Waste Land

Waste Land

by T. S. Eliot
Waste Land

Waste Land

by T. S. Eliot

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Overview

According to Wikipedia, "The Waste Land is a 434-line Modernist poem by T. S. Eliot published in 1922. It has been called "one of the most important poems of the 20th century." Despite the poem's obscurity-its shifts between satire and prophecy, its abrupt and unannounced changes of speaker, location and time, its elegiac but intimidating summoning up of a vast and dissonant range of cultures and literatures-the poem has become a familiar touchstone of modern literature. Among its famous phrases are "April is the cruellest month" (its first line); "I will show you fear in a handful of dust"; and (its last line) the mantra in the Sanskrit language "Shantih shantih shantih." Thomas Stearns Eliot (September 26, 1888 - January 4, 1965) was an American-born English poet, playwright, and literary critic, arguably the most important English-language poet of the 20th century. The poem that made his name, The Love Song of J. Alfred Prufrock started in 1910 and published in Chicago in 1915-is regarded as a masterpiece of the modernist movement. He followed this with what have become some of the best-known poems in the English language, including Gerontion (1920), The Waste Land (1922), The Hollow Men (1925), Ash Wednesday (1930), and Four Quartets (1945). He is also known for his seven plays, particularly Murder in the Cathedral (1935). He was awarded the Nobel Prize in Literature in 1948."


Product Details

ISBN-13: 9781455401895
Publisher: Seltzer Books
Publication date: 03/01/2018
Sold by: PUBLISHDRIVE KFT
Format: eBook
Pages: 140
File size: 283 KB

About the Author

T.S. Eliot (1888-1965) was a British poet of American descent. Born in St. Louis, Missouri to a prominent family from Boston, Eliot was raised in a religious and intellectual household. Childhood ailments left Eliot isolated for much of his youth, encouraging his interest in literature. At the age of ten, he entered a preparatory school where he studied Latin, Ancient Greek, French, and German. During this time, he also began writing poetry. From 1906 to 1909, he studied at Harvard University, earning a Master of Arts in English literature and introducing himself to the poetry of the French Symbolists. Over the next several years, he studied Indian philosophy and Sanskrit at the Harvard Graduate School before attending Oxford on a scholarship to Merton College. Tiring of academic life, however, he abandoned his studies and moved to London, where he met the poet Ezra Pound. With Pound’s encouragement and editing, Eliot published such poems as “The Love Song of J. Alfred Prufrock” (1915) and “The Waste Land” (1922), works that earned him a reputation as one of the twentieth century’s leading poets and a major figure in literary Modernism. Living in England with his wife Vivienne—from whom he would separate in 1932—Eliot worked as a prominent publisher for Faber and Faber, working with such poets as W.H. Auden and Ted Hughes. He converted to Anglicanism in 1927, an event that inspired his poem “Ash-Wednesday” (1930) and led to the composition of his masterpiece Four Quartets (1943). Eliot was awarded the Nobel Prize in Literature in 1948.

Table of Contents


Introduction     7
Biographical Sketch     14
The Story Behind the Story     19
List of Characters     22
Summary and Analysis     26
Critical Views     53
Eleanor Cook on Maps of The Waste Land     53
Louis Menand on Nineteenth Century Style     57
Sandra M. Gilbert on Eliot's Mourning of a Friend     68
Michael Levenson on Eliot's Views of Postwar London     74
Juan A. Suarez on the Meaning of the Gramophone     85
Shawn R. Tucker on Anxiety in The Waste Land     89
Thomas Dilworth on Sex Between the Typist and the Young Man     94
Camelia Elias and Bent Soerensen on the Influence of Ovid     97
Works by T.S. Eliot     101
Annotated Bibliography     103
Contributors     105
Acknowledgments     108
Index     110

What People are Saying About This

Anthony Burgess

The Waste Land remains the best manifesto of modernism in poetry — a triumph of concision, eloquence, colloquialism, symbolism, cinematic cutting, collage of existing literature as well as popular song, all in the service of a kind of purgatorial philosophy, civilization was decaying, man was growing impotent, salvation lay in the injunctions of a Sanskrit Upanishad: "Give, sympathize, control." (Anthony Burgess, from One Man's Chorus)

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