Publishers Weekly - Publisher's Weekly
The tranquility of a late summer weekend in 1953 is shattered by a tragic accident in this spare, affecting novel by one of the last surviving members of the Harlem Renaissance. The Oval, the exclusive black enclave on Martha's Vineyard, prepares for the marriage of Shelby Coles, daughter of one of the community's most admired couples. Shelby's choice of white jazz musician Meade Wyler awakens dormant but unresolved racial issues in her family, which includes her physician father, enduring a loveless but socially proper union; her mother, confronting a dwindling pool of partners for her discreet affairs, and her great-grandmother, who dreams of escaping her ambivalence by returning to her aristocratic Southern roots. The arrival of black artisan Lute McNeil upsets the precarious equilibrium of the Oval when his aggressive pursuit of Shelby leads to disaster. Through the ancestral histories of the Coles family, West (The Living Is Easy) subtly reveals the ways in which color can burden and codify behavior. The author makes her points with a delicate hand, maneuvering with confidence and ease through a sometimes incendiary subject. Populated by appealing characters who wrestle with the nuances of race at every stage of their lives, West's first novel in 45 years is a triumph.
Library Journal
Like a jewel held to the light so that its facets may be viewed from all angles, this novel of life during the summers of the 1950s in a small, wealthy black enclave on Martha's Vineyard reveals the dimensions of generation, color, relationships, and love. The Coles are the hub of an elite community, the embodiment of achievement and stature whose forebears were preachers, teachers, and doctors who rose from slavery by determination and intellect. Yet as preparations for their youngest daughter's wedding unfold, cracks begin to form in the faade of this "perfect" family. Tensions build from many directions, ending in a single tragic event. This first novel from the last surviving member of the Harlem Renaissance, the daughter of a former slave, is a beautifully written and very moving story. West writes not only about race and differences but about the shades of emotion that ebb and flow over the life of a family. Highly recommended.
--Susan Clifford
Joanne Wilkinson
Eighty-seven-year-old West was active in the Harlem Renaissance movement as a teenager. This, her first novel in 45 years, is set on Martha's Vineyard during the 1950s and focuses on the black bourgeois community known as the Oval. Dr. Clark Coles and his wife, Corinne, highly respected Ovalites, are preparing for the wedding of their youngest daughter, Shelby, who, much to their consternation, is marrying a white jazz musician. Lute McNeil, a compulsive womanizer who has recently made a fortune in the furniture business, is determined to stop Shelby's wedding; he is confident that he can convince Shelby to marry him, which would bring him the social acceptance he has always craved. More compelling than the main story are the subplots woven throughout, which echo and expand on West's themes about the restrictions of race and class. In particular, her portrait of Shelby's bitter great-grandmother is as memorable as it is disturbing.
From the Publisher
"A fascinating and unforgettable tale." —People
"West is a wonderful storyteller, painting vivid and memorable scenes of the life and plight of African Americans from slavery to the fifties. The Wedding is an engrossing tale." —USA Today
"In The Wedding, West brilliantly portrays the ferocity of class, race, and gender distinctions within family, groups, and generations." —Entertainment Weekly
"Dorothy West is an epic storyteller." —Quarterly Black Review of Books
"The Wedding's prose has biblical rhythms and echoes of William Faulkner. This novel of Dorothy West's later life is luminous, unexpected gift that should bring her a new generation of admirers." —The Washington Post
