The Voyage Out (hellerhouse)
From a distance the Euphrosyne looked very small. Glasses were turned upon her from the decks of great liners, and she was pronounced a tramp, a cargo-boat, or one of those wretched little passenger steamers where people rolled about among the cattle on deck. The insect-like figures of Dalloways, Ambroses, and Vinraces were also derided, both from the extreme smallness of their persons and the doubt which only strong glasses could dispel as to whether they were really live creatures or only lumps on the rigging. Mr. Pepper with all his learning had been mistaken for a cormorant, and then, as unjustly, transformed into a cow. At night, indeed, when the waltzes were swinging in the saloon, and gifted passengers reciting, the little ship—shrunk to a few beads of light out among the dark waves, and one high in air upon the mast-head—seemed something mysterious and impressive to heated partners resting from the dance. She became a ship passing in the night—an emblem of the loneliness of human life, an occasion for queer confidences and sudden appeals for sympathy.

On and on she went, by day and by night, following her path, until one morning broke and showed the land. Losing its shadow-like appearance it became first cleft and mountainous, next coloured grey and purple, next scattered with white blocks which gradually separated themselves, and then, as the progress of the ship acted upon the view like a field-glass of increasing power, became streets of houses. By nine o'clock the Euphrosyne had taken up her position in the middle of a great bay; she dropped her anchor; immediately, as if she were a recumbent giant requiring examination, small boats came swarming about her. She rang with cries; men jumped on to her; her deck was thumped by feet. The lonely little island was invaded from all quarters at once, and after four weeks of silence it was bewildering to hear human speech. Mrs. Ambrose alone heeded none of this stir. She was pale with suspense while the boat with mail bags was making towards them. Absorbed in her letters she did not notice that she had left the Euphrosyne, and felt no sadness when the ship lifted up her voice and bellowed thrice like a cow separated from its calf.

"The children are well!" she exclaimed. Mr. Pepper, who sat opposite with a great mound of bag and rug upon his knees, said, "Gratifying." Rachel, to whom the end of the voyage meant a complete change of perspective, was too much bewildered by the approach of the shore to realise what children were well or why it was gratifying. Helen went on reading.

Moving very slowly, and rearing absurdly high over each wave, the little boat was now approaching a white crescent of sand. Behind this was a deep green valley, with distinct hills on either side. On the slope of the right-hand hill white houses with brown roofs were settled, like nesting sea-birds, and at intervals cypresses striped the hill with black bars. Mountains whose sides were flushed with red, but whose crowns were bald, rose as a pinnacle, half-concealing another pinnacle behind it. The hour being still early, the whole view was exquisitely light and airy; the blues and greens of sky and tree were intense but not sultry. As they drew nearer and could distinguish details, the effect of the earth with its minute objects and colours and different forms of life was overwhelming after four weeks of the sea, and kept them silent.
1100403387
The Voyage Out (hellerhouse)
From a distance the Euphrosyne looked very small. Glasses were turned upon her from the decks of great liners, and she was pronounced a tramp, a cargo-boat, or one of those wretched little passenger steamers where people rolled about among the cattle on deck. The insect-like figures of Dalloways, Ambroses, and Vinraces were also derided, both from the extreme smallness of their persons and the doubt which only strong glasses could dispel as to whether they were really live creatures or only lumps on the rigging. Mr. Pepper with all his learning had been mistaken for a cormorant, and then, as unjustly, transformed into a cow. At night, indeed, when the waltzes were swinging in the saloon, and gifted passengers reciting, the little ship—shrunk to a few beads of light out among the dark waves, and one high in air upon the mast-head—seemed something mysterious and impressive to heated partners resting from the dance. She became a ship passing in the night—an emblem of the loneliness of human life, an occasion for queer confidences and sudden appeals for sympathy.

On and on she went, by day and by night, following her path, until one morning broke and showed the land. Losing its shadow-like appearance it became first cleft and mountainous, next coloured grey and purple, next scattered with white blocks which gradually separated themselves, and then, as the progress of the ship acted upon the view like a field-glass of increasing power, became streets of houses. By nine o'clock the Euphrosyne had taken up her position in the middle of a great bay; she dropped her anchor; immediately, as if she were a recumbent giant requiring examination, small boats came swarming about her. She rang with cries; men jumped on to her; her deck was thumped by feet. The lonely little island was invaded from all quarters at once, and after four weeks of silence it was bewildering to hear human speech. Mrs. Ambrose alone heeded none of this stir. She was pale with suspense while the boat with mail bags was making towards them. Absorbed in her letters she did not notice that she had left the Euphrosyne, and felt no sadness when the ship lifted up her voice and bellowed thrice like a cow separated from its calf.

