The Walls of Santiago: Social Revolution and Political Aesthetics in Contemporary Chile

by Terri Gordon-Zolov, Eric Zolov

Overview

A photo-illustrated record of Chilean protest art, along with reflections on artistic antecedents, global protest movements, and the long shadow cast by Chile’s authoritarian past.

From October 2019 until the COVID-19 lockdown in March 2020, Chile was convulsed by protests and political upheaval, as what began as civil disobedience transformed into a vast resistance movement. Throughout, the most striking aspects of the protests were the murals, graffiti, and other political graphics that became ubiquitous in Chilean cities.

Authors Terri Gordon-Zolov and Eric Zolov were in Santiago to witness and document the protests from their very beginning. The book is beautifully illustrated with over 150 photographs taken throughout the protests. Additional photos will be available on the publisher’s website.

From the introduction:
In the conclusion, we take stock of the crisis of the nation-state in the contemporary era. This chapter brings events into the present moment, noting the ways President Piñera took advantage of the COVID-19 pandemic to reclaim the streets of Santiago, a phenomenon echoed in countries across the globe. While most of the global protest movements were forced to go underground (or into the ether), the Black Lives Matter movement surged in the United States and drew massive amounts of support both domestically and abroad, suggesting a continued wave of grassroots protests. We close with reflections on the continued relevance of walls in a virtual world, the testimonial role that protest graphics play, and the future outlook for revolutionary movements in Chile and worldwide.

Product Details

ISBN-13:	9781800733220
Publisher:	Berghahn Books
Publication date:	05/05/2022
Series:	Protest, Culture & Society , #30
Pages:	310
Product dimensions:	8.00(w) x 9.90(h) x 0.80(d)

About the Author

Terri Gordon-Zolov is Associate Professor of Comparative Literature at The New School in New York City. She is former Director of the Gender Studies Program at The New School and sits on the editorial board of WSQ. Her work has appeared in Latin American Literary Review, The Nation, and NACLA, among others

Eric Zolov is Professor of History at Stony Brook Universityand was a Fulbright Visiting Professor at the Pontificia Universidad Católica in Santiago in 2019. His most recent book is The Last Good Neighbor: Mexico in the Global Sixties (2020).

Table of Contents

List of Illustrations
Acknowledgments
Prologue
List of Abbreviations

Introduction

Part I. Memory Boxes

Chapter 1. “It’s Not 30 Pesos, It’s 30 Years”
Chapter 2. “The Right to Live in Peace”

Part II. Revolutionary Currents

Chapter 3. “Evade”
Chapter 4. “The Revolution Will Be Feminist or Will Not Be!”
Chapter 5. “Wallmapu Libre!”
Chapter 6. “Chile Woke Up”

Part III. Aesthetics and Politics

Chapter 7. “Poetry Is in the Street”
Chapter 8. “It’s a Match!”
Chapter 9. Behind the Scenes

Conclusions

Epilogue: One Year Later

Bibliography
Index

Editorial Reviews

“The Walls of Santiago is a rich text with impeccable visual and cultural analyses. It is complex and nuanced but also accessible to readers in and outside the academy…The careful attention paid to intersectional understandings of oppression exhibited by Chilean protesters further added to this richness…It is a compelling and dynamic text that celebrates Chilean art and activism while also documenting such an important moment in the country’s political and artistic history. This exciting book is a must read for scholars, students and activists interested in the intersection of creativity and social justice.” • The Americas

“We are living a new era of protest, organizing, and political engagement. This book is both a testimony of these changes and an extraordinary early effort to make sense of this new reality. It is the result of the authors’ vision and commitment to keep alive a history that was bound to vanish.” • Mónica Ricketts, Temple University

“This is an excellent and unique contribution to our understanding of protest art. It is the first substantive treatment in English of an important social movement and a significant contribution to the political impact of the Covid-19 pandemic.” • T.V. Reed, Washington State University

From the Publisher