Powerful, eye-opening, and important, this audiobook, narrated by the author, is a must-listen. Karla Villavicencio documents her travels across the country for the purpose of collecting the stories of undocumented immigrants. A DACA (Deferred Action for Childhood Arrivals) recipient herself, Villavicencio is honest, raw, and engaging as she recounts her own experiences and shares interviews with those she meets along the way. The stories span individuals' everyday lives and include many moments that have impacted this country and the undocumented community as a whole: 9/11; the Flint, Michigan, water crisis; the 2016 presidential election; and more. Those who listen to this work with an open mind and an open heart will undoubtedly be changed by the experience. K.S.M. © AudioFile 2020, Portland, Maine
The Undocumented Americans
Narrated by Karla Cornejo Villavicencio
Karla Cornejo VillavicencioUnabridged — 4 hours, 53 minutes
The Undocumented Americans
Narrated by Karla Cornejo Villavicencio
Karla Cornejo VillavicencioUnabridged — 4 hours, 53 minutes
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Overview
Cornejo Villavicencio challenges us to truly consider the question: What does it mean to be "undocumented" in America? To look beyond the platitudes of partisan political debate. To do so propelled her across the country, seeking out and listening to the stories of individuals with complicated lives, living in this immigration limbo. That she herself is undocumented brings an intimate urgency to the work, an enveloping empathy with those who share these often-difficult narratives. Sobering and celebratory, forthright and deeply respectful, this is a powerful book beautifully rendered.
“Karla's book sheds light on people's personal experiences and allows their stories to be told and their voices to be heard.”-Selena Gomez
FINALIST FOR THE NBCC JOHN LEONARD AWARD ¿*NAMED A BEST BOOK OF THE YEAR BY THE LOS ANGELES TIMES, THE NEW YORK TIMES BOOK REVIEW, NPR, THE NEW YORK PUBLIC LIBRARY, BOOK RIOT, LIBRARY JOURNAL, AND TIME
Writer Karla Cornejo Villavicencio was on DACA when she decided to write about being undocumented for the first time using her own name. It was right after the election of 2016, the day she realized the story she'd tried to steer clear of was the only one she wanted to tell. So she wrote her immigration lawyer's phone number on her hand in Sharpie and embarked on a trip across the country to tell the stories of her fellow undocumented immigrants-and to find the hidden key to her own.*
*
Looking beyond the flashpoints of the border or the activism of the DREAMers, Cornejo Villavicencio explores the lives of the undocumented-and the mysteries of her own life. She finds the singular, effervescent characters across the nation often reduced in the media to political pawns or nameless laborers. The stories she tells are not deferential or naively inspirational but show the love, magic, heartbreak, insanity, and vulgarity that infuse the day-to-day lives of her subjects.*
*
In New York, we meet the undocumented workers who were recruited into the federally funded Ground Zero cleanup after 9/11. In Miami, we enter the ubiquitous botanicas, which offer medicinal herbs and potions to those whose status blocks them from any other healthcare options. In Flint, Michigan, we learn of demands for state ID in order to receive life-saving clean water. In Connecticut, Cornejo Villavicencio, childless by choice, finds family in two teenage girls whose father is in sanctuary. And through it all we see the author grappling with the biggest questions of love, duty, family, and survival.*
*
In her incandescent, relentlessly probing voice, Karla Cornejo Villavicencio combines sensitive reporting and powerful personal narratives to bring to light remarkable stories of resilience, madness, and death. Through these stories we come to understand what it truly means to be a stray. An expendable. A hero. An American.
Editorial Reviews
…in her captivating and evocative first book…Cornejo Villavicencio aims to tell "the full story" of what it means to be undocumented in America, in all of its fraughtness and complexity, challenging the usual good and evil categories through a series of memoir-infused reported essays…The Undocumented Americans offers little to those who think its subjects put themselves in a vulnerable position and should be punished for breaking the law. But even critics may find it challenging after reading the book to keep their minds from wandering toward the interior details, flattering and unflattering, of people they encounter who lack legal status.
