This Is Not Civilization: A Novel
Hopscotching from Arizona to Central Asia to Istanbul, this inspired debut novel is “a vibrant mix of the serious and the absurd” (Publishers Weekly).
 
In the aftermath of the Soviet Union’s collapse, Anarbek Tashtanaliev singlehandedly supports his small village in Kyrgyzstan, despite struggles at his cheese factory and a ruthless blackmailer. In the canyons of Arizona, Adam Dale’s basketball prowess represents the hope of his entire Apache tribe, but his personal life is filled with poverty and the struggle to break free from his tyrannical tribal councilman father. In Turkey, American Jeff Hartig works as a refugee resettlement officer—until Anarbek and Adam, men he knew during his stint as an aid worker, suddenly reappear in his life.
 
Sharing a small apartment in the magical, sprawling city of Istanbul, the three men form an unlikely bond, filled with confusion, compassion, hope, and friendship. But when tragedy strikes the city, each will have to examine his own journey and his capacity to endure.
 
Hailed as “journalistic, humane, and heart-wrenching” by the New York Times Book Review, This Is Not Civilization is “an ambitious, bighearted debut . . . intelligent, earnest, and highly readable” (Kirkus Reviews).
"1100302765"
This Is Not Civilization: A Novel
Hopscotching from Arizona to Central Asia to Istanbul, this inspired debut novel is “a vibrant mix of the serious and the absurd” (Publishers Weekly).
 
In the aftermath of the Soviet Union’s collapse, Anarbek Tashtanaliev singlehandedly supports his small village in Kyrgyzstan, despite struggles at his cheese factory and a ruthless blackmailer. In the canyons of Arizona, Adam Dale’s basketball prowess represents the hope of his entire Apache tribe, but his personal life is filled with poverty and the struggle to break free from his tyrannical tribal councilman father. In Turkey, American Jeff Hartig works as a refugee resettlement officer—until Anarbek and Adam, men he knew during his stint as an aid worker, suddenly reappear in his life.
 
Sharing a small apartment in the magical, sprawling city of Istanbul, the three men form an unlikely bond, filled with confusion, compassion, hope, and friendship. But when tragedy strikes the city, each will have to examine his own journey and his capacity to endure.
 
Hailed as “journalistic, humane, and heart-wrenching” by the New York Times Book Review, This Is Not Civilization is “an ambitious, bighearted debut . . . intelligent, earnest, and highly readable” (Kirkus Reviews).
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This Is Not Civilization: A Novel

This Is Not Civilization: A Novel

by Robert Rosenberg
This Is Not Civilization: A Novel

This Is Not Civilization: A Novel

by Robert Rosenberg

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Overview

Hopscotching from Arizona to Central Asia to Istanbul, this inspired debut novel is “a vibrant mix of the serious and the absurd” (Publishers Weekly).
 
In the aftermath of the Soviet Union’s collapse, Anarbek Tashtanaliev singlehandedly supports his small village in Kyrgyzstan, despite struggles at his cheese factory and a ruthless blackmailer. In the canyons of Arizona, Adam Dale’s basketball prowess represents the hope of his entire Apache tribe, but his personal life is filled with poverty and the struggle to break free from his tyrannical tribal councilman father. In Turkey, American Jeff Hartig works as a refugee resettlement officer—until Anarbek and Adam, men he knew during his stint as an aid worker, suddenly reappear in his life.
 
Sharing a small apartment in the magical, sprawling city of Istanbul, the three men form an unlikely bond, filled with confusion, compassion, hope, and friendship. But when tragedy strikes the city, each will have to examine his own journey and his capacity to endure.
 
Hailed as “journalistic, humane, and heart-wrenching” by the New York Times Book Review, This Is Not Civilization is “an ambitious, bighearted debut . . . intelligent, earnest, and highly readable” (Kirkus Reviews).

