The Writers, Artists, Singers, and Musicians of the National Hungarian Jewish Cultural Association (OMIKE), 1939-1944
In May 1938, Hungary passed anti-Semitic laws causing hundreds of Jewish artists to lose their jobs. In response, Budapest's Jewish community leaders organized an Artistic Enterprise under the aegis of OMIKE Országos Magyar Izraelita Közművelődési Egyesület (Hungarian Jewish Education Association) to provide employment and livelihood for actors, singers, musicians, conductors, composers, writers, playwrights, painters, graphic artists, and sculptors. Between 1939 and 1944, activities were centered in Goldmark Hall beside the Dohány Street Synagogue in Budapest. Hundreds of artists from all over Hungary took part in about one thousand performances, including plays, concerts, cabaret, ballet, operas, and operettas. These performances appealed to the highly cultured Budapest Jewish community, ever desirous of high-caliber events, particularly under oppressive conditions of the time. Art exhibitions also were held for painters, graphic artists, and sculptors to sell their creations. Lévai's 1943 book (with new, additional chapters by noted historians and musicians) is the core of this expanded edition and provides interviews with individual artists who recall their early lives and circumstances that led them to join the Artistic Enterprise. The book records the technical functioning, structure, and operation of this remarkable theater and concert venue. It provides fascinating details about those who worked behind the scenes: répétiteurs, hair stylists, and personnel involved with costumes, lighting, and scenery. Because the stage was small, clever choreographic and scenery improvisation had to be made, and the stagehands were clearly up to the task. Since these artists were not allowed to perform before the general public or advertise with posters on the streets, the book describes special means devised to overcome these difficulties and bring Jewish audiences into the theater in large numbers. Lastly, the book carries the theater's story up to Sunday morning, March 19, 1944, a day of infamy, when the German army marched into Hungary.
1123618110
The Writers, Artists, Singers, and Musicians of the National Hungarian Jewish Cultural Association (OMIKE), 1939-1944
In May 1938, Hungary passed anti-Semitic laws causing hundreds of Jewish artists to lose their jobs. In response, Budapest's Jewish community leaders organized an Artistic Enterprise under the aegis of OMIKE Országos Magyar Izraelita Közművelődési Egyesület (Hungarian Jewish Education Association) to provide employment and livelihood for actors, singers, musicians, conductors, composers, writers, playwrights, painters, graphic artists, and sculptors. Between 1939 and 1944, activities were centered in Goldmark Hall beside the Dohány Street Synagogue in Budapest. Hundreds of artists from all over Hungary took part in about one thousand performances, including plays, concerts, cabaret, ballet, operas, and operettas. These performances appealed to the highly cultured Budapest Jewish community, ever desirous of high-caliber events, particularly under oppressive conditions of the time. Art exhibitions also were held for painters, graphic artists, and sculptors to sell their creations. Lévai's 1943 book (with new, additional chapters by noted historians and musicians) is the core of this expanded edition and provides interviews with individual artists who recall their early lives and circumstances that led them to join the Artistic Enterprise. The book records the technical functioning, structure, and operation of this remarkable theater and concert venue. It provides fascinating details about those who worked behind the scenes: répétiteurs, hair stylists, and personnel involved with costumes, lighting, and scenery. Because the stage was small, clever choreographic and scenery improvisation had to be made, and the stagehands were clearly up to the task. Since these artists were not allowed to perform before the general public or advertise with posters on the streets, the book describes special means devised to overcome these difficulties and bring Jewish audiences into the theater in large numbers. Lastly, the book carries the theater's story up to Sunday morning, March 19, 1944, a day of infamy, when the German army marched into Hungary.
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The Writers, Artists, Singers, and Musicians of the National Hungarian Jewish Cultural Association (OMIKE), 1939-1944

The Writers, Artists, Singers, and Musicians of the National Hungarian Jewish Cultural Association (OMIKE), 1939-1944

by Frederick Bondy (Editor)
The Writers, Artists, Singers, and Musicians of the National Hungarian Jewish Cultural Association (OMIKE), 1939-1944

The Writers, Artists, Singers, and Musicians of the National Hungarian Jewish Cultural Association (OMIKE), 1939-1944

by Frederick Bondy (Editor)

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$39.95 
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Overview

In May 1938, Hungary passed anti-Semitic laws causing hundreds of Jewish artists to lose their jobs. In response, Budapest's Jewish community leaders organized an Artistic Enterprise under the aegis of OMIKE Országos Magyar Izraelita Közművelődési Egyesület (Hungarian Jewish Education Association) to provide employment and livelihood for actors, singers, musicians, conductors, composers, writers, playwrights, painters, graphic artists, and sculptors. Between 1939 and 1944, activities were centered in Goldmark Hall beside the Dohány Street Synagogue in Budapest. Hundreds of artists from all over Hungary took part in about one thousand performances, including plays, concerts, cabaret, ballet, operas, and operettas. These performances appealed to the highly cultured Budapest Jewish community, ever desirous of high-caliber events, particularly under oppressive conditions of the time. Art exhibitions also were held for painters, graphic artists, and sculptors to sell their creations. Lévai's 1943 book (with new, additional chapters by noted historians and musicians) is the core of this expanded edition and provides interviews with individual artists who recall their early lives and circumstances that led them to join the Artistic Enterprise. The book records the technical functioning, structure, and operation of this remarkable theater and concert venue. It provides fascinating details about those who worked behind the scenes: répétiteurs, hair stylists, and personnel involved with costumes, lighting, and scenery. Because the stage was small, clever choreographic and scenery improvisation had to be made, and the stagehands were clearly up to the task. Since these artists were not allowed to perform before the general public or advertise with posters on the streets, the book describes special means devised to overcome these difficulties and bring Jewish audiences into the theater in large numbers. Lastly, the book carries the theater's story up to Sunday morning, March 19, 1944, a day of infamy, when the German army marched into Hungary.

