The Wolf and the Watchman: 1793: A Novel

by Niklas Natt och Dag Narrated by Matt Addis, Casper Rundegren, Clara Andersson

Overview

In this breathtakingly bold, intricately constructed novel set in 18th-century Stockholm, a dying man searches among the city's teeming streets, dark corners, and intriguing inhabitants to unmask a ruthless murderer — perfect for fans of Perfume and The Alienist.

It is 1793. Four years after the storming of the Bastille in France and more than a year after the death of King Gustav III of Sweden, paranoia and whispered conspiracies are Stockholm's daily bread. A promise of violence crackles in the air as ordinary citizens feel increasingly vulnerable to the whims of those in power.

When Mickel Cardell, a crippled ex-soldier and former night watchman, finds a mutilated body floating in the city's malodorous lake, he feels compelled to give the unidentifiable man a proper burial. For Cecil Winge, a brilliant lawyer turned consulting detective to the Stockholm police, a body with no arms, legs, or eyes is a formidable puzzle and one last chance to set things right before he loses his battle to consumption. Together, Winge and Cardell scour Stockholm to discover the body's identity, encountering the sordid underbelly of the city's elite.

Meanwhile, Kristofer Blix — the handsome son of a farmer — leaves rural life for the alluring charms of the capital and ambitions of becoming a doctor. His letters to his sister chronicle his wild good times and terrible misfortunes, which lead him down a treacherous path.

In another corner of the city, a young woman — Anna-Stina — is consigned to the workhouse after she upsets her parish priest. Her unlikely escape plan takes on new urgency when a sadistic guard marks her as his next victim.

Over the course of the novel, these extraordinary characters cross paths and collide in shocking and unforgettable ways. Niklas Natt och Dag paints a deliciously dark portrait of late 18th-century Stockholm, and the frightful yet fascinating reality lurking behind the powdered and painted veneer of the era.

Editorial Reviews

Publishers Weekly

★ 01/07/2019

The discovery of a torso in a lake outside Stockholm drives Natt och Dag’s masterly first novel, set in 1793. The human remains prove to belong to a man whose limbs were severed one at a time over several months. Identifying the victim and his killer falls to Cecil Winge, an idealistic attorney who assists the police. Winge enlists the aid of Mickel Cardell, a veteran of a fruitless war with Russia in which he lost an arm. Now working as a watchman, Mickel retrieved the cadaver from the water. The pair have few clues to work with, but a piece of fabric with unusual markings wrapped around the body leads them to the Eumenides, an ostensibly charitable upper-class organization that meets in a building that houses a bordello. The book’s structure, which includes flashbacks and multiple perspectives, will remind many of Iain Pears’s An Instance of the Fingerpost, and Natt och Dag uses this structure to heighten suspense and deepen characterizations. The Swedish Academy of Crime Writers named this the best debut novel of 2017, and U.S. readers will be likewise impressed. Agent: Frederico Ambrosini, Salomonsson Agency (Sweden). (Mar.)

From the Publisher

This incredibly disturbing trip into the grotesqueries of history is as well-written as it is well-researched, true to not only the detail of the time period but also true to its mores and atmosphere...infused with a tear-it-all-down mentality, this one is not to be missed.” —Literary Hub, Best books of 2019

A.J. Finn

The Alienist set in eighteenth-century Stockholm: Brawny, bloody, intricate, enthralling—and the best historical thriller I’ve read in twenty years.

The Sunday Times

"A remarkable debut novel."

Newsday

"A tantalizing mystery, a foreboding, claustrophobic sense of place and a pair of unforgettable investigators."

Booklist

"A standout. The characterization is excellent, as is the evocation of eighteenth-century Stockholm, an uncommon historical setting that provides a vibrant backdrop for this unusual mystery. Natt och Dag's side-plots dovetail neatly, his pacing is skillful, and he explores with aplomb his novel's main theme, Homo homini lupus est —Man is wolf to man.

NPR

What's better than an ornate period piece with style to spare? One that includes a murder mystery. Oh, and boy is it a riveting mystery...A bit of Patrick Süskind’s Perfume and a bit of Sherlock Holmes, this wolf has some bite to it.

