique problem novel in which the troubles—though deadly serious—are never treated with unnecessary melodrama. Lucille still stresses over typical teenage issues like her crush on Digby and the uncomfortable heels she has to wear to work. The author uses poetry to bridge the gap from grief to joy, including references to Dylan Thomas, as evidenced by the title. While there is a definite beginning, middle, and end of this tale, all problems are not wrapped up neatly at its culmination. VERDICT A good choice for savvy readers and book discussion groups; this title will invite comparisons to Cynthia Voigt's contemporary classic Homecoming.—Tara Kehoe, New Jersey State Library Talking Book and Braille Center, Trenton

Kirkus Reviews

2015-08-31
When a teen is left on her own to care for herself and her sister, the most inconvenient thing possible happens: she falls in love. Five months ago, Lucille Bennett's father was institutionalized for attacking Lucille's mother, who has subsequently abandoned her daughters. Survival is in Lucille's hands: working to pay bills, taking care of her 10-year-old sister, Wren, and ensuring their secret stays secret. Now is not the time to fall in love, but fall she does, with Digby, her best friend's twin brother, and although he has a girlfriend, Digby reciprocates Lucille's feelings. After much careful dancing around each other and avoidance of their emotions, a tragedy brings them close. Lucille's intuition and strength keep her afloat. Her first-person narration is lyrical, akin to that of a Francesca Lia Block character, but there's an undercurrent of roughness in her voice. The book's title references Dylan Thomas' "Do Not Go Gentle Into that Good Night," and Lucille takes the poem's directive to heart. When she locates her missing father at a local halfway house, she gives him a good telling-off that will have readers cheering. A heartbreakingly hopeful, lyrically told exploration of the abandoned children-selfish parents trope. (Fiction. 12-18)

Product Details

BN ID: 2940170732012
Publisher: Recorded Books, LLC
Publication date: 12/22/2015
Edition description: Unabridged

Read an Excerpt

Day 14
 
Mom was supposed to come home yesterday after her two-week vacation. Fourteen days. Said she needed a break from everything (See also: Us) and that she would be back before the first day of school. I kind of knew she wasn’t going to show up, on account of what I got in the mail yesterday, but I waited up all night just the same, hoping, hoping I was just being paranoid, that my pretty-much-never-wrong gut had made some kind of horrible mistake. The door didn’t squeak, the floorboards never creaked, and I watched the sun rise against the wall, my all-the-way-insides knowing the truth: we are alone, Wrenny and me, at least for now. Wren and Lucille. Lucille and Wren. I will do whatever I have to. No one will ever pull us apart. That means keeping things as normal as possible. Faking it. Because things couldn’t be further from.
 
Normal got gone with Dad.
 
 It gave me kind of a funny floating feeling as I brushed Wren’s hair into braids she said were way too tight, made coffee, breakfast, lunch for the two of us, got her clothes, her bag, walked her to her first day of fourth grade, saying hi to everyone in the neighborhood while I tried to dodge anyone who might have the stones to ask me where the hell my mother was. But I did it all wrong, see. Out of order.
 
I should make coffee and get myself ready first. Wren should get dressed after breakfast and not before, because she is such a sloppy eater. As of this morning, she apparently doesn’t like tuna (“It looks like puke—ick”), which was her favorite yesterday, and I only found out when it was already packed and we were supposed to be walking out the door. I did the piles of deflated laundry, folded mine, hung up Mom’s, carefully placed Wren’s into her dresser drawers, but it turns out none of her clothes fit right anymore. How did she grow like that in two measly weeks? Maybe because these fourteen days have been foreverlong.
 
These are all things Mom did while nobody noticed. I notice her now. I notice her isn’t. I notice her doesn’t. I want to poke at Wren, find out why she doesn’t ask where Mom is on the first day of school, why Mom isn’t here. Does she know somewhere inside that this was always going to happen, that the night the police came was the beginning and that this is only the necessary, inevitable conclusion?
 
Sometimes you just know a thing.
 
 Anyway, I did everything Mom would do. At least, I tried to. But the universe knows good and well that I am playing at something, pretending from a manual I wish I had. Still, when I kissed the top of Wren’s dark, smooth head goodbye, she skipped into the school building. That’s got to count for something.
 
It’s a balmy morning. Summer doesn’t know it’s on the outs yet, and I quickstep the nine blocks between the schools. By the time I push through the high school doors, I am sweating all over the place.
 
 And now I’m here. In class. The song Wren was humming on the way to school pounds a dull and boring headache through me, some poppy beat. I’m a little late to English, but so is mostly everyone else on the first day. Soon we’ll all know exactly where we’re supposed to be and when, where we sit. We’ll be good little sheople.
 
Eden is here, always on time, early enough to stake her claim to exactly the seat she wants, her arm draped over the back of an empty chair next to her, until she sees me and drops it to her side. English is the only class we got together this year, which is a ball of suck. First time ever. I like it better when we get to travel through the day side by side. At least our lockers are next to each other’s.
 
 She’s so cool, but in her totally Eden way. It’s not the kind of cool that says come and get me. It’s the kind that watches and waits and sees a lot—a thinking kind. Her thick, flaming hair virtually flows over the back of her chair, and her leather-jacket armor is on, which you would think is a little excessive for September in Cherryville, New Jersey, except for the fact that they blast the air conditioning at this school so it’s movie-theater cold, and really I’m wishing I had a jacket, wishing I had packed Wren something cozy in her backpack too, but I’m pretty sure it’s not quite so bad at the elementary school. I think the high school administration has decided that freezing us out might help control our unruly hormones or something.
 
They are wrong.
 
