The Waters of Kronos

The Waters of Kronos

by Conrad Richter
The Waters of Kronos

The Waters of Kronos

by Conrad Richter

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Overview

“May it never go out of print again”: An old man returns to his now-submerged Pennsylvania hometown in this National Book Award–winning classic (The Philadelphia Inquirer).
 
The Pulitzer Prize–winning author of The Light in the Forest and The Awakening Land plumbs his own past to deliver a powerful novel of memory, family, forgiveness, and redemption.
 
Nearing the end of his life, world-renowned novelist John Donner makes a final pilgrimage back to a childhood home that no longer exists. The coal mining community of Unionville, PA, now sits at the bottom of a lake created by a new hydroelectric dam on the Kronos River. The realization that his family’s history has been completely washed away in the name of progress leaves Donner profoundly shaken.
 
But following an odd encounter on a familiar road, John finds himself inexplicably transported back to Unionville on the eve of his grandfather’s funeral. Suddenly he’s surrounded by the people he loved, feared, and ultimately fled, including his elusive mother, his troubled father—and his younger self. A stranger to them all, John will have to once more find his place among them before his long journey can finally come to an end.
 
Inspired by the author’s personal history, The Waters of Kronos is considered by many to be Conrad Richter’s masterpiece. Lyrical, poignant, dreamlike, and beautifully wrought, it is a classic work of twentieth-century American literature.
 
“An enchanted book. It reminds us anew of the magic which the printed page may hold, what we thought in a more innocent time as the spell and transport which the craftsmen of words may create.” —New York Herald Tribune
 
“Writers as various as Marcel Proust, Thomas Wolfe, and James Thurber separately discovered that ‘you can’t go home again.’ In The Waters of Kronos, novelist Conrad Richter adds an extra dimension to this truism.” —Time
 

Product Details

ISBN-13: 9780795334696
Publisher: RosettaBooks
Publication date: 02/12/2019
Sold by: Barnes & Noble
Format: eBook
Pages: 174
Sales rank: 332,376
File size: 2 MB

About the Author

Conrad Richter (1890–1968) was an American novelist who wrote in a distinctly lyrical style. Common themes in his work include family, memory, and the lifestyle of a vanishing American frontier. Born in Pennsylvania, he grew up knowing the descendants of pioneer families. He took an early job as editor of a local newspaper, at the age of 19. His short stories were published in numerous pulp magazines, including Ghost Stories, Triple-X, and Blue Book. Some of Richters most well-known novels include The Light in the Forest and Sea of Grass. He won the Pulitzer Prize in 1951 for his novel The Town, the last in a trilogy about Ohio during frontier times, and the National Book Award for The Waters of Kronos.

Read an Excerpt

CHAPTER 1

The River

For seven days the man who lived by the Western Sea had driven eastward toward the place where he was born, and every day he asked himself the same question. Why had he come? Of course he knew that he had not been well. No one was more aware than he of the lightheaded spells that came over him at times. But why, he wondered, did he suppose he would be better at his destination? It was true that the sailor came home from the sea, the hunter from the hill and the prodigal son to his father's house. But for him there was no longer any father's house to come to. And still he went on, even now when, less than twenty miles from his native valley, fresh misgivings seized him.

It was the first voices of home that particularly disturbed him, those peculiarly flat sounds of speech of his childhood that brought to light long-forgotten memories and feelings. He passed fields which still slanted as in his boyhood. On the far hills hung the soft blue remembered mists of abundance and fertility. The country had hardly changed. The grazing cattle inclined as always their heads to the earth while the church steeples of his people still pointed to heaven.

The road turned and Shade Mountain stood framed in the windshield. As a boy he had felt mixed emotions for that long forested wall shutting him and Unionville from the world. He had thought it high, wild and almost impassable then. Later, after the lofty ranges of the West, it had seemed little more than a hill. But, curiously, it stood high and wild again today.

Three ways there were to cross Shade Mountain, two steep yellow roads torn from the rocks and rock oaks of the sides, and a third through Kronos Gap. The latter was opening magically ahead of him now, revealing the backs of plenty more mountains beyond, the Second, Sharp, Red, Broad, Jeffs and Cantrell, a whole herd of them that had yielded wild milk to his youth. In the center, like the well of a cup surrounded by its circling walls, lay the place he was seeking. His Grandfather Morgan had called it the Vale of Union in his sermons. His Great-Grandfather Scarlett had helped to name the town Unionville before going to fight the War of 1812. And his Great Aunt Teresa had celebrated both names in numerous poems that had been printed in the Unionville Herald and the Lutheran Messenger, which her brothers edited in Philadelphia.