The Washington Post

For Stieg Larsson fans, a new voice...a stunning debut...Like Umberto Eco’s novel [The Name of the Rose, this] is a cerebral, immersive page-turner [with] a moral heft reminiscent of works by Graham Greene...Plenty of twists to satisfy thrill-starved readers.

USA Today

"Reads like a season of 'True Detective'...anchored by a powerful sense of place and a memorable cast of characters...you won't soon forget it."

Fredrik Backman

Thrilling, unnerving, clever, and beautiful.

Bookpage

"Calls to mind another auspicious debut murder mystery set in an unfamiliar place and time: Umberto Eco’s The Name of the Rose. It’s been nearly 40 years since that foreign-language historical thriller captured the world’s imagination, thoroughly engrossing readers and propelling its author into international stardom. So we’re about due, and Natt och Dag is certainly a worthy candidate.

TROUW (Netherlands)

A vivacious book. The Wolf and the Watchman is a virtuously written, pitch-black thriller.

De Standaard (Belgium)

Wonderfully written...[Niklas Natt och Dag’s] detailed descriptions of locations and characters and his well-crafted story ensure that The Wolf and the Watchman takes the reader along on a journey that does not end till after the final scene has been read.

Het Nieuwsblad (Belgium)

Stylistically astonishing.

Verdens Gang (Norway)

A literary tour de force...a smart and suspenseful story that you’ll remember for a long time to come.

Natasha Pulley

"An excellent story with corkscrew twists and a wonderfully clever ending, completely worthy of Cecil Winge’s splendid mind. Winge and Cardell are thoroughly engaging characters, and they give the whole book a powerful heart"

Arne Dahl

An unexpected masterpiece, a wild and unusual mix of genres that in one fell swoop succeeds in renewing the entire crime fiction genre.

Aftenposten (Norway)

Magnificent ”Stockholm Noir” and an excellent debut...A bullseye of a historical novel...[Niklas Natt och Dag] writes glisteningly and organically."

New York Journal of Books

"Complex and richly realized... Besides the rich and fascinating characters, Natt Och Dag’s greatest strength may be selecting details to convey a city of two centuries past.... This is Natt och Dag’s first published novel, but it seems too skillful and too assured to be his first writing... [He] surely has more fine work ahead of him."

Historical Novel Society

"A masterpiece of a novel."

The Irish Times

"Vividly written...a superbly detailed historical mystery."

The Observer

This gripping historical thriller surely announces the arrival of a fine new European talent. Vivid and absorbing.

Booklist

"A standout. The characterization is excellent, as is the evocation of eighteenth-century Stockholm, an uncommon historical setting that provides a vibrant backdrop for this unusual mystery. Natt och Dag's side-plots dovetail neatly, his pacing is skillful, and he explores with aplomb his novel's main theme, Homo homini lupus est —Man is wolf to man.

USA Today

"Reads like a season of 'True Detective'...anchored by a powerful sense of place and a memorable cast of characters...you won't soon forget it."

Kirkus Reviews

★ 2018-12-11

In his debut novel, Natt och Dag examines the effects of a brutal murder on those who investigate it—and explores the psychological causes for the crime.

Stockholm, 1793: Sweden is still recovering from an unpopular war with Russia; some veterans, like watchman Mickel Cardell, lost limbs in the slaughter, and he was one of the lucky ones. Cardell hardly feels lucky though, nursing a fierce rage that simmers below the surface and finding solace only in drinking to excess. When Cardell is summoned by two children to examine a body they've found floating in putrid waters, he can barely be bothered, but the corpse, disturbingly mutilated, haunts him. Together with lawyer Cecil Winge, who is measuring his life in days since being diagnosed with consumption and trying to stay above the rampant political corruption that is flooding the police department, Cardell doggedly pursues every lead to find the monster at the heart of this case. Along the way, he meets a desperate widow, lately escaped from the cruel fate of a workhouse; learns of a secret society of wealthy men who are offered a place to indulge their perverted desires in return for charitable donations; and picks savage fights to slake his anger at the way the world treats the poor and the downtrodden. Winge brings a certain intellectual precision to the investigation as he, too, struggles to keep his demons at bay. Natt och Dag writes sensory, horror-inducing descriptions of the lives and deaths of the poor inhabitants of Stockholm. At the same time, his characters almost spring off the page, they are so human and so fully realized. Natt och Dag doesn't apologize for human nature, nor does he excuse our crimes and basest cruelties, but his deep dive into the dark corners of our psyches, as well as this harsh time in history, is both chilling and thought-provoking.

