The Writing of Spirit: Soul, System, and the Roots of Language Science
Contemporary thought has been profoundly shaped by the turn toward synchronic models of explanation, which analyze phenomena as they appear at a single moment, rather than diachronically as they develop through time. Nowhere, however, has this transformation unfolded more influentially than in the domain of language science, where the terminology of synchrony and diachrony first explicitly emerges.

The Writing of Spirit sets out to demonstrate, through a new history of language science, that we do not know what we think we know about this pivotal juncture in our intellectual past. Twentieth-century linguistic structuralism, it argues, does not replace the historicist approach of the nineteenth century with a more modern, more systematic perspective, as has long been assumed, because the relationship between history and system is structuralism's point. The real revolution consists not in a turn away from language time, but in a turn toward time's absolutely minimal conditions, and thus also toward a theory of diachrony, boiled down and distilled.

Pourciau arrives at this surprising and powerful conclusion through an analysis of language scientific theories over the course of two centuries, associated with thinkers from Jacob Grimm to the Russian Futurists and from Richard Wagner to Roman Jakobson, in domains as disparate as historical linguistics, phonology, acoustics, opera theory, philosophy, poetics, and psychology. The result is a novel contribution to one of the most pressing questions of our intellectual moment, namely, the question of what role the study of history should play in the interpretation of the present.
1124998807
The Writing of Spirit: Soul, System, and the Roots of Language Science
Contemporary thought has been profoundly shaped by the turn toward synchronic models of explanation, which analyze phenomena as they appear at a single moment, rather than diachronically as they develop through time. Nowhere, however, has this transformation unfolded more influentially than in the domain of language science, where the terminology of synchrony and diachrony first explicitly emerges.

The Writing of Spirit sets out to demonstrate, through a new history of language science, that we do not know what we think we know about this pivotal juncture in our intellectual past. Twentieth-century linguistic structuralism, it argues, does not replace the historicist approach of the nineteenth century with a more modern, more systematic perspective, as has long been assumed, because the relationship between history and system is structuralism's point. The real revolution consists not in a turn away from language time, but in a turn toward time's absolutely minimal conditions, and thus also toward a theory of diachrony, boiled down and distilled.

Pourciau arrives at this surprising and powerful conclusion through an analysis of language scientific theories over the course of two centuries, associated with thinkers from Jacob Grimm to the Russian Futurists and from Richard Wagner to Roman Jakobson, in domains as disparate as historical linguistics, phonology, acoustics, opera theory, philosophy, poetics, and psychology. The result is a novel contribution to one of the most pressing questions of our intellectual moment, namely, the question of what role the study of history should play in the interpretation of the present.
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The Writing of Spirit: Soul, System, and the Roots of Language Science

The Writing of Spirit: Soul, System, and the Roots of Language Science

by Sarah M. Pourciau
The Writing of Spirit: Soul, System, and the Roots of Language Science

The Writing of Spirit: Soul, System, and the Roots of Language Science

by Sarah M. Pourciau

Paperback

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Overview

Contemporary thought has been profoundly shaped by the turn toward synchronic models of explanation, which analyze phenomena as they appear at a single moment, rather than diachronically as they develop through time. Nowhere, however, has this transformation unfolded more influentially than in the domain of language science, where the terminology of synchrony and diachrony first explicitly emerges.

The Writing of Spirit sets out to demonstrate, through a new history of language science, that we do not know what we think we know about this pivotal juncture in our intellectual past. Twentieth-century linguistic structuralism, it argues, does not replace the historicist approach of the nineteenth century with a more modern, more systematic perspective, as has long been assumed, because the relationship between history and system is structuralism's point. The real revolution consists not in a turn away from language time, but in a turn toward time's absolutely minimal conditions, and thus also toward a theory of diachrony, boiled down and distilled.

Pourciau arrives at this surprising and powerful conclusion through an analysis of language scientific theories over the course of two centuries, associated with thinkers from Jacob Grimm to the Russian Futurists and from Richard Wagner to Roman Jakobson, in domains as disparate as historical linguistics, phonology, acoustics, opera theory, philosophy, poetics, and psychology. The result is a novel contribution to one of the most pressing questions of our intellectual moment, namely, the question of what role the study of history should play in the interpretation of the present.

Product Details

ISBN-13: 9780823275632
Publisher: Fordham University Press
Publication date: 05/01/2017
Pages: 384
Product dimensions: 5.90(w) x 8.90(h) x 1.00(d)

About the Author

Sarah Pourciau is Assistant Professor of German at Princeton University.

Table of Contents

Introduction

Part I Eternal Etymology: From Sprachgeist to Ferdinand de Saussure

Chapter One: Language Ensouled

Grammatical Life
Life Science
Kosmon Psychon
How Inflection Unfolds
Etymology: the Method
Spirit Superfluous?
The Demise of Analysis

Chapter Two: Saussure's Dream

In Search of the Literal
Neither Flesh nor Spirit
But Rather Writing
Postméditation

Chapter Three: Verse Origins

Through the Letters Wafts the Spirit
2 L, 2 P, 4 R (=2+2)
Little Sticks, Letter Rhymes
The Rhythm of Geist
The Cult of Cancellation

Part II: Tending Toward Zero: From Runes to Phonemes

Chapter Four: Wagner's Poetry of the Spheres

Philology + Harmony
Wotan's Staff

Chapter Five: Pythagoras in the Laboratory

The Wagnerian Sound of Sense
Wave Systems (Acoustics)
The Undulating All (Psychophysics)
A Philology of the Ear (Poetics)

Chapter Six: Jakobson's Zeros

Analogy: the Method
Zero Degree Rhyme
The Silent "e"
Mama and Papa
In Retrospect: the Future

Afterword
From the B&N Reads Blog

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