John Caldwell
The Virtual Window is, quite simply, brilliant. Even as Friedberg employs an interdisciplinary historical sweep that most scholars would be incapable of, she offers grounded and very tightly focused discussions of specific theories and visual practices related to the use of windows and screens from the Renaissance to the age of new media.
Mario Carpo
The digital revolution has globalized a word and a nation that Leon Battista Alberti first translated from the realm of building to that of representation in 1435. anne friedberg's wide-ranging and masterly book shows that the recent renaissance of Alberti's 'window' is neither coincidence nor simple homonymy. From linear perspective to moving pictures to split screens, from see-through to light-receiving and light-emitting devices, Friedberg brilliantly demonstrates that the virtual window has been the most successful single tool for mimesis, command, and control in the history of Western civilization.
Endorsement
The Virtual Window is, quite simply, brilliant. Even as Friedberg employs an interdisciplinary historical sweep that most scholars would be incapable of, she offers grounded and very tightly focused discussions of specific theories and visual practices related to the use of windows and screens from the Renaissance to the age of new media.
John Caldwell, Professor, Department of Film, Television, and Digital Media, University of California, Los Angeles
From the Publisher
The digital revolution has globalized a word and a nation that Leon Battista Alberti first translated from the realm of building to that of representation in 1435. anne friedberg's wide-ranging and masterly book shows that the recent renaissance of Alberti's 'window' is neither coincidence nor simple homonymy. From linear perspective to moving pictures to split screens, from see-through to light-receiving and light-emitting devices, Friedberg brilliantly demonstrates that the virtual window has been the most successful single tool for mimesis, command, and control in the history of Western civilization.
Mario Carpo, Ecole d'Architecture de Paris-La Villette
Unlike most theorists of digital culture, Anne Friedberg brings a deeply historical perspective to the visual metaphors of our wired world. The Virtual Window charts transformations in visual knowledge leading from Renaissance perspective to today's computer desktops by tracking shifts in the physical and philosophical meaning of 'windows.' Its long view offers an important methodological model to media studies and art history alike.
David Joselit, history of Art, Yale University
David Joselit
Unlike most theorists of digital culture, Anne Friedberg brings a deeply historical perspective to the visual metaphors of our wired world. The Virtual Window charts transformations in visual knowledge leading from Renaissance perspective to today's computer desktops by tracking shifts in the physical and philosophical meaning of 'windows.' Its long view offers an important methodological model to media studies and art history alike.