A few lines from one of those poems came to him now, lines the great-nephews and -nieces used to bandy around as a family joke.

"Well, how's everything?" they would write, "in:

Blest village and vale Whose mountains fence In thy eternal innocence."

But the man didn't smile today. He had entered the shadow of the Gap and saw Kronos, the mysterious dark river, running beside the road, old as the earth it came from, rising in the spring sands of a score of mountains, trickling down ravines and hollows, watering ferns and mosses, swelling in hundreds of runs. It came from abandoned mine holes, too, from old workings deep and silent in the earth to make at last the river that ran under Unionville's three bridges. Why, that stream was more familiar to him than the sky! As a boy he had known it clear enough for swimming although it left the rocks bright orange with sulphur. Later it was black with coal dirt. Still later most of the mines had shut down and the state had cleared up the rest with sumps and laws. The water was clear enough now, they said. They hardly had to treat it for the turbines. It was only the coal dirt still on the river bottom that made it look dark. And yet the sight of it today, the very name that rose to the man's lips, troubled him.

He felt relieved when beyond the Gap the road left the dark stream to pursue its own fancy over the hills and hollows, "hivvily up and hivvily down," as they used to say around home, mimicking the farmers, a road with thick hemlocks in the ravines, wheat and clover on the sunny hill-tops, a white concrete road gray with age, black with the patchings of years and streaked with brown where dirt roads entered and took off.

See, he reassured himself. It's like always. It would be all right. He could take it. He found the frame houses of Crouse's Corners almost unchanged. Beyond, a new and higher road had taken to the hills. Suddenly the road came out on a bluff and he saw at last what he had dreaded, the high concrete dam breast like the white end of a colossal burial vault whose lid was blue water running back for miles, shutting in forever his grandfather's Vale of Union, reaching high on the hills and clasping every hollow.

He stopped the car, a little shaken. He reminded himself that he had known all this. It was no surprise. He had warned himself he must expect modern progress, must realize that the turbines down in their concrete power house together with the giant lines that rose in huge steps over the mountains benefited humanity. Of all people he should be able to look at it in a large way.

And yet he couldn't shake off the feeling that under his feet he had come upon something frightening. He had had a glimpse, small as it was, into an abyss whose unfathomable depths were shrouded in mist, a bottomless chasm that he had known existed, if only in the back of his mind and in the back of everyone else's mind, but which he had never seen face to face or directly looked down into before. Perhaps one had to be old as he to recognize what one saw, to understand first how man had struggled up so painfully and so long, and then with that sad knowledge to come upon one's own once living, breathing and thinking people swallowed up in the abyss, given back to primordial and diluvian chaos.

That must be what affected him, he told himself. He thought of all he had once known and loved buried at the sunless bottom of the dark water — the red roofs and green trees, the life and talk and tender thought that went on under them; the brave brick schoolhouse and its white belfry; the shining railroad and its yellow and brown station; his grandfather's church that skilled hands had put together of stone; the mill that ground the town's staff of life and the shirt factory that had covered the men's backs; the old blacksmith shop which, the last time he saw it, served as an automobile body shop; the gas service station where the old tannery had stood; and his father's frame house where his mother long ago with her bare white hands had thrown a blazing oil lamp out of the window.

The man started the engine of the car and presently turned down the grand new concrete road toward the dam. What was that about facing your worst enemy? Well, here he was. But a high woven steel fence stopped him.

"I'd like permission to go in," he told the man who came to the door of the gatehouse.

"What for?" the guard wanted to know.

"I'd like to go down the Unionville road."

"You can't do that. There is no such place any more. It's down under the lake."

"I know that," the man explained patiently. "I thought perhaps I could stand on the breast a little and look around."

"Nobody's allowed on the breast. Or the shore line two miles either direction. Some radicals once threatened to blow it up."

"I don't want to blow up anything," the man said mildly. "I was just born down here."

