The Velveteen Rabbit

by Margery Williams, Izzy Evans (Illustrator), Cottage Door Press (Editor)

Overview

Margery Williams' famous story tells of a young boy and his treasured favorite toy, a splendid "fat and bunchy" rabbit, whose ears are lined with pink sateen. He carries it everywhere, talks to it, pretends with it, sleeps with it each night. The love he steadfastly bestows on his toy helps him through a serious illness and afterwards saves his beloved bunny from a terrible fate.

Product Details

ISBN-13:	9798890191205
Publisher:	Cottage Door Press
Publication date:	05/15/2025
Product dimensions:	6.50(w) x 1.50(h) x 9.50(d)
Age Range:	4 - 8 Years

About the Author

Margery Williams was born in July of 1882. She was an English-American author of numerous novels and children’s books, most notably The Velveteen Rabbit. She is also the author of The Little Wooden Doll, The Skin Horse, as well as many other highly regarded children’s works. She passed away in 1944, just before the end of World War II.

Sir William Nicholson was a renowned English illustrator and artist, who both supplied illustrations for children’s literature as well as wrote it himself. In addition to providing the illustrations for The Velveteen Rabbit, he authored two children’s books entitled Clever Bill and The Pirate Twins. Nicholson also worked in other areas of design, including theater set design; he designed the original set for Peter Pan in 1904. In the 1928 Summer Olympics, Nicholson was awarded a gold medal for his graphic work in the Arts competitions. He passed away in May of 1949.

Read an Excerpt

"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"

"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."

"Does it hurt?" asked the Rabbit.

"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."

"Does it happen all at once, like being wound up," he asked, "or bit by bit?"

"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't often happen to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."

Editorial Reviews

Lou Fancher sensitively adapts Margery Williams's The Velveteen Rabbit, illus. by Steve Johnson and Fancher, while maintaining the magic of the original. The inviting oil paintings ingeniously portray the boy's toy rabbit with button eyes, shaped like those of the real rabbits living in the nearby woods; as the stuffed rabbit is transformed by love, the artists seem to inject animation into its eyes, depicting its metamorphosis into a living, breathing being.

Publishers Weekly

PreS-Gr 2-Fancher's adaptation of Margery Williams's classic story sings with the magic of the original, while offering a shorter, more accessible version for modern children. The oil paintings have a luminous quality, the rich colors playing with dark and light to produce a timeless feel, perfectly complementing the text. The details of the boy's room, his toys, his Nana-all exist in an enchanted place somewhere between the past and the present. At last librarians have something to give parents who want to share the story of the toy that became real with their children, but are dismayed to find the original tale longer than they had remembered. An ideal adaptation of an old favorite.-Kathleen Kelly MacMillan, Maryland School for the Deaf, Columbia Copyright 2002 Cahners Business Information.

School Library Journal

In his note to the reader, Fancher (The Range Eternal, p. 1222, etc.) writes, "I’ve shortened the text to allow more room for the artwork," as an explanation for this abbreviated version of the beloved classic. Shortened indeed: Williams’s poetic passage introducing the Skin Horse has been reduced to: "The Skin Horse was old and wise, and he knew all about being Real." The rest is pared down to match, leaving a tale that does still—faintly—echo the original’s lyricism, but is less likely to lose the attention of, as Fancher puts it, "a wiggly two-year-old" being forced to listen to it. The art is, as promised, all full-paged and space-filling: quiet compositions in which the Velveteen Rabbit, the Boy, and other figures are large, soft-surfaced forms, viewed close-up, and from a child’s-eye level to enhance the feeling of intimacy. The tale’s more philosophical aspects will still elude most of the nursery school set, but sharing this summary may make some listeners more receptive to the Real story, when they’re old enough to appreciate it. On the other hand, perhaps they’ll think they’ve read it already. Why not just wait? (Picture book. 3-5)

Kirkus Reviews

"Well done. A good read-aloud for small groups of children."—School Library Journal.

From the Publisher