Product Details

ISBN-13: 9780547561660
Publisher: Houghton Mifflin Harcourt
Publication date: 11/01/2017
Sold by: Barnes & Noble
Format: eBook
Pages: 304
File size: 623 KB

About the Author

Robert Rosenberg held an MFA from the Iowa Writers’ Workshop and a master’s in education. He lived in Kyrgyzstan, Istanbul, and Cibecue, a small Apache village.

Read an Excerpt

CHAPTER 1

The idea of using porn films to encourage the dairy cows to breed was a poor one. Anarbek Tashtanaliev, the manager of the cheese factory, had been inspired by a Moscow news broadcast. From Russia the television signal crossed the Kazakh steppes, was beamed to Bishkek, the Kyrgyz capital, and then relayed up and over the Tien Shan range and into desolate pockets of the new nation. If the Central Asian weather was favorable, the forgotten village of Kyzyl Adyr-Kirovka received the world news. As a result, one Wednesday Anarbek discovered that the Chinese had successfully used taped videos of fornicating bears to coax pandas to breed. The possibility of increased productivity based on a regimen of bovine erotica seemed promising.

And the scheme had the single merit of all brilliant ideas: it was obvious. Anarbek purchased dated Soviet video equipment across the Kazakh border in the Djambul bazaar. He kept factory workers on a twenty-four- hour watch to record, on tape, the next time the bulls went at it. But the workers had no luck that fall. In the spring he sent his employees up the shepherd hill next to the reservoir with an order to film copulating sheep. Thirty days later they had recorded over four and a half hours of tape. The following summer they projected this film each night, in color, onto the factory walls, for the enjoyment of the cows.

The animals were indifferent to the lusty films, and the scheme cost the failing cheese factory a month's wages. By the end of the winter only eleven Ala Tau cows and two bony Aleatinsky bulls remained. Production had ceased.

Anarbek managed the only collective in the mountain village. During the lean years of glasnost and perestroika, and the optimistic but still lean years of independence, Anarbek had watched his veterinarian pack up for Russia, the feed shipments dwindle, the wormwood climb the concrete walls, the electricity fail, the plate coolers rust, the cows die, and his workers use their lunch hour to hawk carrots and cabbage in the village bazaar. The cheese factory no longer produced cheese. Yet every week in the factory's old sauna, raising a glass of vodka, wearing only a towel wrapped around his bulging stomach, Anarbek told his friends, "We're still making a profit."

He was well aware it was false money. Amid the collapse of Communism, in the extended bureaucratic mess of privatization, the new government continued to support the state-owned collective. A sudden change in the village name had caused the oversight. With a burst of post-independence pride, an official had decreed Soviet Kirovka henceforth be called by its Kyrgyz name, Kyzyl Adyr. Now nobody knew what to call it (Kyzyl Adyr? Kirovka? Kyzyl Adyr-Kirovka? Kirovka-Kyzyl Adyr?). The capital could not keep up with such details. The village appeared by different names on scattered government lists, and the factory had yet to be privatized. The machinery had stopped, but the Communist salaries kept coming.

Kyzyl Adyr-Kirovka was a cosmopolitan village isolated in the mountains of northwestern Kyrgyzstan. Anarbek's neighbors were mostly fair-skinned Kyrgyz, but also included Russians desperate to repatriate, and Kurds, and Uzbeks, and the Koreans whose grandparents Stalin had exiled to Central Asia. Everyone benefited from the government oversight. For Anarbek was generous; he knew the money was neither rightfully his nor the factory's, so he kept on his original thirteen workers, whose families depended on their continuing salaries. The employees showed up at the factory each morning, sat, chatted, and drank endless cups of chai.

Everyone in the village understood that the cows were barren and dying and that the cheese factory produced no cheese. But what good would come of reporting it? Money that did not find its way out of Bishkek would sink into the pockets of the minister of finance, an official rumored to drive a Mercedes-Benz at excessive speed through the streets of the capital, weaving between potholes, honking at donkey carts, trying to run over the poor. A Mercedes-Benz! While the people of Kyzyl Adyr-Kirovka suffered! For the village, money mistakenly sent from the capital was money they deserved. Anarbek, after all, was a modern, educated Soviet man — he had studied management one summer in Moscow — and the village had confidence he could still turn things around.