Punk and dazzling and remarkably human . . . like watching firecrackers go off.”—Jia Tolentino
“Brilliant, vivid, tender, furious.”—Louise Erdrich
“A scream and a song . . . a complex, human look at the fabric of this nation.”—Quiara Alegría Hudes
“In her captivating and evocative first book, The Undocumented Americans, [Karla] Cornejo Villavicencio aims to tell ‘the full story’ of what it means to be undocumented in America, in all of its fraughtness and complexity, challenging the usual good and evil categories through a series of memoir-infused reported essays. In doing so, she reveals how her subjects, including her own family members, struggle with vices like adultery and self-harm, even while doing backbreaking, demeaning work to support their families. . . . Cornejo Villavicencio reveals a fullness of character that feels subversive, simply because of how rare it is.”—The New York Times Book Review
“There’s nothing to do but sit down and read this book. Inside it, I feel deep in being, immersed in a frankness and a swerving bright and revelatory funkiness I have not encountered ever before concerning the collective daily life of an undocumented family in America. It is a radical human story and Karla Cornejo Villavicencio is a great writer.”—Eileen Myles
“Karla Cornejo Villavicencio offers an un inching indictment of
our current immigration system. This is the book we’ve been waiting for.”—Roberto G. Gonzales, author of Lives in Limbo: Undocumented and Coming of Age in America
“Profoundly intimate . . . Karla Cornejo Villavicencio’s highly personal and deeply empathetic perspective serves as a powerful rebuttal
to characterizations of undocumented immigrants as criminals and welfare cheats.”—Publishers Weekly
“This valuable and authentic inquiry is powerfully embellished with magical imaginings, as when she envisions a man drowning during Hurricane Sandy’s last moments. Cornejo Villavicencio’s unfiltered and vulnerable voice incorporates both explosive profanity and elegiac incantations of despair, as, for example, when she internalizes the hatred toward brown people manifest in the poisoning of Flint, Michigan’s water supply. She gives of herself unstintingly as she speaks with undocumented day laborers, older people working long past retirement age, and a housekeeper who relies on the botanica and voodoo for health care. Cornejo Villavicencio’s challenging and moving testimonio belongs in all collections.”—Booklist (starred review)
“Memorable . . . compelling . . . heartwrenching . . . a welcome addition to the literature on immigration told by an author who understands the issue like few others.”—Kirkus Reviews
04/01/2020
In this debut, Cornejo Villavicencio writes of forgotten family traumas, through and around profiles of undocumented persons. She enters communities in Miami, Flint, Staten Island, and more, and examines structural challenges that people without papers experience, including access to health care. These well-rendered journalistic vignettes evoke her sources more like characters or friends. The account is straightforward about what it is like to exist as an immigrant in today's political climate. Cornejo Villavicencio does not mince words, repeatedly calling policies and actions racist, violent, and exploitative. She also touches on the subject of child separation at the Southern border and what such early crises do to human minds. For Cornejo Villavicencio and many in her community, traditional relationships and caretaking arrangements are altered by necessity. She writes, "At some point, your parents become your children, and your own personal American dream becomes making sure they age and die with dignity in a country that has never wanted them." VERDICT Readers come to see that there is no time for hedging: the personal traumas discussed in the book are compounded by their commonality. A must-read indictment on what it means to be undocumented and what it means to be American.—Sierra Dickey, Ctr. for New Americans, Northampton, MA
2020-01-15
The debut book from “one of the first undocumented immigrants to graduate from Harvard.”
