The Velveteen Rabbit

by Margery Williams, George Zarr (Director), Noelle Dupuis (Read by)

Overview

The Velveteen Rabbit (or How Toys Become Real) is a British children’s book by Margery Williams. It chronicles the story of a stuffed rabbit’s desire to become real through the love of his owner, a small boy—a heartwarming fairy tale enjoyed by children for generations. Based on a 2007 online poll, the National Education Association voted the book #28 on the “Teachers’ Top 100 Books for Children.”

Product Details

ISBN-13:	9798874809867
Publisher:	Design Sound Productions
Publication date:	07/16/2024
Product dimensions:	5.30(w) x 7.50(h) x 0.00(d)
Age Range:	6 - 9 Years

About the Author

Margery Williams Bianco (1881–1944) was an English-American author of popular children’s books. She became a professional writer at the age of nineteen, but didn’t achieve lasting fame until forty-one, when she published her best-known work, The Velveteen Rabbit, in 1922.

George Zarr is an award-winning audio dramatist currently based in Chicago. He is the producer, writer, director, and composer of the Hans Christian Andersen musical The Bell, the four-part comedy Hurry! Hurry! It’s Almost Christmas, the mystery collection Dark of the Moon Inn, and the Western comedy musical serial Hoofbeats in My Heart, all four available from Blackstone Publishing.

Noelle Dupuis is an accomplished voice actor and audiobook narrator based in Ontario, Canada. For Voices in the Wind Audio Theatre, she has read children’s classic stories, including The Little Mermaid, Beauty and the Beast, The Beatrix Potter Collection, Thumbelina, The Wild Swans, The Princess Collection, and The Hans Christian Andersen Collection, to name a few. Blackstone Publishing distributes all these titles. Noelle teaches drama and music at her local Elementary School when she isn’t narrating audiobooks.

Read an Excerpt

"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"

"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."

"Does it hurt?" asked the Rabbit.

"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."

"Does it happen all at once, like being wound up," he asked, "or bit by bit?"

"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't often happen to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."

Editorial Reviews

Lou Fancher sensitively adapts Margery Williams's The Velveteen Rabbit, illus. by Steve Johnson and Fancher, while maintaining the magic of the original. The inviting oil paintings ingeniously portray the boy's toy rabbit with button eyes, shaped like those of the real rabbits living in the nearby woods; as the stuffed rabbit is transformed by love, the artists seem to inject animation into its eyes, depicting its metamorphosis into a living, breathing being.

Publishers Weekly

PreS-Gr 2-Fancher's adaptation of Margery Williams's classic story sings with the magic of the original, while offering a shorter, more accessible version for modern children. The oil paintings have a luminous quality, the rich colors playing with dark and light to produce a timeless feel, perfectly complementing the text. The details of the boy's room, his toys, his Nana-all exist in an enchanted place somewhere between the past and the present. At last librarians have something to give parents who want to share the story of the toy that became real with their children, but are dismayed to find the original tale longer than they had remembered. An ideal adaptation of an old favorite.-Kathleen Kelly MacMillan, Maryland School for the Deaf, Columbia Copyright 2002 Cahners Business Information.

School Library Journal

In his note to the reader, Fancher (The Range Eternal, p. 1222, etc.) writes, "I’ve shortened the text to allow more room for the artwork," as an explanation for this abbreviated version of the beloved classic. Shortened indeed: Williams’s poetic passage introducing the Skin Horse has been reduced to: "The Skin Horse was old and wise, and he knew all about being Real." The rest is pared down to match, leaving a tale that does still—faintly—echo the original’s lyricism, but is less likely to lose the attention of, as Fancher puts it, "a wiggly two-year-old" being forced to listen to it. The art is, as promised, all full-paged and space-filling: quiet compositions in which the Velveteen Rabbit, the Boy, and other figures are large, soft-surfaced forms, viewed close-up, and from a child’s-eye level to enhance the feeling of intimacy. The tale’s more philosophical aspects will still elude most of the nursery school set, but sharing this summary may make some listeners more receptive to the Real story, when they’re old enough to appreciate it. On the other hand, perhaps they’ll think they’ve read it already. Why not just wait? (Picture book. 3-5)

Kirkus Reviews

"Well done. A good read-aloud for small groups of children."—School Library Journal.

From the Publisher

11/01/2015
PreS-Gr 3—Williams's 1922 classic continues to remind listeners of the power of enduring love. Children embrace the idea of toys coming to life, and adults acknowledge the underlying understandings, while the Skin Horse reminds us, "Real isn't how you are made…. It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." This timeless tale is made "real" by Jilly Bond's sparkling narration. Her voice is melodious and lyrical, drawing listeners into an imaginative tale where toys talk and fairies grant wishes. VERDICT For children who embrace imagination and adults who enjoy sharing such magical worlds, this is a delightful addition to libraries.—Terri Perper, Olney Elementary School, MD

School Library Journal - Audio