"So were a lot of other people, and some of them come most every day and try to get in. They say what you say. They want to go back to Unionville. They want to see if they can tell nearabouts where their houses stood. Or somebody else's house or store. Some of them even want us to take them out in a boat so they can see better. They act like they expect to find a roof or church steeple sticking out of the water. One woman wanted us to drain the lake so she could get some money from her father's cellar where she had a notion it was buried. Oh, you'd be surprised at people if you ever had this job. Most of them that come here would drive you nuts, especially those from this batty place, Unionville."

The man passed a hand across his eyes.

"I don't think it was more batty than any other place," he said quietly.

"Well, you'd say so if you'd been on this job like me. You'd think we were some enemy coming in here instead of our own government. You'd think we were making a ruin and shambles out of their valley instead of a wonderful lake to stop floods and light up half the Eastern Seaboard. Why, some of them tried every trick they knew not to give up their property. They thought they could beat the law. One said he never would get out. He said his people had farmed his farm for four generations. But he got out just the same. I remember one old woman came over to the gatehouse and gave me a spiel before she left. She said her double-great-grandfather fought in the French and Indian War and her great-grandfather in the Revolution and her father in the Civil War. I listened to her till I got fed up. Then I said, 'Well, maybe now you know how the Indians felt when you run them off their land.'" The visitor gazed back at the guard sadly.

"I don't think that poor woman ever run anybody off her land. My people lived here for four generations."

"Well, it don't do any of you much good now," the guard said.

The man sat awhile in his car.

"I believe there's still a cemetery or two above water. I think I have the right to visit the graves of my people."

The guard looked stony.

"There's a bunch of them. Which one do you want?"

"The Lutheran in town. The New Lutheran. I think it was called St. John's."

The guard came back with a file of dirty-looking papers.

"What's the name?"

"Well, the Donners are buried there and the Morgans and the Scarletts."

"I mean your name."

"John Donner," the man said.

The guard looked up.

"Haven't I heard about you? Aren't you the fellow wrote a book about this town?"

"I probably did. I've written a good many."

"Well, they made this one in a moving picture. I remember hearing you had some kin buried here. I'll make out a pass for you."

He wrote on a slip of paper fastened by perforated edges into a book. But he didn't tear it off. He would rather talk now.

"You're a man who went to school, Mr. Donner. Don't you think bringing those cemeteries up here about the most foolish thing the government ever did?"

"I don't know," the man said. "At any rate it was holding back against the darkness."

"Holding back? It was giving in, if I know anything. They'd never have done it except for the newspapers making such a fuss about turning water on the graves. They said nobody could ever come back and visit them. Now I ask you, what difference does it make once you're dead whether you're covered up with ground or water or both? A lot of our boys were lost at sea but they didn't try to bring them back, did they? Well, they had just about as tough a time here. In some of the old graves they couldn't find much of anything. But they went ahead just the same. They even had drawings made beforehand. Then they dug up the whole shebang and put it back together up here on the big hill. It cost a fortune, but are the people satisfied? Every grave that was down there is up here, but still the people kick and say it isn't like being at the real cemeteries down there."

"There are some things the government shouldn't try to do," the man said.

"What do you mean?" the guard came back. "I thought the government could do anything."

"I wish it could," the visitor said. He wouldn't say more. The guard tried to engage him again without success. He tore off and handed out the slip of paper.

"Well, this'll take you in. You go down here about a quarter-mile and turn to your left. You'll see the sign. I'll phone the guard down there and tell him who you are. He'll show you around.

"I'd rather if he just let me in and let me go around by myself," John Donner said.

"Well, if you say so. I'll tell him that. I'll phone Mr. Otis, too, and see if I can get you a pass to the dam. I'll tell him who you are. I'll say you like to be alone. He might open the place to somebody like you."

"Thank you," John Donner said and drove slowly down the fine new cement road.

CHAPTER 2

Silt

A turn in the road hid the lake. For a moment it seemed that he was really going home, back to the old town and its familiar scenes. Then the heavy blot of water reappeared and he found a secondary road leading off to the left, marked CEMETERIES. This he followed until ahead he saw what looked like flocks of sheep grazing on the hillside, but all the time he knew that the white dots were too evenly spaced for sheep.