In addition to delivering memorable portraits of undocumented immigrants residing precariously on Staten Island and in Miami, Cleveland, Flint, and New Haven, Cornejo Villavicencio, now enrolled in the American Studies doctorate program at Yale, shares her own Ecuadorian family story (she came to the U.S. at age 5) and her anger at the exploitation of hardworking immigrants in the U.S. Because the author fully comprehends the perils of undocumented immigrants speaking to journalist, she wisely built trust slowly with her subjects. Her own undocumented status helped the cause, as did her Spanish fluency. Still, she protects those who talked to her by changing their names and other personal information. Consequently, readers must trust implicitly that the author doesn’t invent or embellish. But as she notes, “this book is not a traditional nonfiction book….I took notes by hand during interviews and after the book was finished, I destroyed those notes.” Recounting her travels to the sites where undocumented women, men, and children struggle to live above the poverty line, she reports her findings in compelling, often heart-wrenching vignettes. Cornejo Villavicencio clearly shows how employers often cheat day laborers out of hard-earned wages, and policymakers and law enforcement agents exist primarily to harm rather than assist immigrants who look and speak differently. Often, cruelty arrives not only in economic terms, but also via verbal slurs and even violence. Throughout the narrative, the author explores her own psychological struggles, including her relationships with her parents, who are considered “illegal” in the nation where they have worked hard and tried to become model residents. In some of the most deeply revealing passages, Cornejo Villavicencio chronicles her struggles reconciling her desire to help undocumented children with the knowledge that she does not want "kids of my own." Ultimately, the author’s candor about herself removes worries about the credibility of her stories.
A welcome addition to the literature on immigration told by an author who understands the issue like few others.
Product Details
| BN ID: | 2940169234213 |
|---|---|
| Publisher: | Penguin Random House |
| Publication date: | 03/24/2020 |
| Edition description: | Unabridged |
| Sales rank: | 588,254 |
Read an Excerpt
Chapter 1
Staten Island
August 1, 2019
If you ask my mother where she’s from, she’s 100 percent going to say she’s from the Kingdom of God, because she does not like to say that she’s from Ecuador, Ecuador being one of the few South American countries that has not especially outdone itself on the international stage—magical realism basically skipped over it, as did the military dictatorship craze of the 1970s and 1980s, plus there are no world-famous Ecuadorians to speak of other than the fool who housed Julian Assange at the embassy in London (the president) and Christina Aguilera’s father, who was a domestic abuser. If you ask my father where he is from, he will definitely say Ecuador because he is sentimental about the country for reasons he’s working out in therapy. But if you push them, I mean really push them, they’re both going to say they’re from New York. If you ask them if they feel American because you’re a little narc who wants to prove your blood runs red, white, and blue, they’re going to say No, we feel like New Yorkers. We really do, too. My family has lived in Brooklyn and Queens a combined ninety-seven years. My dad drove a cab back when East New York was still gang country, and he had to fold his body into a little origami swan and hide under his steering wheel during cross fires in the middle of the day while he ate a jumbo slice of pizza. Times have changed but my parents haven’t. My dad sees struggling bodegas and he says they’re fronts. For what? Money laundering. For whom? The mob. My mother wants my brother and me to wear pastels all year round to avoid being seen as taking sides in the little tiff between the Bloods and the Crips.
My parents are New Yorkers to the core. Despite how close we are, we’ve talked very little about their first days in New York or about their decision to choose New York, or even the United States, as a destination. It’s not that I haven’t asked my parents why they came to the United States. It’s that the answer isn’t as morally satisfying as most people’s answers are—a decapitated family member, famine—and I never press them for more details because I don’t want to apply pressure on a bruise.
The story as far as I know it goes something like this: My parents had just gotten married in Cotopaxi, Ecuador, and their small autobody business was not doing well. Then my dad got into a car crash where he broke his jaw, and they had to borrow money from my father’s family, who are bad, greedy people. The idea of coming to America to work for a year to make just enough money to pay off the debt came up and it seemed like a good idea. My father’s family asked to keep me, eighteen months old at the time, as collateral. And that’s what my parents did. That’s about as much as I know.
You may be wondering why my parents agreed to leave me as an economic assurance, but the truth is I have not had this conversation with them. I’ve never thought about it enough to ask. The whole truth is that if I was a young mother—if I was me as a young mother, unparented, ambitious, at my sexual prime—I think I would be thrilled to leave my child for “exactly a year,” as they said it would be, which is what the plan was. I never had to forgive my mom.
My dad? My dadmydadmydad was my earliest memory. He was dressed in a powder-blue sweater. He was walking into a big airplane. I looked out from a window and my dad was walking away and, in my hand, I carried a Ziploc bag full of coins. I don’t know. It’s been almost thirty years. It doesn’t matter anymore.
