Theory of Film: The Redemption of Physical Reality

by Siegfried Kracauer

Overview

Siegfried Kracauer's classic study, originally published in 1960, explores the distinctive qualities of the cinematic medium. The book takes its place alongside works in classical film theory by such figures as Béla Balázs, Rudolf Arnheim, and André Bazin, among others, and has met with much critical dispute. In this new edition, Miriam Bratu Hansen, examining the book in the context of Kracauer's extensive film criticism from the 1920s, provides a framework for appreciating the significance of Theory of Film for contemporary film theory.

Product Details

ISBN-13:	9780691037042
Publisher:	Princeton University Press
Publication date:	12/14/1997
Series:	Film Studies
Edition description:	With a New introduction by Miriam Bratu Hansen
Pages:	488
Product dimensions:	5.50(w) x 8.00(h) x (d)

About the Author

Siegfried Kracauer (1889-1966) was a German intellectual who wrote extensively on modern culture and everyday life. From 1924 to 1933 he was cultural editor of the Frankfurter Zeitung. He emigrated to the United States in 1941. He is the author of From Caligari to Hitler: A Psychological History of German Film (Princeton), The Mass Ornament: Weimar Essays and History: The Last Things Before the Last.

Table of Contents

Introduction

Preface

Acknowledgments

Introduction

1 Photography 3

2 Basic Concepts 27

3 The Establishment of Physical Existence 41

4 Inherent Affinities 60

5 History and Fantasy 77

6 Remarks on the Actor 93

7 Dialogue and Sound 102

8 Music 133

9 The Spectator 157

10 Experimental film 175

11 The Film of Fact 193

12 The Theatrical Story 215

13 Interlude: Film and Novel 232

14 The Found Story and the Episode 245

15 Matters of Content 262

16 Film in Our Time 285

Notes 313

Bibliography 339

Index 351

What People are Saying About This

Tom Gunning

Kracauer's profound theoretical investigation revealed film as the form that best captured the new modes of experience that characterize modernity. Miriam Hansen's brilliant introduction chronicles the work's genesis and transformation through Kracauer's conversations with Adorno and Benjamin, his flight from the Nazis, and his uneasy assimilation into the Cold-War United States.
— Tom Gunning, University of Chicago

Levin

Just as new translations of Kracauer's early works have begun to reveal aspects of his intellectual project previously unavailable to readers of English, this most welcome new edition of Kracauer's magnum opus of media aesthetics will cast a new interpretative light on his later work, thanks especially to Miriam Hansen's highly illuminating introductory essay.
— Thomas Y. Levin, Princeton University

From the Publisher

"Kracauer's profound theoretical investigation revealed film as the form that best captured the new modes of experience that characterize modernity. Miriam Hansen's brilliant introduction chronicles the work's genesis and transformation through Kracauer's conversations with Adorno and Benjamin, his flight from the Nazis, and his uneasy assimilation into the Cold-War United States."—Tom Gunning, University of Chicago

"Just as new translations of Kracauer's early works have begun to reveal aspects of his intellectual project previously unavailable to readers of English, this most welcome new edition of Kracauer's magnum opus of media aesthetics will cast a new interpretative light on his later work, thanks especially to Miriam Hansen's highly illuminating introductory essay."—Thomas Y. Levin, Princeton University

Editorial Reviews

"Kracauer's profound theoretical investigation revealed film as the form that best captured the new modes of experience that characterize modernity. Miriam Hansen's brilliant introduction chronicles the work's genesis and transformation through Kracauer's conversations with Adorno and Benjamin, his flight from the Nazis, and his uneasy assimilation into the Cold-War United States."—Tom Gunning, University of Chicago


"Just as new translations of Kracauer's early works have begun to reveal aspects of his intellectual project previously unavailable to readers of English, this most welcome new edition of Kracauer's magnum opus of media aesthetics will cast a new interpretative light on his later work, thanks especially to Miriam Hansen's highly illuminating introductory essay."—Thomas Y. Levin, Princeton University

From the Publisher