 Mr. Liebowitz gives me a look as I sit down. I have so rudely interrupted his standard cranky speech about the year, about how he’ll take no guff from us this time around, about how just because we’re seniors doesn’t mean we get to act like jackasses and get a free pass. Or maybe he’s giving me that look because he knows about Dad, too. People titter all around me, but it’s like Eden and her leather jacket muffle all that noise right out. As long as I have her, I’m okay. I never mess around much with other people anyway. Digby may be her twin, but I’m the one she shares a brain with.
 
 Meanwhile, Liebowitz looks like Mister Rogers, so he can growl and pace as much as he wants and it has no effect. You know he’s a total softie, that he can’t wait to get home and change into his cardigan and comfy shoes, so he can get busy taking superspectacular care of his plants and play them Frank Sinatra or something. He’ll calm down. He always starts the year uptight. Who can blame him? High school is a total insane asylum. They need bars on the windows, security guards outside. They would never do that here.
 
 Eden kicks her foot into mine and knocks me back into now. I do not like now, and so I kick back, wondering if playing footsies with my best friend qualifies as guff.
 
“Dinner,” she mouths.
 
“Wren,” I mouth back. Shrug.
 
My eyes tell her about Mom without meaning to.
 
She shakes her head. Then, “Bitch,” she says in a whisper. I shrug again, try to keep my eyes from hers.
 
“Bring Wren. My mom will feed the world.”
 
I nod.
 
“Digby will be there.” She kicks my foot again.
 
I make my whole self very still. Stare at Liebowitz as his thin, whitish lips form words.
 
“Well, he does live at your house,” I say. Superlame.
 
 “Ladies,” Liebowitz says, all sing-songy warning. “It’s only the first day. Don’t make me separate you.”
 
Good luck separating us, I want to say. Good luck with that. Go feed your fish and water your plants. Get your cardigan and your little sneakers on, and leave me alone.
 
 It’s a beautiful day in the neighborhood. Won’t you be my neighbor?
 
***
 
When Wrenny and I roll up the hill to Eden’s house in Mom’s ancient Corolla, Digby and his dad, John, are outside playing basketball, and I want to get in the house as fast as possible, because otherwise I might be trapped here all day, staring. I get a little twinge of something seeing a dad and his kid playing ball like dads and kids are supposed to. That’s a real thing, and my hand wants to cover Wren’s face so she can’t see all that she is missing.
 
Which reminds me. “Wren.”
 
 “Yeah?” She’s wiping at her shirt, reading a book on her lap, and she’s a little bit filthy, her hair greasy and knotty in spite of my efforts this morning. At some point the braids came out, and she’s reverted to wild.
 
“You know how Mom hasn’t been around lately?” She stops. Tightens. “Yeah,” she says.
 
“Well, we don’t want anyone to know about that, okay? Even Janie and Eden and Digby and John.”
 
 “But Mom’s on vacation. She’s getting her head together. She’s coming back.”
 
 “Okay, yes,” I say, “but still. We don’t want to tell anyone, because they might not understand that. They might get the wrong idea.”
 
 “Like that she left us permanently?” There is so much more going on inside that Wrenny-head than I can ever know.
 
 “Maybe, or at least for longer than she was supposed to.” I reach for the handle to the door because I can’t look at her. “Someone might think that.”
 
“She didn’t, though,” she says. “She’s Mom.”
 
“Of course she didn’t.” Lie.
 
“So who cares what anyone thinks?”
 
“Wren, just don’t, okay?”
 
“Okay.”
 
“Some things are private.” I open the door, then lean back across and wipe uselessly at her shirt with my thumb. “Like Mom being on vacation. So, okay?”
 
 “I said okay, okay?” She gets out and waits, stares at me like I’m the most aggravating person on earth. “Hey, Lu?”
 
“Yeah?” I say, bracing myself for what’s next.
 
 “Your mama’s so fat, she left the house in high heels and came back in flip-flops.”
 
I would tell her that I hate her new obsession with “your mama” jokes, but I’m not in the mood for any dawdling, so I half laugh and get moving. I want to get inside and quick because there’s also the other thing. And by “other” I mean what makes me sweat just standing here. And by “thing” I mean Digby, who I have known since I was seven but who lately makes a fumbling moronic moron out of me, a full-on half-wit. Ask me my name when I’m in his presence and I’m not likely to be able to tell you. I’d probably just say “Lllll . . . lllllllu . . .” and you’d have to catch the drool running down my chin.
 
I know. It’s not at all attractive.
 
 But really. Tall, sweaty, and not wearing a shirt, so the muscles are all right there for the watching. He doesn’t exactly glisten, on account of the fact that he’s whiter than white, that he tans by getting freckles, so he’s covered in them now after a whole summer outside. But seeing his hair all plastered to his forehead, his body so long and lean, looping around his dad to get the ball into the hoop, I want to fall out of the car and onto my knees in the driveway, say Lord have mercy, hallelujah, write sonnets and paint him, and worship that one little curve where his neck meets his shoulder that is just so, so perfect.
 
He is beautiful.
 
Which is why when he says hi as I pass him, I barely raise a pinky in response. There are two main problems here, aside from the fact that he is Eden’s twin and that’s all kinds of weird. One, he’s had the same girlfriend since the dawn of time. They’re pinned, she wears his jacket, their marriage certificate is practically already signed. Angels bless their freakin’ union. And two, if I ever did get a chance with him, like if he ever kissed me or something, I would die of implosion. I know I sound like a twelve-year-old mooning over some celebrity, and not the extremely self-possessed woman-to-be that I actually am, but something about him makes me lose my mind. Something about the way he moves, about his himness—it shatters me all the way down. So I hope he never does kiss me. That would be nothing but a disaster. No one needs to see me fall apart like that. Least of all him.
 
Actually, maybe least of all me.

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