My parents didn’t come back after a year. They didn’t stay in America because they were making so much money that they became greedy. They were barely making ends meet. Years passed. When I was four years old, going to school in Ecuador, teachers began to comment on how gifted I was. My parents knew Ecuador was not the place for a gifted girl—the gender politics were too f***ed up—and they wanted me to have all the educational opportunities they hadn’t had. So that’s when they brought me to New York to enroll me in Catholic school, but no matter how hard they both worked to make tuition, they fell short. Then one day—I think I was in the fourth grade—the school bursar called me into his office and explained that there was an elderly billionairess who lived in upstate New York who had heard about me and was impressed. He told her my family was poor and might have to pull me from the school. (Okay, so in this scenario the tragedy would have been that I’d have to go to the local public school, which was not a great school, but just so we’re on the same page, I support public schools and I would have been fine.) So she came up with a proposition. She’d pay for most of my tuition if I kept up my grades and wrote her letters.
That was the first time in my life I’d have a benefactor, but it would not be my last. When I was at Harvard, a very successful Wall Street man who knew me from an educational NGO we both belonged to—he as a supporter, me as a supported—learned I was undocumented and could not legally hold a work-study job, so every semester he wrote me a modest check. In the notes section he cheekily wrote “beer money”—the joke being that I wouldn’t really drink until I was twenty-one—but every semester I used it for books, winter coats for those f***ing Boston winters, money I couldn’t ask my parents for because they didn’t have any to give. I wrote him regular emails about my life at Harvard and my budding success as a published writer. He was always appropriate and boundaried. I had read obsessively about artists since I was a kid and considered myself an artist since I was a kid so I didn’t feel weird about older, wealthy white people giving me money in exchange for grades or writing. It was patronage. They were Gertrude Stein and I was a young Hemingway. I was Van Gogh, crazy and broken. I truly did not have any racial anxieties about this, thank god. That kind of thing could really f*** a kid up.
I’m a New York City kid, but although the first five years of my time in America were spent in Brooklyn, if we’re going to be real, I’m from Queens. Queens is the most diverse borough in the city. This might sound like a romanticized ghetto painting, but when I walk through my neighborhood, a Polish child with a toy gun will shoot at my head and say the same undecipherable word over and over; a Puerto Rican kid will rap along to a song on his phone and turn it up as loud as necessary to make out the lyrics, even rapping along to some N-words; some Egyptian teenagers will refuse to move out of my way as I’m simply trying to cross the street; and some Mexican guys will invite me to join a pyramid scheme. But none of us will try to take any rights away from each other. We don’t have potlucks, but we live in peace. We go to the same street fairs.
The other boroughs are less diverse, but I found that the same thing is basically true. Except for one borough that I was always curious about—Staten Island, New York’s richest, whitest, most suburban borough. It is almost 80 percent white. By way of comparison, Brooklyn and Queens are just less than half white, the Bronx is 45 percent white, and even Manhattan is only 65 percent white. Staten Island is geographically isolated—you can’t take the subway there from the city—and, I don’t know, man, there isn’t a lot of shared goodwill between islanders and city residents. It’s not like we’re unaware. They’ve literally tried to secede from New York City and form their own city or join New Jersey. In June 1989, the New York State legislature gave Staten Island residents the right to decide on secession, and in November 1993, 65 percent of voters voted yes. Governor Mario Cuomo insisted that the referendum be approved by the state legislature, where it was defeated, but the desire continued to bubble just beneath the surface for years, so even after the world was rocked by Brexit, you had local island politicians posting on social media about how inspiring an event it was. Staten Island is the city’s most conservative borough, pretty reliably Republican, the only borough in New York City to go for Donald Trump in the 2016 presidential election. It’s also the borough where Eric Garner was killed in a choke hold at the hands of NYPD officer Daniel Pantaleo. A Staten Island grand jury declined to indict Pantaleo for murder.
I learned about all of this later. But the first time Staten Island really entered my consciousness was when there were news reports about hate crimes against Latinx people when I was a kid. This was the only context in which Staten Island was mentioned on Spanish nightly news—Mexican immigrants as victims of hate crimes at the hands of young black men, a cruel reminder of the rift between our communities.
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