The first sign read ST. PETER'S LUTHERAN CHURCH. PARKING. That, he remembered, was what they called the Old Lutheran in Unionville, the church from which the New Lutherans had sprung, and he drove slowly on to the next sign. JACOB'S LUTHERAN was what everybody called the White Church in the country below town. He remembered that his Grandfather Morgan's horse, Mike, would of himself on a Sunday turn off the road into the White Church grounds and shed which on weekdays he passed without notice. Aunt Jess said that Mike, being a horse, had no hopes of getting to heaven, but he knew a good deal more than many Christians who had.

The third sign, CHURCH OF THE BRETHREN, puzzled him. It must be the Dunkard Church from the Big Dam built back in the eighteen twenties to feed the canal. During the Civil War it had broken and flooded the town, drowning many, an omen and symbol of the future that few had paid attention to then. John Donner had never seen the Big Dam in water, but he had seen the Dam Church, as his Grandfather Morgan wryly called it sometimes, and once his mother's maid, Annie, who always wore her Dunkard cap even under the sunbonnet, had taken him as a small boy along to the Dunkard Love Feast. He remembered that he wasn't allowed to sit with Annie and the other women but had to go alone to the men's side, where he had never forgotten the ecstatic pleasure on the violent face of a red-bearded man when a black-bearded brother ceremoniously washed his red hairy feet.

Well, that was three cemeteries. The fourth he came to now, ST. MARK'S REFORMED AND TRINITY LUTHERAN. It took him time to figure that out. It must be, he decided, Kinzell's, known for miles for its festivals and feuds. John Donner could see it in his mind now, a grim old weather-beaten country church standing in its grove of dark pines. There had been something stark, almost sinister about this church to him as a child. He had thought Pap-pa very brave to go there and read the law from the bare pulpit. But then Pap-pa was afraid of neither man nor devil, and they said that half the crowds at his funerals came to hear what unpredictable things he would say. Like the time he preached the sermon of a Kinzell church member who had once joined a dubious lodge, which attended the funeral in a body.

"We've lost a pillar of the church," they said Pap-pa preached. "He will be sorely missed. The community can hardly do without him. But if certain of you lodge members had died, it would be a different story. The community could easily do without you. You'd be missed nowhere except at some bar or tavern where your rump has worn its mark into the wood, or at the house of some woman, not your wife, where you have no decent or moral right to enter." Oh, Pap-pa had a strong tongue when he chose to speak his mind. During the Civil War his sermons for the Union irked the Copperheads who claimed the war was fought only over "a few niggers." They threatened to tar and feather him but the most they did was roach the mane and tail of his horse while he was preaching.

John Donner stopped the car at the sign, ST. JOHN'S, the last of the group, his grandfather's church, St. John's Lutheran. There certainly had been a lot of Lutherans around here, most of them ruled over by Pap-pa. And now the man himself lay among them, his strong tongue silenced, his humorous mind at peace, his tireless form still.

Leaving his coat and hat in the car, the visitor walked over to the cemetery gatehouse. A guard looked up the names he mentioned, made notes on a card, then set briskly off with him in tow. It was like an army cemetery, the visitor noted, spread like a huge fan, the whole mechanically designed and executed, with graves very close together, each headed by a small marker exactly like its neighbor's, all precise and impersonal as the tiers of an outdoor auditorium, which it resembled.

They passed silently through the maze. Each white stone bore its number, name and year of birth and death. Nothing more. The guard consulted his card from time to time and stopped presently at white stones no different from all the rest. John Donner looked down and saw the lettering:

Elijah S. Morgan

1827–1899

738

"This is the first grave you asked for," the guard said briefly. "I'll wait till you're ready and take you to the next."

"If you don't mind," the visitor said, "I'd rather be alone."

"Just as you say. I'm instructed to follow your wishes. You'll note every grave is numbered. I've jotted down the numbers of the people you asked for. Most of them are right around here, but some are elsewhere. If you follow the numbers, you shouldn't have too much trouble." He handed the visitor the penciled card, then marched back the way he had come.

(Continues…)


Excerpted from "The Waters of Kronos"
by .
Copyright © 2013 Conrad Richter.
Excerpted by permission of RosettaBooks.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Chapter One: The River,
Chapter Two: Silt,
Chapter Three: The Chasm,
Chapter Four: Rust,
Chapter Five: The Breeding Marsh,
Chapter Six: The Confluence,
Chapter Seven: The Source,
Chapter Eight: The Sea,

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