On a Wednesday evening, in the heat of the factory sauna, he defended his fertility scheme to six of his neighbors and coworkers. The men nodded in complicit agreement. Only Dushen, the assistant manager of the cheese factory and a man too practical for his own good, broke the spell with a question grounded in reality: "Maybe the quality of projection was bad?"

The men clicked their tongues and shook their wet heads; two of them leaned over and spit onto the hot stones. The spit sizzled into thin wisps of steam. Anarbek sighed. Independence should have been a time of optimism, yet it seemed that brave ideas for improvement were consistently ruined by such complications.

Radish, the head doctor of the village hospital, opened the sauna door, and a stiff gust of air, fresh as a cool river, flowed into the room. Entering, the doctor banged the door behind him, turned his bare jellylike chest around, and announced, "News, my friends! News! The minister of education, from Talas, came by this morning."

"That son of a bitch," said Bulut, the town's appointed mayor, its akim.

"Screw the whole lot of them," said Dushen.

"Send them back to Moscow," Anarbek said. "Who needs them!"

He and his friends continued abusing government officials until Radish yelled over them. "Listen. A word! A word! He has offered the village an American."

"An American?" the men exclaimed in chorus, and burst into laughter.

"An organization called Korpus Mira." The glint in the doctor's eyes quieted Anarbek. "The government of Kyrgyzstan has ordered thirty Americans. They'll distribute them across the country. To hospitals. Schools. Factories like yours."

"What do they want from us?" Anarbek asked.

"How much do we have to pay them?" Dushen demanded.

"This is the thing," Radish explained. "They don't want any money. It's a humanitarian organization."

The words humanitarian organization, pronounced in Radish's halting Russian, sounded like fancy foreign machinery. Nobody in the village had ever used words like those before.

"American spies!" yelled the town akim.

"Thieves," said Dushen. "They'll take us over."

The men shook their heads in doubt, but Anarbek was intrigued. He mused on the inconceivable idea of America — of William Clinton and his friend Al Gore, of the war in the Persian Gulf, of Steven Seagal breaking necks, of the busty Madonna who sang "Like a Virgin" — this America, their new provider. He stepped down to the rack of hot coals, grabbed a cup of water, and, using the tips of his fingers, splashed the rocks over and over until they hissed. A wave of steam swirled into a choking cloud and raised the temperature in the cramped room. The men stepped down to the lower wooden benches. Bent over, covered in sweat, they rubbed their legs and shoulders, and two of them moaned pleasurably, "Ahy, ahy, ahy," at the heat.

In the center of the floor Anarbek crouched on his haunches next to Radish. "Did you accept this American?"

"I cannot accept," the doctor explained, snapping his undershorts. "We, our village — all of us must demonstrate our willingness to receive this gift."

"Maybe," joked Dushen, "she will be a beautiful long-legged blonde." He too squatted on the tar-stained floorboards and hawked a gob of mucus between the wooden beams. "Like Sharon Stone."

"There's a thought," said the akim. "Or maybe it will be some wealthy man who will marry one of our daughters and take her to America."

"Owa!" the men agreed, and some of them repeated, "America."

Radish said, "They want you to find a place to house the American. When she gets here, she will work at the factory, teaching us English. Think! The economic journals. Communication with businessmen. From any country. From around the world. New machinery you can order. New products." He was waving his arms and turning from man to man. "This World Health Organization sends the hospital a new piece for the x-ray, and we cannot even attach it. The instructions on those damn things come in English!"

Anarbek leaned forward into the steam and belched. "I will find a house for the American."

The head doctor smiled at his offer and nodded twice. "But that's not all," he added. "We must appoint one of us in town to be the Kyrgyz host family. They will — in a way — adopt her."

One by one the men lifted their chins, and the eyes of each, in turn, settled on Anarbek. This was his factory, this was his sauna, they were his guests; they were yielding to his decision. He stood up.