Product Details

ISBN-13: 9781557537645
Publisher: Purdue University Press
Publication date: 12/15/2016
Series: Shofar Supplements in Jewish Studies
Pages: 290
Product dimensions: 5.90(w) x 8.90(h) x 0.80(d)

About the Author

Frederick Bondy lives in New York City and was married for over forty years until losing his wife, Joan, to cancer in 2015. He has three married children and seven grandchildren, all of whom live in NYC. He graduated with a BS in chemical engineering from the City College of New York and an MS in chemical engineering from the University of Akron. He has over forty years of experience leading process engineering designs for over eighty refinery, gasification, petrochemical, specialty chemical, polymer, and pharmaceutical projects. He is the author of a number of magazine articles and encyclopedia sections related to chemical engineering. He also wrote the biography István Bondy, Hungarian Actor (1905–1944), which is in the National Széchényi Library and in the Hungarian Theatre Museum and Institute, both in Budapest. Among his interests are world history (with an emphasis on Jewish and Holocaust History), philately, and marathon running.

Table of Contents

Foreword to the English Edition Magda Horák xi

Foreword to the Hungarian Edition Jeno Lévai xvii

Editor's Note to the English Edition Frederick Bondy xix

Introduction to the English Edition István Deák 1

Chapter 1 The OMIKE Theater in Goldmark Hall 21

Samu Stern, President of the Jewish Religious Community of Pest "The Cultural Mission of Hungarian Jewry Is to Ensure the Existence of the Artistic Enterprise" Géza Ribáry 22

"About Those Who Fulfill and Those Who Fail to Fulfill Their Obligations" Hugó Csergo 24

Quoting Géza Ribáry 25

Chapter 2 The OMIKE Artistic Enterprise 29

The Leadership 29

The Director 30

Economic Structure of the Artistic Enterprise 31

Official Duties and Regulations 31

Artistic Duties 32

Programming 32

The OMIKE's Company 33

Casting 34

Chapter 3 The Drama Company 37

The Artistic Director and Dramaturgist (Playwright) 37

OMIKE's Most Successful Writers: Hugó Csergo, Dezso Keller, Jeno Mohácsi, Ferenc Molnár, and Erno Szép 39

The Artists Associated with the OMIKE Artistic Enterprise and Others Involved in Theatrical Operations 53

The Main Director of the Drama Company 56

Notable Members of the Drama Ensemble: Gyula Bartos, Lajos Gárdonyi, Lajos Gellért, József Gonda, Klári Lakos, Béla Lénárd, Gyorgy Nagy and Kató Bán, Béla Ormos, Erzsi Palotai, Judit Párdányi, Sándor Radó, Alíz Rajna, Imre Rádai (Ráday), Magda Rosti (Rosty), Sándor Rott, Béla Salamon, Aladár Sarkadi, Zsuzsa Simon, Ibolya Solt, Dr. Dezso Szabó, Kálmán Szen-tiványi, Vilmos Szirmai, Ferike Vidor, and Kálmán Zátony 57

Chapter 4 Musical Life in the OMIKE Artistic Enterprise 97

The List of Artists Performing in Musical Events (Opera, Concert, Operetta) 97

The Musical Direction of the OMIKE 98

Conductors of the OMIKE 100

The Vocal Artists of the OMIKE Artistic Enterprise:

Dezso Ernster, Sándor Farkas, Pál Fehér, Kató Gergely, Manci Herendi, Oszkár Kálmán, Ilona Ladányi, Andor Lendvay, The Ney Family, Erzsi Radnai, Gabriella Relle, Vera Rózsa, and Annie Spiegel 103

Known and Unknown Heroes of the Orchestra 122

Chapter 5 The Technical Operation of the OMIKE Artistic Enterprise 125

The Auditorium 125

The Stage 126

The Invisible Actors 128

Preparing for the Show 130

Chapter 6 A Few Interesting Statistical Data 135

Afterword to the English Edition Peter Bársony 137

Acknowledgments to the English Edition Frederick Bondy 149

Appendix 1 Photographs of Goldmark Hall, Performances, and OMIKE Artists 153

Appendix 2 Programs of Mdveszakcio Plays, Concerts, Operas, Cabaret, and Operettas 183

Appendix 3 Announcements of Fine Arts Expositions for Painters, Graphic Artists, and Sculptors 207

Appendix 4 OMIKE Muvészakció Victims of the Holocaust 213

Glossary to the English Edition Zvi Erenyi 217

Contributors to the Hungarian Edition 231

Contributors to the English Edition 233

Bibliography 237

Index 241

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