Relentless, well-written, and nearly impossible to put down.

Product Details

BN ID:	2940171150129
Publisher:	Simon & Schuster
Publication date:	03/05/2019
Series:	1794 , #1
Edition description:	Unabridged

Read an Excerpt

Chapter 1 – 1 –
“Mickel! Watchman Mickel! Please wake up!”

As an agitated shaking rouses Cardell from his slumber, he feels a fleeting ache in the left arm he no longer owns. A carved wooden arm has taken the place of the missing limb. His stump rests in a hollow space inside the beechwood, attached at the elbow with the aid of leather straps. They are cutting into his flesh. He should know better by now and have loosened them before nodding off.

Reluctantly, he opens his eyes and stares out across the vast plain of the stained table. When he makes an attempt to lift his head, his cheek sticks to the wooden surface and he inadvertently pulls his wig off as he stands up. He curses and uses it to wipe his brow before tucking it inside his jacket. His hat rolls down onto the floor, its crown dented. He punches it out and then pulls it onto his head. His memory is beginning to return. He is at Cellar Hamburg and must have drunk himself senseless. A glance over his shoulder reveals others in a similar condition. The few drunks that the proprietor considered affluent enough not to toss into the gutter are sprawled over benches and across tables, until the morning, when they will stagger away to receive the reproaches of those waiting at home. Not so for Cardell. A crippled war veteran, he lives alone and his time is no one’s but his own.

“Mickel, you’ve got to come! There’s a dead body in the Larder!”

The two youngsters who have roused him are guttersnipes. Their faces look familiar but he is unable to recall their names. Behind them stands the Ram, the well-nourished manager who works for Widow Norström, the owner. The Ram is groggy and flushed and has positioned himself between the children and a collection of etched glass: the pride of the cellar, stored behind lock and key in a blue cabinet.

The condemned stop here at Cellar Hamburg on their way to the Sconce Tollgate and to the gallows beyond. At the steps of the Hamburg they are served their last drink, after which the glass is carefully retrieved, etched with name and date, and added to the collection. The patrons may drink from one of these only under supervision and upon payment of a fee based on the degree of infamy of the condemned. It is said to bring good fortune. Cardell has never understood the reasoning.

Cardell rubs his eyes and realizes he is still inebriated. His voice is thick when he tries it.

“What the devil is going on?”

It is the older one—a girl—who answers. The boy is harelipped, and her brother, to judge by his features. He wrinkles his nose at Cardell’s breath and takes cover behind his sister.

“There is a body in the water, right at the edge.”

Her tone is a blend of terror and excitement. The veins in Cardell’s forehead feel close to bursting. The pounding of his heart threatens to drown out what feeble thoughts he tries to muster.

“How’s this my problem?”

“Please, Mickel, there isn’t anyone else and we knew that you were here.”

He rubs his temples in a vain hope of easing the throbbing pain.

Above the Southern Isle, the skies have not yet begun to lighten. Cardell staggers out and down the steps of the Hamburg and follows the children along the empty street, halfheartedly listening to a story about a thirsty cow that reared up at the water’s edge and took off in terror in the direction of Danto.

“Her muzzle touched the body and made it spin in a circle.”

Underfoot the stones give way to mud as they get closer to the lake. Cardell’s duties have not carried him past the shores of the Larder in a long time, but he sees that nothing has changed. Nothing has come of the long-held plans to clean the shoreline and build a quay with piers, though this is hardly any cause of wonder when both city and state teeter on the brink of ruin. The fine houses around the lake have long since been repurposed into manufactories. The workshops throw their waste directly into the water, and the fenced section intended for human waste is overflowing and ignored by most. Cardell lets out a colorful phrase when his bootheel ploughs a furrow in the muck and he has to flap his healthy arm to maintain his balance.

“Your cow was frightened by an encounter with an overripe cousin. The butchers throw their scraps into the lake. You’ve woken me up for nothing more than a rancid side of beef or some pig’s rib cage.”

“We saw a face in the water, a person’s face.”

