Publishers Weekly
A newly independent Trinidad offers a rich backdrop for Roffey's evocative exploration of life in a tropical paradise rife with conflict. Sabine and George Harwood come to Trinidad from England with vastly different expectations: for Sabine, it is a blessedly limited three-year stint undertaken purely to advance her husband's career; for George it is an open-ended opportunity to break out of his dreary British life. The author depicts divergent worlds in a country with a long colonial history: the considerable wealth, luxuriant estates, and country clubs for the wealthy foreign-born, and the dilapidated shacks with no running water for the servant class. The island itself—seductive, mysterious, unpredictable—provides a challenging environment that exacerbates the tension between George and Sabine, and acts as incubator for the political unrest that brews when the young nation's new leader, Eric Williams, cannot come through on his many promises. With its unique structure—beginning with George's perspective in 2006, then switching to Sabine's unsent letters from their early days on the island—Roffey reveals how each experienced Trinidad so differently and offers a resonant account of how both Harwoods succumb to a place that is part paradise and part hell. (May)
Library Journal
An act of savage brutality opens this novel, which tells the story of one family living in Trinidad between 1956 and 2006. Among the last colonials from Britain to arrive, George and Sabine Harwood have been living in Trinidad for 50 years. George immediately fell in love with the island, while his wife constantly suffered from the heat, humidity, and political/racial situation there. The brutal living conditions of the great majority of the population are poignantly described; at one point, the son of Sabine Harwood's maid is brutally beaten by the police for complaining about their theft of his cell phone, an act that powerfully symbolizes the violence done to the native population over many decades. Told in a well-balanced manner, the rise to prime minister and eventual downfall of Eric Williams affects Sabine; she has a love/hate relationship with this Oxford-educated black man and writes him letters that are never mailed. VERDICT Roffey (Sun Dog) succeeds wonderfully in writing an informative and deeply moving novel about her homeland. (The "white woman on the green bicycle" is in fact her mother.) She writes realistically enough to make readers feel that they have visited the island. Deservedly a finalist for the Orange Prize; Roffey is a fantastic talent who, one hopes, will keep writing for years to come.—Lisa Rohrbaugh, National Coll. Lib., Youngstown, OH
AUGUST 2011 - AudioFile
Issues of colonialism and postcolonial living collide with the heartbreak of an outwardly loveless marriage. Narrator Adjoa Andoh becomes each of the characters in turn, flawlessly giving voice to a variety of accents—from the languid and lilting cadence of the natives of Trinidad to the clipped and imperial English of the main character, Sabine. In addition to being a virtual chameleon in the realm of accents, Andoh portrays both men and women with equal ease and breathes life into each character so that the listener is apt to forget that anyone is narrating at all. As a result, THE WHITE WOMAN ON THE GREEN BICYCLE is less of a listen and more of an experience. J.L.K. Winner of AudioFile Earphones Award © AudioFile 2011, Portland, Maine
