Praise for Things Have Gotten Worse Since We Last Spoke and Other Misfortunes:
One of the "50 Best Horror Books of All Time" -Esquire.
"Indie superstar Eric LaRocca presents three novellas that capture profound pain and unthinkable horror... With shades of Nicole Cushing and Caitlín R. Kiernan, LaRocca’s book is the ideal choice for readers who want depraved and disturbing horror that scares the living daylights out of them."
- Booklist
"The author’s strong prose does an impressive job anchoring everything on solid ground even as the stories spiral into surrealist grotesquerie. LaRocca is a writer to watch." - Publishers Weekly
"There's something inevitable about these stories, the way before you know it they tighten around your mind like a trap. LaRocca writes startling and gorgeous portraits of damage, and the way it spreads from body to body. Indeed, LaRocca's stories are shocking precisely because, as strange as they are, they seem like they're occurring just down the street." - Brian Evenson
“Some horror walks you down a dark corridor, where there’s whispers and laughter, sobs and screams. Other horror starts down at the end of that corridor, where there’s a door that opens on to you don’t know what. Read this, and then decide where Eric LaRocca has left you. Not that it matters. There’s no way out.” - Stephen Graham Jones, author of The Only Good Indians and My Heart is a Chainsaw
"Eric LaRocca's unflinching Things Have Gotten Worse Since We Last Spoke will crawl inside you, move stuff around, and make you see the world differently, like all great stories do." - Paul Tremblay, author of A Head Full of Ghosts and The Pallbearers Club.
"Eric LaRocca is like a punk rocker crashing the over-produced world of arena rock in the 1970s: he's ferocious, angry, and coming on at a hundred miles an hour. He reminds us of what horror does better than any other genre: it lets loose the raw primal scream of life." - Nathan Ballingrud, author of North American Lake Monsters
"Eric LaRocca's superb collection Things Have Gotten Worse Since We Last Spoke and Other Misfortunes is cutting edge horror with pristine writing sharp enough to slice open your skin. Strongly recommend." -Ray Garton, author of Live Girls and Crucifax Autumn
Praise for Things Have Gotten Worse Since We Last Spoke:
"A startling affair... I’ll be cleaning up particles of darkness in my office for weeks." - Josh Malerman, author of Bird Box and Malorie
"Bleak, clever, edgy, and vicious. Eric LaRocca draws his readers in for something they will never expect and never forget." - Sadie Hartmann, 'Mother Horror'
"Eric LaRocca is, without doubt, one of the most exciting contemporary voices in queer horror. Pulling absolutely zero punches, his stories will leave you disturbed, and the viral sensation THGWSWLS is no exception: a visceral tale of obsession and depravity which holds a mirror up to our very darkest impulses. Paired in this edition with two fresh tales of grief and self-destruction, it might be the perfect "introduction" to LaRocca's brand of messy, dark horror... but reader beware: an encounter with these pages will leave you indelibly marked." - Ally Wilkes, author of All the White Spaces
"LaRocca's combination of structure, adept pacing and masterful language is more complex than meets the eye... A must-read for fans of body horror, epistolary novels, and depravity" - Library Journal
"A hauntingly elegant, masterfully written, and ultimately devastating indictment of cruel manipulation and even crueler submission. This is one deeply fucked-up heartbreaker. You have been warned." - John Skipp, author of The Light at the End
"Part Dennis Cooper's 'The Sluts', part David Cronenberg's 'The Brood'... Eric LaRocca's 'Things Have Gotten Worse Since We Last Spoke' is a masterpiece of epistolary body horror." - Max Booth III author of We Need to Do Something
"'Things Have Gotten Worse Since We Last Spoke' is a tight, merciless epistolary, each piece of correspondence coiling the reader around its finger and never letting go. LaRocca skillfully weaves a grotesque, unforgettable page-turner of manipulation and depravity. - Hailey Piper, author of Queen of Teeth
"With darkly poetic prose and chilling stories that peel back layers of skin to reveal a beating, bloody heart, Eric LaRocca is the clear literary heir of Clive Barker." - Tyler Jones, author of Criterium and The Dark Side of the Room
"Eric LaRocca is a fierce talent that knows no limit, masterful and utterly unmissable!" - Ross Jeffery, author of Juniper and Tome
08/29/2022
The three bloody stories of LaRocca’s debut collection, all “tethered by the human need to connect with someone, something else,” explore the nether sides of human relationships, digging into physical and emotional abuse and the lengths to which people will go to stay civil. The epistolary title story follows the online relationship between two women as it escalates into increasingly intense submission and domination, culminating in a horrifying event. In the Ari Aster–esque “The Enchantment,” a husband and wife grieving the loss of their son under grotesque circumstances become caretakers of a remote island, where they are visited by a strange man who promises either closure or utter damnation. A man discovers a mysterious bone with his initials etched into it in “You’ll Find It’s Like That All Over” and engages in an escalating series of wagers with his elderly neighbor, stretching his personal boundaries for the sake of affability. These gore-soaked excesses have difficulty reaching satisfying resolutions; the stories’ considerable guts never get a chance to function properly within the collection’s body politic before they are ripped out. Still, the author’s strong prose does an impressive job anchoring everything on solid ground even as the stories spiral into surrealist grotesquerie. LaRocca is a writer to watch. (Sept.)