The waves lap against the shore, churning up a pale yellow froth. Something rotten—a dark lump—is floating a few meters out. Cardell’s first thought is that it cannot possibly be a human being. It is too small.

“Like I said, it’s butcher’s scraps. An animal carcass.”

The girl insists she is not mistaken. The boy nods in agreement. Cardell snorts in surrender.

“I’m drunk, you hear? Dead drunk. Soused. You’ll not forget this when someone asks about the time you tricked the watchman into taking a dip in the Larder and how he gave you both the thrashing of your lives when he came up again, soaked and enraged.”

He works his way out of his coat with the awkwardness of the one-handed. The forgotten woollen wig falls out of the lining, into the slush. Never mind. The miserable thing only cost a pittance and the fashion is on its way out. He wears it only because a more proper appearance improves the chances that someone will stand a war veteran a drink or two. Cardell casts a glance at the sky. High above, a band of distant stars shine over Årsta Bay. He closes his eyes to seal the impression of beauty inside him and steps into the lake, right leg first.

The boggy edge doesn’t support his weight. He sinks down as far as his knee and feels the lake water pouring over the edge of his boot, which remains stuck in the sludge as his involuntary fall forwards pulls his leg along. With something between a crawl and a doggy-paddle, he begins to make his way farther out. The water is thick between his fingers, full of things that even the residents of the Southern Isle don’t consider worth keeping.

His intoxication has impaired his sense of judgment. He feels a stab of panic when he no longer has the lake bottom under his feet. This water is deeper than anticipated and he finds himself back at Svensksund three years ago, terrified and tossed by the waves, with the Swedish front drawing back.

He grasps the body in the water once his kicking has carried him close enough. His first thought is that he was correct. This cannot be a human being. It is a discarded carcass, tossed here by the butcher’s boys, made into a buoy as the gases of decomposition expand its innards. Then the lump rolls over and shows him its face.

It isn’t rotten at all, and yet empty eye sockets stare back at him. Behind the torn lips there are no teeth. The hair alone has retained its luster—the night and the lake have done their best to dim its color, but it is without a doubt a mass of light blond hair. Cardell’s sudden intake of breath fills his mouth with water and causes him to choke.

When his coughing fit has subsided, he floats motionless next to the corpse, studying its ravaged features. Back on the shore, the children make no sound. They await his return in silence. He grabs the body, turns around in the water, and starts to kick with his bare foot to make his way back towards land.

The recovery effort becomes more laborious when he reaches the muddy embankment and the water no longer carries their weight. Cardell rolls over onto his back and kicks his way up with both legs, dragging his quarry by its ragged covering. The children do not help him. Instead, they back away cowering, holding their noses. Cardell clears his throat of the filthy pond water and spits into the mud.

“Run to the Lock and tell the Corpses.”

The children make no move to comply, as eager to keep their distance as they are to get a glimpse of Cardell’s catch. Only when he tosses a handful of muck at them do they set off.

“Run to the night post and get me a fucking bluecoat, damn it!”

When their small feet are out of earshot, he leans over to the side and vomits. Stillness descends, and in his isolation, Cardell feels a cold embrace pressing all air out of his lungs, making it impossible to draw the next breath. His heart beats faster and faster, the blood throbs in the veins in his throat, and he is overcome with a paralyzing fear. He knows all too well what comes next. He feels the arm that is no longer his solidify out of the surrounding darkness until every part of his being tells him it is back where it once was, and with it a pain searing enough to cancel the world itself out, as a jaw with teeth of iron gnaws flesh, bone, and gristle.

In a state of panic, he tears at the leather straps and lets the wooden arm fall into the mud. He grabs his stump with his right hand and massages the scarred flesh to force his senses to accept that the arm they perceive no longer exists and that the wound is long since healed.

The seizure lasts no more than a minute. Breath returns, first in shallow gasps and then in calmer, slower inhalations. The terror subsides and the world regains its familiar contours. These sudden panic attacks have plagued him for the past three years, ever since he returned from the war, one arm and one friend poorer. And yet that was all a long time ago now. He thought he had found a method to keep the nightmares at bay. Strong drink and bar brawls. Cardell looks around, as if for something to soothe himself with, but he and the corpse are alone. He sways side to side holding his stump in a firm grasp.

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