This New and Poisonous Air
She admits she is pleased when the new placard is raised, "Madame Tussaud's House of Wax." She stands in the crowd with François at her side. He leans close enough to touch her ear with the fringe of his mustache and whispers, "What part of the museum would the famous Madame Tussaud like to survey on her inaugural visit?"

"The Chamber of Horrors, I think," she says softly.

"Really, my dear? All that grim fantasy and blood?"

"There is no fantasy about it, François. It is an embryo, a showing of what is to come."

Blending historical fiction with fantasy and the macabre, Adam McOmber's debut short story collection brings the influence of Angela Carter, Isak Dinesen, and Edgar Allan Poe to the next generation. In "The Automatic Garden," a solitary architect from the court at Versailles builds a water-powered pleasure garden; in "There Are No Bodies Such as This," we read a haunted and romantic fiction about the creation of Madame Tussaud's wax museum; in "Fall, Orpheum," a small town movie palace becomes the temple for an entire town's devotion and sacrifice. McOmber seamlessly blends history, artifice, and desire to create a dream of the past that intertwines with our own notions of modern life.

Adam McOmber's stories appear in Conjunctions, StoryQuarterly, Third Coast, The Greensboro Review, Arts & Letters, and Quarterly West. He is assistant director of creative nonfiction at Columbia College Chicago and associate editor of the literary magazine Hotel Amerika.

"1100084440"
This New and Poisonous Air
She admits she is pleased when the new placard is raised, "Madame Tussaud's House of Wax." She stands in the crowd with François at her side. He leans close enough to touch her ear with the fringe of his mustache and whispers, "What part of the museum would the famous Madame Tussaud like to survey on her inaugural visit?"

"The Chamber of Horrors, I think," she says softly.

"Really, my dear? All that grim fantasy and blood?"

"There is no fantasy about it, François. It is an embryo, a showing of what is to come."

Blending historical fiction with fantasy and the macabre, Adam McOmber's debut short story collection brings the influence of Angela Carter, Isak Dinesen, and Edgar Allan Poe to the next generation. In "The Automatic Garden," a solitary architect from the court at Versailles builds a water-powered pleasure garden; in "There Are No Bodies Such as This," we read a haunted and romantic fiction about the creation of Madame Tussaud's wax museum; in "Fall, Orpheum," a small town movie palace becomes the temple for an entire town's devotion and sacrifice. McOmber seamlessly blends history, artifice, and desire to create a dream of the past that intertwines with our own notions of modern life.

Adam McOmber's stories appear in Conjunctions, StoryQuarterly, Third Coast, The Greensboro Review, Arts & Letters, and Quarterly West. He is assistant director of creative nonfiction at Columbia College Chicago and associate editor of the literary magazine Hotel Amerika.

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This New and Poisonous Air

This New and Poisonous Air

by Adam McOmber
This New and Poisonous Air

This New and Poisonous Air

by Adam McOmber

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Overview

She admits she is pleased when the new placard is raised, "Madame Tussaud's House of Wax." She stands in the crowd with François at her side. He leans close enough to touch her ear with the fringe of his mustache and whispers, "What part of the museum would the famous Madame Tussaud like to survey on her inaugural visit?"

"The Chamber of Horrors, I think," she says softly.

"Really, my dear? All that grim fantasy and blood?"

"There is no fantasy about it, François. It is an embryo, a showing of what is to come."

Blending historical fiction with fantasy and the macabre, Adam McOmber's debut short story collection brings the influence of Angela Carter, Isak Dinesen, and Edgar Allan Poe to the next generation. In "The Automatic Garden," a solitary architect from the court at Versailles builds a water-powered pleasure garden; in "There Are No Bodies Such as This," we read a haunted and romantic fiction about the creation of Madame Tussaud's wax museum; in "Fall, Orpheum," a small town movie palace becomes the temple for an entire town's devotion and sacrifice. McOmber seamlessly blends history, artifice, and desire to create a dream of the past that intertwines with our own notions of modern life.

Adam McOmber's stories appear in Conjunctions, StoryQuarterly, Third Coast, The Greensboro Review, Arts & Letters, and Quarterly West. He is assistant director of creative nonfiction at Columbia College Chicago and associate editor of the literary magazine Hotel Amerika.


Product Details

ISBN-13: 9781934414514
Publisher: BOA Editions, Ltd.
Publication date: 06/21/2011
Series: American Readers Series
Pages: 200
Product dimensions: 5.25(w) x 8.00(h) x (d)

About the Author

Adam McOmber: Adam McOmber is the assistant director of Creative Nonfiction at Columbia College Chicago where he teaches both nonfiction and literature with a focus on mythology. He is the associate editor of the literary magazine Hotel Amerika. His work has recently been published in Conjunctions, StoryQuarterly, Third Coast, The Greensboro Review, Arts and Letters, Ascent, Web Conjunctions and Quarterly West. In 2012, This New and Poisonous Air was chosen as one of NewCity Lit's "Lit 50" in Chicago. McOmber holds an MFA in Fiction Writing from Indiana University. This New and Poisonous Air is his first book.

Table of Contents

The Automatic Garden
There Are No Bodies Such as This
A Memory of His Rising
Fall, Orpheum
A Man of History
Beneath Us
This New and Poisonous Air
Gardens of the Moon
Of Wool
Night is Nearly Done
Poet and Underworld
Egyptomania
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