"I will be the father of the American," he said, and patted his wet, hairy chest. The ripples of fat absorbed the blow in a slapping sound, a note of confidence.

"An American," someone mumbled. The men leaned back, and for the first time any of them could remember, there was silence in the sauna, deep and pure. For two minutes nobody moved. Stomachs rose and fell in the thinning steam.

Dushen spoke up. "Who could have imagined?"

"The world is changing," Anarbek said, thinking of his dying cows, of faulty video equipment, and of fornicating pandas in China.

The next evening, in the shaded courtyard of his home — flanked by two long buildings, the tea bed, the stone wall, and the high steel fence — Anarbek fanned the flames of his grill, waiting for Lola. The coals had reached the perfect temperature for the shashlyk: the ashes gleamed red when he waved the sheet of cardboard at them.

"Lola!" he shouted. "Lola, they're ready!"

He could not get used to her delays. In twenty-one years of marriage, Baiooz, his first wife, had mastered the art of anticipating his every need. She had always been a step ahead of him. How many times had he asked her to do something, and she had told him, with her feline smile, that it had already been done? Anarbek fanned the coals again, this time more violently, then stopped and swallowed. He still could not believe Baiooz was dead.

"Lola!"

It was true what his friends said: no good can come from a beautiful woman. He dropped the cardboard, lifted his heavy frame from a low squat, and stomped toward the kitchen door. Just as he opened his mouth, Lola appeared in the doorway, carrying the silver tray of marinated mutton cubes, speared on metal skewers and covered in slivers of onions.

"Where were you?"

"I was slicing more tomatoes," Lola said. "I thought they were not enough for you. I know how much you eat."

He looked at her face, her fresh soft lips: twenty-two years old, less than half his age. An Indian scarf he had bought her covered her dark hair. In the mornings she tied her hair up into a ball and covered it, like this, but at night she brushed it out in long straight strokes. She was tall, as tall as he was, and her lithe body seemed capable of great athleticism. She always smelled of exotic fruit — her shampoo, her soap, perhaps. He hardly knew her.

"The grill's ready. The coals are red. We have to cook now, before we lose the heat."

She answered him with her haughty silence but brought the tray of skewers over to the tea bed. Their floppy-eared mutt, Sharyk, rose from his guard position next to the gate and scuttled toward the meat. Lola bent and smacked him on the behind. "Git!" The dog sprawled out, his head between his paws.

"Make sure he doesn't eat these," she warned.

Even in warning her voice was soft, so much softer than Baiooz's had been. But he missed his first wife's flutter of activity — her noise, her endless haranguing, her stubbornness. Lola listened to everything he said, did everything he demanded. What kind of wife was that?

He placed the first six skewers on the grill, one by one, reminding himself how well Lola took care of Baktigul, his younger daughter. That was the important thing. And he was lucky to have a wife so soon. He leaned over the grill and closed his eyes in the smoke, shaking his head. As hard as he tried, six months into the marriage he could not reconcile this life with the last.

Lola was his older daughter's best friend. She and Nazira had grown up together. Anarbek could remember the two girls at Nazira's eight- year name-day celebration. The family had picnicked on kielbasa and melons near the Kirovka River, cooling the fruit in the glacial water. He remembered one May Day festival when he had bought them both ice cream and had paid the village photographer to take their picture in the square by the statue of Lenin. They still had that photo: the two girls in flowery cotton dresses, ice cream running down their arms, Lenin's hand extended above them saluting the mountains. Anarbek remembered a later summer, when he had worked at the Kara Boora region's Young Pioneer Camp, in the foothills halfway to Talas. He had taught the girls how to ride horses. Nazira had climbed on readily, but Lola, at that time so short, so timid, could not get onto her horse. He had helped her, lifting her from behind, and she felt no heavier than a housecat.

He opened his eyes and turned the shashlyk.

When Baiooz had died last year, just after independence, the village mourned with him. But how long could a man with an eight-year-old daughter manage alone without a wife? By October a feverish search began for someone to replace her. With the news of her mother's death Nazira returned from university in Naryn and took over the management of the house, displaying a maturity and expertise beyond her twenty years. She looked after Baktigul and did much to console Anarbek, but he had remained unsettled. He felt an urgency to give his daughter her own life. She must marry soon enough; she could not take care of them forever.

