V.S. Pritchett
One thinks of it lying in Samuel Butler's desk for thirty years, waiting to blow up the Victorian family and with it the whole great pillared and balustraded edifice of the Victorian novel.”
P. N. Furbank
[Butler] uses ordinary conversational English idiom, managing to seem perfectly at ease in it, and continually showing how rich in expressive turns and formulations and apt and vivid words it really is…This is the perfection of what one loosely thinks of as the ‘plain’ style and which of course is not ‘plain’ at all, but fashioned with hard labor and the most sensitive and resourceful skill. In writing Butler attained that ‘grace after the flesh’ for which Ernest pined in vain.”
New Yorker
If the house caught on fire, the Victorian novel I would rescue from the flames would be not Vanity Fair or Bleak House but Samuel Butler’s The Way of All Flesh. It is read, I believe, mostly by the young, bent on making out a case against their elders, but Butler was fifty when he stopped working on it, and no reader much under that age is likely to appreciate the full beauty of its horrors, which are not the horrors of the Gothic novel but of family life.”
George Bernard Shaw
One of the summits of human achievement.”
FEBRUARY 2024 - AudioFile
A.A. Milne called THE WAY OF ALL FLESH the second-best novel in the English language, but it remains one of the least known. In this audio version David Timson brings out all of its wit and charm, although some knowledge of Victorian Britain may be necessary to appreciate the extent of its satire. Among the five generations of the Pontifex family, there are a fair number of important characters, but the book eventually concentrates on Ernest and his immediate family, including his godfather, Edward Overton, the novel's narrator. Through accent, tone, and some modest vocal gymnastics, Timson keeps all the major and a great many minor characters alive and individualized, maintaining listeners' engagement all the way to the end. D.M.H. Winner of AudioFile Earphones Award © AudioFile 2024, Portland, Maine