"The children are well!" she exclaimed. Mr. Pepper, who sat opposite with a great mound of bag and rug upon his knees, said, "Gratifying." Rachel, to whom the end of the voyage meant a complete change of perspective, was too much bewildered by the approach of the shore to realise what children were well or why it was gratifying. Helen went on reading.

Moving very slowly, and rearing absurdly high over each wave, the little boat was now approaching a white crescent of sand. Behind this was a deep green valley, with distinct hills on either side. On the slope of the right-hand hill white houses with brown roofs were settled, like nesting sea-birds, and at intervals cypresses striped the hill with black bars. Mountains whose sides were flushed with red, but whose crowns were bald, rose as a pinnacle, half-concealing another pinnacle behind it. The hour being still early, the whole view was exquisitely light and airy; the blues and greens of sky and tree were intense but not sultry. As they drew nearer and could distinguish details, the effect of the earth with its minute objects and colours and different forms of life was overwhelming after four weeks of the sea, and kept them silent.
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The Voyage Out (hellerhouse)

The Voyage Out (hellerhouse)

The Voyage Out (hellerhouse)

The Voyage Out (hellerhouse)


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Overview

From a distance the Euphrosyne looked very small. Glasses were turned upon her from the decks of great liners, and she was pronounced a tramp, a cargo-boat, or one of those wretched little passenger steamers where people rolled about among the cattle on deck. The insect-like figures of Dalloways, Ambroses, and Vinraces were also derided, both from the extreme smallness of their persons and the doubt which only strong glasses could dispel as to whether they were really live creatures or only lumps on the rigging. Mr. Pepper with all his learning had been mistaken for a cormorant, and then, as unjustly, transformed into a cow. At night, indeed, when the waltzes were swinging in the saloon, and gifted passengers reciting, the little ship—shrunk to a few beads of light out among the dark waves, and one high in air upon the mast-head—seemed something mysterious and impressive to heated partners resting from the dance. She became a ship passing in the night—an emblem of the loneliness of human life, an occasion for queer confidences and sudden appeals for sympathy.

On and on she went, by day and by night, following her path, until one morning broke and showed the land. Losing its shadow-like appearance it became first cleft and mountainous, next coloured grey and purple, next scattered with white blocks which gradually separated themselves, and then, as the progress of the ship acted upon the view like a field-glass of increasing power, became streets of houses. By nine o'clock the Euphrosyne had taken up her position in the middle of a great bay; she dropped her anchor; immediately, as if she were a recumbent giant requiring examination, small boats came swarming about her. She rang with cries; men jumped on to her; her deck was thumped by feet. The lonely little island was invaded from all quarters at once, and after four weeks of silence it was bewildering to hear human speech. Mrs. Ambrose alone heeded none of this stir. She was pale with suspense while the boat with mail bags was making towards them. Absorbed in her letters she did not notice that she had left the Euphrosyne, and felt no sadness when the ship lifted up her voice and bellowed thrice like a cow separated from its calf.

"The children are well!" she exclaimed. Mr. Pepper, who sat opposite with a great mound of bag and rug upon his knees, said, "Gratifying." Rachel, to whom the end of the voyage meant a complete change of perspective, was too much bewildered by the approach of the shore to realise what children were well or why it was gratifying. Helen went on reading.

Moving very slowly, and rearing absurdly high over each wave, the little boat was now approaching a white crescent of sand. Behind this was a deep green valley, with distinct hills on either side. On the slope of the right-hand hill white houses with brown roofs were settled, like nesting sea-birds, and at intervals cypresses striped the hill with black bars. Mountains whose sides were flushed with red, but whose crowns were bald, rose as a pinnacle, half-concealing another pinnacle behind it. The hour being still early, the whole view was exquisitely light and airy; the blues and greens of sky and tree were intense but not sultry. As they drew nearer and could distinguish details, the effect of the earth with its minute objects and colours and different forms of life was overwhelming after four weeks of the sea, and kept them silent.

Product Details

BN ID: 2940013887763
Publisher: Heller House Books
Publication date: 12/20/2011
Sold by: Barnes & Noble
Format: eBook
File size: 3 MB

About the Author

About The Author
Adeline Virginia Woolf (25 January 1882 – 28 March 1941) was an English author, essayist, publisher, and writer of short stories, regarded as one of the foremost modernist literary figures of the twentieth century.

During the interwar period, Woolf was a significant figure in London literary society and a member of the Bloomsbury Group. Her most famous works include the novels The Voyage Out (1915), Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, "A woman must have money and a room of her own if she is to write fiction."

Date of Birth:

January 25, 1882

Date of Death:

March 28, 1941

Place of Birth:

London

Place of Death:

Sussex, England

Education:

Home schooling
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