Six months after Baiooz's death, Nazira herself had proposed the solution: Anarbek should marry her oldest friend. Lola was twenty-one and had never left Kyzyl Adyr-Kirovka; she was waiting to become a wife and mother. In an emotional plea, Nazira convinced Lola. They were almost related anyway, and what could be better than marrying the wealthiest man in the village? When Nazira informed Anarbek that Lola was willing, he was shocked. He could hardly tolerate his own daughter playing his matchmaker. He refused and, two weeks later, refused again more forcefully. By November, though, his loneliness, combined with Lola's youthful beauty and Nazira's stubborn insistence, changed his mind.

"Why don't you steal her?" Nazira had asked playfully.

He had considered. Once their nomadic ancestors — the ancient Kyrgyz horsemen — had rampaged villages and stolen women. If the bride spent a night in a captor's yurt, she belonged to him and could not return to her home. After the fall of Communism and with the rise of Kyrgyz nationalism, the tradition of wife stealing was resurfacing.

"But those are old traditions," he had finally told his daughter. "We're a modern nation now. We did away with those ideas seventy years ago."

"It's not a silly tradition," argued Nazira. "It's our heritage. Many people are doing it. Also, Ata, it's romantic."

So Anarbek had followed his daughter's advice. One wintry afternoon he spotted Lola walking back from the bazaar, carrying two kilograms of potatoes in a plastic sack. He pulled up to her in his tan Lada and cut the loud engine. She wore a long brown skirt that hugged her slim waist and a striped polyester blouse that showed off her broad shoulders. Without a word he grabbed her elbow and pulled her into the back seat of the car. She struggled. It occurred to him to let her go, but he reminded himself she was supposed to fight, that this was a sign of her honor. Before he slammed the door, he heard her gasp. His heart sank. But when he climbed into the front seat, he was uplifted by her muffled giggles, by the way she folded her arms across her chest and stared with calm resignation out the window. He promised himself he would treat her well. He brought her back along the dirt road, half a kilometer, to the house, avoiding the potholes hidden in the mud, driving as slowly as possible, as if the young woman were a delicate tea set he might break with a bump. At home he led her to the bedroom, where Nazira had prepared a meal of manti, a bottle of champagne, and the silk platok.

(Continues…)



Excerpted from "This Is Not Civilization"
by .
Copyright © 2004 Robert Rosenberg.
Excerpted by permission of Houghton Mifflin Harcourt Publishing Company.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

Darin Strauss

"Fiction of the highest order. With precise language, with insight and pathos and wit, this novel brings faraway places closer to home-a service that America needs more than ever."
author of Chang and Eng

TimeOut New York

[A] Politically astute and surprisingly swift read.

Robert Olen Butler

"This Is Not Civilization is a remarkable novel that illuminates the most important struggle of our times: to find a self and to find kindredness in a world where our shared humanity is often lost to the claims of our superficial differences. Robert Rosenberg has written not only a wonderfully readable work of fiction but also an important one."
winner of the Pulitzer Prize

Brady Udall

Gripping...exotic and intimate. Every line rings with authenticity, every moment breathes with love and life and heartache. A beautiful, resonant book.
author of The Miracle Life of Edgar Mint

Bob Shacochis

"For the past twenty years, returned Peace Corps volunteers-Paul Theroux, Norman Rush, Maria Thomas, Richard Wiley et al-have won just about every major literary award in the country, and Robert Rosenberg seems destined to be a member of this distinguished group of writers. This Is Not Civilization is a wonderful first novel, full of the marvelous compressions and juxtapositions and clashes that have indeed made the world a very small place."
winner of the National Book Award

James Alan McPherson

"Beautiful...Rosenberg should be thanked for his insights into Middle Eastern culture at a time when understanding of that troubled region is essential."
winner of the Pulitzer Prize

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